Using the analytic framework offered by Dona Schwartz in “To Tell the Truth: Codes of Objectivity in Photojournalism”, and drawing on the theoretical lens of your choice from Part I or Part II of the textbook (Marxist, organizational, pragmatic, rhetorical, cultural, psychoanalytic, or queer analysis), provide a one-page critical analysis of this example of photojournalism.
What meaning does the photograph construct? How does it construct this meaning. What are the implications of this meaning?
