“The Graduate” – director, Mike Nichols (1967)
Keep track of camera angles other than eye-level shots.
If there are high- or low-angle shots, determine whether they are POV shots. That is, is the high or low angle meant to represent another character’s point of view?
If so, what does the angle convey about that character’s state of mind? If not, what does it convey about the person or thing in the frame?