Adolescent pregnancy is viewed as a high-risk situation because it poses serious health risks for the mother and the baby. Describe various risk factors or precursors to adolescent pregnancy. Research community and state resources devoted in adolescent pregnancy and describe at least two of these resources. Research the teen pregnancy rates for the last 10 years for your state and community. Has this rate increased or decreased? Discuss possible reasons for an increase or decrease.
Haunted by anxious masculinity, Othello need to justify his actions. Desdemona need to be sacrificed to the masculine major for she ought to die under the suspicion of infidelity. but Othello cries out from the oppression of the needs of patriarchy. He confides in Iago 'the pity of it!...O...the pity of it!' (IV.i. 2626'2627). Iago responses 'if you are so fond over her iniquity, provide her patent to offend' (IV.i. 2628). This sends Othello into a good extra rage than ever earlier than. His thoughts has already been occupied by using the masculine main in which there may be no room for deviation. Othello's crazed insecurity has pushed him into blind fury. mockingly, Othello finds justice in a major thats basis is on inequality. Desdemona is never even wondered about her fidelity. For Othello is deceived into believing that girls are untrustworthy. Lashing out at Desdemona he strikes her calling 'O satan, devil!/ If that the earth may want to teem with female's tears,/ every drop she falls would prove a crocodile/ Out of my sight!' (IV.i.2686'2689). all over again, Othello banishes Desdemona quickly restoring patriarchal order. For to Othello, Desdemona has deviated from her patriarchal function. yet this time, banishment isn't always sufficient to pacify Othello's demanding masculinity. Justice to the patriarchal order requires that guy be dominant. To definitely banish Desdemona is to allow her 'iniquity' bringing chaos at the masculine most important. again in act four, the masculine important is bolstered. In indignation Othello confronts Emilia asking her about Desdemona's current movements. Emilia testifies that Desdemona is 'honest, chaste and real' (IV.ii. 2754). yet Othello is lost to Desdemona's faith. though she and her mistress, Emilia plead her innocence, he has been convinced both are mendacity. as the masculine precept is suspicious of girls, Othello trusts Iago despite the testimony of witnesses. Iago is not handiest given the most powerful impact in Othello's thoughts but additionally inside the play itself (Bent, 360). Shakespeare emphasizes Iago's domination. with out aware recognition, Othello reinforces the male main by way of permitting Iago the strength to sway his trust in Desdemona. As a result, the masculine primary is lived out of disturbing masculinity. harmless Desdemona has no concept of unfaithfulness. She can't even fathom the act of a woman dishonest on her husband (IV. iii. 3111). yet Emilia offers a counterpoint, she argues that men under the patriarchal gadget 'throw...restraint upon us; or say they strike us' mentioning that guys are at fault if women have extramarital affairs. girls who are searching for male organization outdoor of their marriage are simplest getting 'revenge' (IV.iii. 3112'3130). For girls have the equal choice as guys. Emilia argues that women are not to be blamed for their husbands infidelity, appearing because the strongest girl position in Othello. she will no longer be ruled through patriarchy as Desdemona permits. In Desdemona's very last banishment she nevertheless stays devoted to Othello. Even 'his stubbornness, his cheques, his frowns'' have grace and choose in them' (IV.iii. 3039'3041). The very last scene of Othello's homicide brings an unsatisfying conclusion to the drama of his annoying masculinity. Othello confesses to Desdemona that even if she swore she changed into harmless of every accusation, she could now not change his thoughts once more verifying that due to the fact Iago is a male, his perspective is much extra honest than Desdemona's very own testimony (V.ii.sixty two). The audience is left with the identical patriarchal order in region as Desdemona falls victim to Othello's stressful masculinity, even taking the blame for the incident as she responds to Emilia's horrified inquiry of who has finished this horrible issue. Desdemona responds 'i personally' (V.ii.113). Othello does no longer dismantle this concept, setting up that what he has achieved is honorable: 'for naught I did in hate, but all in honor.' yet whose honor did Othello kill Desdemona in? It seems as though Othello sacrificed Desdemona to the masculine primary. In turn Iago sacrifices his wife, Emilia. as the truth is revealed to Othello he charges Iago, who takes the possibility to stab Emilia from behind and run away. In both times, ladies have fallen sufferer to their husbands will. Iago, having devised Othello's downfall by rumor, ought to were savvy to its energy. but Iago murders his wife below the pretense that she has had intercourse with Othello. It isn't always sufficient for Iago to bring Desdemona and Othello to their grave, he must additionally murder Emilia for her potential crime in opposition to him. Iago drives the masculine fundamental ahead. For he is also enslaved through nerve-racking masculinity. Emilia's defiance of Iago inside the final scene are too much for him to handle. he's so ate up by his insecurity as he stabs his spouse thru the again. Othello's very last plea is a plea to be remembered in his masculinity: noble and brave. He implores 'i have performed that state some service, and that they recognise 't....communicate of me as i am...one that loved not accurately, but too nicely./ of 1 not without problems je>GET ANSWER