Cinematography and editing are two elements in City of God that are creatively bold, unusual, and, in a way, a stylistic metaphor for the unpredictability of the story and the tenuous futures of the characters.

Write 200 words about what director Fernando Meirelles and cinematographer Cesar Charlone are doing with the camera work and editing that are innovative and helps tell the story in a way that a more conventional style could not.

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