Using the data provided to you (on Excel file), build a computational statistics data pipeline that automates the cleaning, transformation and initial analysis of the data. As part of this, you are expected to employ some dimension reduction and/or feature extraction techniques to reduce the dimensionality of the data for future analysis.
Question 2) Comparison among Romeo and Juliet and a play I've seen (Hamlet). Hamlet adored Ophelia, a young lady. Romeo cherished Juliet's young lady. The two primary folks in the story adored a young lady they couldn't remain with like Romeo with Juliet on the grounds that Romeo was a Montague and Juliet was a Capulet and Hamlet and Ophelia couldn't remain together on the grounds that Ophelia's dad thought Hamlet's insane. In Hamlet's end, everybody who needed to manage the story's primary plot kicked the bucket toward the end. The finish of Romeo and Juliet In Romeo and the finish of Juliet both Romeo and Juliet kick the bucket. All the primary individuals bite the dust in the two games. Yet, for similar reasons in Hamlet, they don't pass on in the two plays on account of the village attempting to murder his uncle for vengeance. However, beyond words Romeo and Juliet as a result of their shared love. Both are portrayed by a bounty of characters. A brief glance at Dramatis Personae from Hamlet shows fourteen unique characters-and a more critical look shows three more. Romeo and Juliet go considerably further, gauging no under 23 characters. The two performance centers highlight various characters who talk and a bunch who don't do anything. Another striking comparability is the power of amazing names: "Polonius," "Benvolio" and "Reynaldo" are preposterous, and I never met anybody named "Gertrude." It appears to be evident that Shakespeare planned to summon certain pieces of importance. Hamlet's name, for instance, reviews the expression "In the event that you don't eat that ham, let your sister have a few," while "Fortinbras" obviously suggests "Hi, I'm an erratic elderly person; I'm searching for tin bras." There is another similitude that would be postponed in not discussing the language component. Both in Romeo and Juliet and Hamlet, the characters converse with one another continually, or tune in to somebody talking, or conversing with themselves, or what you have. Here we see the trademark propensity of Shakespeare for words; specifically, his propensity for utilizing words to mean things. One can unmistakably perceive how Shakespeare has affected this part of his craft as a human kid in England. The repetitive theme of gravity is another undeniable equal between the two plays. Both Romeo's Verona and Juliet's and Hamlet's Denmark are universes where articles are attracted to earth by a power relative to their mass. Subsequently, the two characters remain solidly appended to the floor in Hamlet Act II scene iii, as Hamlet and Laertes take part in a sort of verbal "justing match." what's more, when Polonius drops his keys on line 187, it is suggested that the keys tumble to the ground and come into contact with it. This is by all accounts obviously practically equivalent to the minute in Romeo and Juliet when Juliet (fruitlessly) attempts to go her hand through the divider, and Friar Laurence shows up in her chambers, telling that his feet "appear>GET ANSWER