MODULE NAME: DOING INTERNATIONAL POLITICS – taking Paris as a LAb/Scene .
It needs to explain whether it helps or hinders sustainable development. Explaining how, why, when and what Paris Climate Accord and Sustainable
developments mean in INTERNATIONAL POLITICS.
A report that is critical and relevant in International Politics and Paris as a lab of scene.
taking the Paris Climate Accord(PCA).
The research paper needs to have reliable sources and analytical literature funding it. The co-option of power and language- PCA and counter intuitively is connected in its systemic pattern both
normalized and institutionalized.
It needs to focus on transdisciplinary research hence focus on a holistic approach.
It also needs to comprise of case studies and reports, literature reviews
Following this assessment criteria:
Book required to quote at least 6 times : THE GLOBAL TURN: Darian Smith
Key terms: Globalization and the International Political Economy, Theory and Cases in Political Science. Contemporary World Politics.
Understand contemporary international politics as a practical activity
Learn about performativity and enactment theories to understand contemporary international politics
Understand and evaluate how conventional thinking about international politics can be challenged by studying it as a practical activity
Learn how to analyse and evaluate actors, sites, practices, and acts of international politics with a critical methodological approach
DISCIPLINARY SKILLS – ABLE TO
develop the ability to work with a specific theoretical approach
strengthen the ability to apply theory to understand and conceptualise evidenced-based phenomena
develop analytical skills through independent study and group-based research within seminar activities
develop analytical skills through independent study and group-based research within seminar and lab activities
produce theoretically-informed and evidence-based analysis of international politics
enhance critical reading, oral and written communication
Enhance self-organisational and group working skills, generally ‘outstanding’
show an authoritative grasp of the concepts involved in the question, its methodology and factual content.
It will select and organise the material with consistent relevance but also with originality, control.
Dante Alighieri played a critical role in the literature world through his poem Divine Comedy that was written in the 14th century. The poem contains Inferno, Purgatorio, and Paradiso. The Inferno is a description of the nine circles of torment that are found on the earth. It depicts the realms of the people that have gone against the spiritual values and who, instead, have chosen bestial appetite, violence, or fraud and malice. The nine circles of hell are limbo, lust, gluttony, greed and wrath. Others are heresy, violence, fraud, and treachery. The purpose of this paper is to examine the Dante’s Inferno in the perspective of its portrayal of God’s image and the justification of hell.
In this epic poem, God is portrayed as a super being guilty of multiple weaknesses including being egotistic, unjust, and hypocritical. Dante, in this poem, depicts God as being more human than divine by challenging God’s omnipotence. Additionally, the manner in which Dante describes Hell is in full contradiction to the morals of God as written in the Bible. When god arranges Hell to flatter Himself, He commits egotism, a sin that is common among human beings (Cheney, 2016). The weakness is depicted in Limbo and on the Gate of Hell where, for instance, God sends those who do not worship Him to Hell. This implies that failure to worship Him is a sin.
God is also depicted as lacking justice in His actions thus removing the godly image. The injustice is portrayed by the manner in which the sodomites and opportunists are treated. The opportunists are subjected to banner chasing in their lives after death followed by being stung by insects and maggots. They are known to having done neither good nor bad during their lifetimes and, therefore, justice could have demanded that they be granted a neutral punishment having lived a neutral life. The sodomites are also punished unfairly by God when Brunetto Lattini is condemned to hell despite being a good leader (Babor, T. F., McGovern, T., & Robaina, K. (2017). While he commited sodomy, God chooses to ignore all the other good deeds that Brunetto did.
Finally, God is also portrayed as being hypocritical in His actions, a sin that further diminishes His godliness and makes Him more human. A case in point is when God condemns the sin of egotism and goes ahead to commit it repeatedly. Proverbs 29:23 states that “arrogance will bring your downfall, but if you are humble, you will be respected.” When Slattery condemns Dante’s human state as being weak, doubtful, and limited, he is proving God’s hypocrisy because He is also human (Verdicchio, 2015). The actions of God in Hell as portrayed by Dante are inconsistent with the Biblical literature. Both Dante and God are prone to making mistakes, something common among human beings thus making God more human.
To wrap it up, Dante portrays God is more human since He commits the same sins that humans commit: egotism, hypocrisy, and injustice. Hell is justified as being a destination for victims of the mistakes committed by God. The Hell is presented as being a totally different place as compared to what is written about it in the Bible. As a result, reading through the text gives an image of God who is prone to the very mistakes common to humans thus ripping Him off His lofty status of divine and, instead, making Him a mere human. Whether or not Dante did it intentionally is subject to debate but one thing is clear in the poem: the misconstrued notion of God is revealed to future generations.
Babor, T. F., McGovern, T., & Robaina, K. (2017). Dante’s inferno: Seven deadly sins in scientific publishing and how to avoid them. Addiction Science: A Guide for the Perplexed, 267.
Cheney, L. D. G. (2016). Illustrations for Dante’s Inferno: A Comparative Study of Sandro Botticelli, Giovanni Stradano, and Federico Zuccaro. Cultural and Religious Studies, 4(8), 487.
Verdicchio, M. (2015). Irony and Desire in Dante’s” Inferno” 27. Italica, 285-297.