Eisenstein and Battleship Potemkin

Drawing on Fabe’s chapter on Eisenstein and Battleship Potemkin, how might some her specific ideas relate to Man with a Movie Camera, and Ballet Mecanique? More broadly, dig deep and try to explain what these European experimental films are doing in contrast to the Classical Hollywood style of Griffith, Chaplin, Keaton, and Fairbanks? How are they expanding the artistic potential of silent cinema beyond the formulas of classical Hollywood narrative?
https://archive.org/details/MyMovie_20190318
https://archive.org/details/vidtb

Sample Solution

Sample Solution

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