Research on “fiction” writing. What is fiction? How is it different from nonfiction? Please explain. Ask questions if you still have any after your research.
What is flash fiction, specifically? Please define it in your own words.
What is the definition of a novel? Please define it in your own words.
What is Gender Studies and Queer Theory? How does it influence the way you read We the Animals?
Read and respond to We the Animals.
What is your initial reaction to this novel?
This is another powerful, beautifully written book with many important characters, traumas, and conflicts. What details, images, events, characters, anecdotes, or pages of the book made an impact on you, and why? Be specific.
Why do you think the author chose to write mostly short chapters? What effect does this style have on you as a reader?
Analyze We the Animals by discussing at least 2 of the following writing techniques: imagery, plot, symbolism, setting, vivid details and description, characterization, historical context, or any of the other techniques defined on our class document titled “Literary Analysis: Using Elements of Literature.” (You can find that document here: https://mcphs.blackboard.com/webapps/blackboard/execute/content/file?cmd=view&mode=designer&content_id=_479064_1&course_id=_19884_1&framesetWrapped=true
What challenges or frustrations did you encounter? What questions do you still have?
once he is born so one can form a cohesive, goal identity as a human. In other words, the child need to ‘abject’ the mom- discard or chuck out the primal connection to her, treat her as dangerous and suffocating- if she/he's to gain any sovereign subjectivity in anyway. despite the fact that we ought to are trying to find to push the maternal discern away, we also are nevertheless drawn close to her. for this reason, we get jammed in a vague situation that is a fundamental a part of the human country. As Steven Bruhm feedback in his article at the present day Gothic that the brink of toddler- discern bond must be sorted and an try must be made to rid oneself of the dependent, in- between state of mother- connection with a purpose to assert very own autonomy: That thrown- off mom, at the least in the infant’s delusion, continually lures and seduces the child again to the number one bond in which she/he's completely taken care of; in reaction, the child should demonize and reject her so as ‘to constitute [it]self and [its] way of life”’. We come then now not to be mere victims of the last item ‘ the mother ‘ however energetic dealers in the expulsion of that mother. we're creatures of conflicted desires, locked in an uncanny push-me-pull-you that propels us closer to the very objects we fear and to fear the very objects in the direction of which we're propelled. We should bond with our mother and father, however no longer too much; we should distance ourselves from our mother and father, however now not too much. (qtd in Cambridge associate to Gothic Fiction by way of Jerold E. Hogle, 266) The abject threatens us with vagueness and terrorizes the standards upon which the identity of person is constructed; however our association with the maternal figure is not the lone circumstance that outcomes in this haziness in our lives. Confronting or coming head to head with something that drives us to doubt the borders that help us to coordinate and type out our world result in fright and terror. The abject offers each the feeling of repulsion and fascination as it epitomizes a violation of borders: me versus you, within the body as opposed to outdoor the frame, lifestyles as opposed to loss of life. In her essay, the aspect that Julia Kristeva portrays as the ‘utmost of abjection,’ for example, is the corpse, because it compels us to face the borders of our own subsistence: ‘The corpse, visible without God and outdoor of technological know-how, is the utmost of abjection. it's far demise infecting life. Abject. it's far something rejected from which one does now not element, from which one does not shield oneself as from an object. Imaginary uncanniness and real danger, it beckons to us and ends up engulfing us. it is consequently not lack of cleanliness or fitness that reasons abjection however what disturbs identity, machine, order. What does not respect borders, positions, rules? -The in-among, the ambiguous, the composite. The inevitable fascination with the abject is the spirit of The female in Black’s popularity. The binaries of attraction-repulsion are powerfully at work in Hill’s novel as fascination would be annoyed due to the fact the lady in black is visible as oddity or large being, summoning the sensation that the gruesome is stimulating. Repulsion however is provoked due to the fact the woman in black, in one way or another, is going past her woman role and enters in realm which isn't always suitable or apposite for her. So the woman in black is someplace in amid scenario as she intensely admits that she is a liminal parent whose facade generates mental affliction while she forces an encounter with something that lies at the border of understanding. even though Kipps tries to miss or dessert the risk, he is nevertheless bond to agree with and be given that something ominous receives stimulated through her appearance: i was trying to make light of something that we both knew changed into gravely extreme, seeking to disregard as insignificant, and perhaps even nonexistent, some thing that affected us b>GET ANSWER