Please click the link for the work of art this assignment is on:
https://www.gustav-klimt.com/Hope-II.jsp

art is housed here
https://artsandculture.google.com/asset/hope-ii-gustav-klimt/igEr3RtRyxrpnw?hl=en

• Identification: Select a work of art. You may select a piece that you like or dislike. Get all the information provided: artist, title, medium, year, etc. Write down your initial responses. How do you respond to the work? Does it invoke an emotional response? What do you think the artist was trying to communicate? It is helpful to bring a notebook to record your responses.
• Describe the piece and review it carefully. What do you see? Note all the details about the work. How would you describe it to someone you were talking to on the phone who can’t see it?
• Analyze the visual elements and design principles, thinking about the relationship between form, content, and subject matter. This will be helpful in your ‘interpretation’ of the work. Consider context: does it fit into a movement or time period? Consider its place in the artist’s overall output.
• Interpretation Follow your analysis with a subjective interpretation of the meaning of the work. How does the work make you feel? What do you think the content is? Go beyond “I like it” or “I don’t like it.”
• Research the artist. Historical and biographical information on the artist often provides clues into a work’s intended meaning. Carefully consider the purpose and context of the piece. Did the piece you selected have any particular political or cultural message? Was the artist making a statement?
• Evaluate What do you think the artist’s intentions were? Was this communicated? Does it have value? Can you recognize the aesthetic quality in the work?

 

 

Sample solution

Dante Alighieri played a critical role in the literature world through his poem Divine Comedy that was written in the 14th century. The poem contains Inferno, Purgatorio, and Paradiso. The Inferno is a description of the nine circles of torment that are found on the earth. It depicts the realms of the people that have gone against the spiritual values and who, instead, have chosen bestial appetite, violence, or fraud and malice. The nine circles of hell are limbo, lust, gluttony, greed and wrath. Others are heresy, violence, fraud, and treachery. The purpose of this paper is to examine the Dante’s Inferno in the perspective of its portrayal of God’s image and the justification of hell. 

In this epic poem, God is portrayed as a super being guilty of multiple weaknesses including being egotistic, unjust, and hypocritical. Dante, in this poem, depicts God as being more human than divine by challenging God’s omnipotence. Additionally, the manner in which Dante describes Hell is in full contradiction to the morals of God as written in the Bible. When god arranges Hell to flatter Himself, He commits egotism, a sin that is common among human beings (Cheney, 2016). The weakness is depicted in Limbo and on the Gate of Hell where, for instance, God sends those who do not worship Him to Hell. This implies that failure to worship Him is a sin.

God is also depicted as lacking justice in His actions thus removing the godly image. The injustice is portrayed by the manner in which the sodomites and opportunists are treated. The opportunists are subjected to banner chasing in their lives after death followed by being stung by insects and maggots. They are known to having done neither good nor bad during their lifetimes and, therefore, justice could have demanded that they be granted a neutral punishment having lived a neutral life. The sodomites are also punished unfairly by God when Brunetto Lattini is condemned to hell despite being a good leader (Babor, T. F., McGovern, T., & Robaina, K. (2017). While he commited sodomy, God chooses to ignore all the other good deeds that Brunetto did.

Finally, God is also portrayed as being hypocritical in His actions, a sin that further diminishes His godliness and makes Him more human. A case in point is when God condemns the sin of egotism and goes ahead to commit it repeatedly. Proverbs 29:23 states that “arrogance will bring your downfall, but if you are humble, you will be respected.” When Slattery condemns Dante’s human state as being weak, doubtful, and limited, he is proving God’s hypocrisy because He is also human (Verdicchio, 2015). The actions of God in Hell as portrayed by Dante are inconsistent with the Biblical literature. Both Dante and God are prone to making mistakes, something common among human beings thus making God more human.

To wrap it up, Dante portrays God is more human since He commits the same sins that humans commit: egotism, hypocrisy, and injustice. Hell is justified as being a destination for victims of the mistakes committed by God. The Hell is presented as being a totally different place as compared to what is written about it in the Bible. As a result, reading through the text gives an image of God who is prone to the very mistakes common to humans thus ripping Him off His lofty status of divine and, instead, making Him a mere human. Whether or not Dante did it intentionally is subject to debate but one thing is clear in the poem: the misconstrued notion of God is revealed to future generations.

 

References

Babor, T. F., McGovern, T., & Robaina, K. (2017). Dante’s inferno: Seven deadly sins in scientific publishing and how to avoid them. Addiction Science: A Guide for the Perplexed, 267.

Cheney, L. D. G. (2016). Illustrations for Dante’s Inferno: A Comparative Study of Sandro Botticelli, Giovanni Stradano, and Federico Zuccaro. Cultural and Religious Studies4(8), 487.

Verdicchio, M. (2015). Irony and Desire in Dante’s” Inferno” 27. Italica, 285-297.

Sample Answer

Sample Answer

Title: “Hope II” by Gustav Klimt

Identification:

Artist: Gustav Klimt
Title: Hope II
Medium: Oil on canvas
Year: 1907-1908
Initial Response: When I first laid eyes on “Hope II” by Gustav Klimt, I was immediately captivated by the intricate details and vibrant colors of the artwork. The gold and jewel tones used by the artist create a sense of opulence and richness. I felt a mix of awe and curiosity, wanting to delve deeper into the meaning behind this captivating piece.

Description: “Hope II” depicts a female figure in a kneeling position, surrounded by an array of geometric patterns and organic forms. The woman is adorned with flowing robes that seamlessly blend into the ornate background. The use of gold leaf adds a sense of luminosity and depth to the artwork. The attention to detail is evident in every aspect of the painting, from the delicate facial features to the intricate patterns that adorn the figure.

Analyzing the Visual Elements and Design Principles: The visual elements in “Hope II” are characterized by Klimt’s signature style, which blends symbolism, decorative patterning, and sensuality. The use of geometric shapes, such as circles and squares, is prevalent throughout the composition, creating a harmonious balance between form and content. The repetition of these shapes adds a rhythm and movement to the artwork. The figure’s elongated proportions and flowing garments contribute to the sense of elegance and grace.

Interpretation: “Hope II” evokes a sense of mystery and contemplation. The figure’s kneeling position suggests a state of vulnerability and humility, while her serene expression exudes a sense of inner strength and resilience. The use of gold symbolizes hope and enlightenment, while the intricate patterns represent the complexities of life and human existence. The title itself, “Hope II,” implies that there is a preceding work or narrative that accompanies this piece, leaving room for interpretation and speculation.

Research on the Artist: Gustav Klimt was an Austrian symbolist painter and one of the most prominent members of the Vienna Secession movement. His works often explored themes of sensuality, spirituality, and the human condition. Klimt’s style was highly decorative, combining elements of symbolism and art nouveau. His paintings were influenced by various sources, including Byzantine mosaics, Japanese art, and Egyptian symbolism.

Evaluation: In “Hope II,” Klimt successfully communicates his artistic intentions through the use of symbolism, intricate details, and a harmonious composition. The artwork carries intrinsic value both in its aesthetic qualities and its ability to evoke emotions and contemplation in viewers. Klimt’s deliberate choice of subject matter and style adds depth and meaning to the artwork, making it a significant contribution to his overall body of work.

In conclusion, “Hope II” by Gustav Klimt is a visually stunning artwork that combines symbolism, decorative patterning, and a sense of mystery. It effectively communicates the artist’s intentions through its intricate details and evocative imagery. This masterpiece holds both aesthetic and emotional value, showcasing Klimt’s artistic prowess and unique style.

 

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