Reflect on whether and how business in Australia engages with the Aboriginal Communities by focusing on your choice of the following two case studies presented below:
What role, what privilege, what space for Indigenous Australian benefit from native foods?
What role, what privilege, what space for Indigenous Australian benefit from media ownership?
Reflect on important issues of Australian business professional life.
Develop critical reflection skills and recognise its value in professional life.
Analysing the issues of these two case studies for core information choose which one of these cases to focus on as a basis to write your analysis of whether and how business in Australia engages with the Aboriginal Communities Submitting answers to the questions for assessment: A) What role, what privilege, what space for Indigenous Australian benefit from native foods?
What role, what privilege, what space for Indigenous Australian benefit from media ownership? References
Little uncertainty the gladiatorial amusements at Rome's Colosseum would have been blood-fuelled, fierce exhibitions. The information of the recreations has been left through stories, letters and ballads of incredible Roman legislators and authors. This article will quickly inspect how different Roman authors reacted to the amusements, and how those responses were comparative or unique. The conclusion will recognize reasons why these journalists may have held their feelings about the diversions. Seneca, a lawmaker who kicked the bucket around 65 CE, has indistinguishable state of mind from Cicero, showing no fulfillment in the Roman gladiatorial shows. Be that as it may, Seneca censures the shows in an immediate manner. To start with, he announces no trust in one's capacity to hold their ethical character when one is inundated in a group. One's ethical character winds up harmed, ending up "more avaricious, more aggressive, more liberal… more unfeeling and inhuman." Second, Seneca broadcasts that one doesn't discover excitement in the shows, just "sheer butchery." As any victor in one test is basically offered in the following battle, the shows show exercises in savagery to the individuals who can't profit by it. Military, then again, celebrates the gladiatorial recreations. Military lived from 40 - 103 CE and might have been associated with Seneca's family. Military's "On the Spectacles" lifts up Rome's Colosseum to the most abnormal amount, contrasting its significance with the marvels of the world, for example, Babylon's gardens. Martial trusts that the fallen in the field have a simply end as just blameworthy crooks or creatures fall in the field. "On the Spectacles" distinctively depicts the gut and empowers those from far away to observe the scene for themselves, relatively like a visitor advertisement. Statius, who composed around indistinguishable time from Martial, has an alternate view on the diversions in "The Tame Lion." This ballad grieves the passing of one lion in the field. So terrible is it that the ruler of seekers has been restrained that even Caesar sheds a tear for the fallen lion. This straightforwardly differentiates Martial's picture of a "slippery lion" that had set out to abuse and mischief his master. Statius sees the loss of the monster as unfortunate, Martial as merited. "The Tame Lion" demonstrates that Statius trusts that the gladiatorial diversions decrease the grandness of seekers. In a letter to Valerius Maximus, Pliny the Younger commendations the government official for putting on an extraordinary display for the general population of Verona. Pliny was a lawmaker who lived from 61-112 CE. Pliny announced it an appropriate occasion for a burial service tribute to Valerius Maximus' wife. Pliny's state of mind about the amusements is unbiased, communicating neither abhorrence nor love for the exhibitions, which is obvious in a report routed to one who holds the recreations. What the letter reveals is that Pliny trusts the diversions are important motions of liberality when people in general requests such occasions. In this manner, dissimilar to a considerable lot of the other Roman essayists, Pliny discovers an incentive in the amusements in that they fulfill the wants of general society. St. Augustine lives substantially later than alternate journalists highlighted in this article, between 354-430 CE. At this point Christianity had been acknowledged as a religion in the Roman Empire. St. Augustine was one of the immense Christian thinkers. In "The Story of Alypius", St. Augustine uncovers a comparable response to the recreations as Seneca's response, that is, once encompassed in a group, one's character will be unsalvageably harmed. In the story, Alypius goes to the recreations trusting he is sufficiently solid to oppose enticement of the barbarous amusements. The issue, as indicated by St. Augustine, is that Alypius confided in himself rather than God, and he too falls prey to the savage games. As St. Augustine was a Christian rationalist, there is little ponder that he pronounced the individuals who saw "the evil of battling" as ones loaded up with "savage passion." St. Augustine would have connected the diversions with Rome's Pagan past. In this manner, the majority of the Roman authors trust that the diversions are savage occasions, offering amusement of little esteem. Pliny the Younger's conviction that the amusements are vital for open generosity emerges from the others. A large number of them evaluate the diversions adversely, concentrating on how being a piece of a group may hurt one's ethical character. Military is one of only a handful couple of authors who straightforwardly applauds the scenes. Maybe he was endeavoring to pick up support from the Emperor, as "On the Spectacles" peruses like a traveler ad for the diversions at the Colosseum. St. Augustine's view on the diversions isn't astounding. As a Christian thinker, he would have needed the Roman Empire to separate itself from occasions that were eminent in its previous Pagan past. Unmistakably, the compositions demonstrate that the displays at the Colosseum were dubious undertakings. References Augustine, St., "The Story of Alypius" in Resource Book 1, Open University. Cicero, "Pompey's Shows" in Resource Book 1, Open University. _____. "Philosophical Discussion" in Resource Book 1, Open University. Military, "On the Spectacles" in Resource Book 1, Open University. Pliny the Younger, "Letter to Valerius Maximus" in Resource Book 1, Open University. Seneca, "Letter 7" in Resource Book 1, Open University. Statius, "The Tame Lion" in Resource Book 1, Open University. 1 References  Cicero, Philosophical Discussion, 98.  Ibid.  Cicero, Pompey's Shows, 97.  Ibid.  Ibid.  Seneca, Letter 7, 99.  Ibid.  Ibid.  Martial, On The Spectacles, 91-92.  Ibid., 93.  Statius, The Tame Lion, 98.  Martial, On The Spectacles, 92.  Pliny, Letter to Valerius Maximus, 96.  St. Augustine, The Story of Alypius, 100.  Ibid.>GET ANSWER