Observe and/or interview a child or an adolescent (newborn – 18 years) for 4 weeks in a home, school or any other community organization serving children and adolescents. Record your observations based on the guidelin. provided. If the child can talk, interview the chilcVadolescent asking age appropriate questions. In your interview, as appropriate, you may ask the child/adolescent about his or her likes, dislikes, interests or hobbi., role models, hopes and fears, attitude towards parents, teachers, school, friends, society, influence of the media, internet and the social media, a. culture. Recognize atypical developmental characteristics, if any.
then again Iago presentations his aggravating masculinity as he desperately craves Othello's validation. To Iago, receiving merchandising to lieutenant might show his masculinity for he would obtain Othello's confirmation. This affirmation need to come from any other male. For men suffering from disturbing masculinity, the best remedy is the approval of other men. Iago isn't motivated with the aid of racism, however lack of confidence and jealousy. He is likewise sure by the masculine principle, wishing to repair justice in having sex with Desdemona but identifying as a substitute to break Othello's consider of Desdemona. perhaps, Iago wishes to ruin Othello with the identical humiliation he feels. Breitenberg announces this 'self ingesting frustration, anxiety and violence of the jealous man is a 'logical' response to the inequalities of the equal patriarchal financial system that has engendered his very identity within the first vicinity' (382). mockingly Othello is likewise liable to frustration, anxiety and violence as his masculinity is questioned in mild of Desdemona's ability revolt in having sex with Michael Cassio, a handsome lieutenant employed by way of Othello. Othello's rash reactions are possibly now not only encouraged by way of Desdemona breaking from her patriarchal role but additionally through the humiliation of fellows of lower rank seizing his position within the bedroom. Othello offers into Iago's persuasion rapidly. For Iago slights Othello via insinuating that he is silly and naive. it's far feasible Othello is already worried that he's 'of a loose and open nature, that thinks guys sincere that however appear to be so, and will as tenderly be led with the aid of th' noses as asses are' (I.iii.381'four). but as opposed to fearing that he may be too short to agree with Iago, he's annoying approximately having out of place consider in Desdemona. For the masculine most important could make Iago a more credible supply. Patriarchy 'giv[es] male control over girl sexuality, fertility and labor' (Elbert, 19). in keeping with this masculine precept girls are subordinate, suspicious and unable to be definitely subjugated. because those sure to the masculine important believe that women are not able to definitely be subjugated, there's a deep lack of confidence in the very foremost gives adult males authority over females. fear that Desdemona will never sincerely be under his manage drives Othello out of his mind. For despite the truth that Othello claims to be madly in love with his spouse, and trust in her even to the point of his personal loss of life, he has forgone this with consider in Iago who's extra truthful due to the fact he's male. understanding this, Iago persists to haunt Othello by growing doubt. For when ladies step outside of their patriarchal roles, as defined by guys, it shakes adult males from their patriarchal protection and reasons an imbalance in the gadget. In Othello, this shaking of self assurance results in Desdemona's death and suicide as he tries to deliver justice to her assumed transgression. Othello honestly cannot hold in wondering that his spouse has been unfaithful to him. He would alternatively lose her than stay with the shame of getting been cheated on by way of his wife. inside the midst of the play, Othello confesses that it's miles a reputable man's fate to have an untrue spouse. This fact helps that patriarchy is rooted inside the worry that girls are not able to be completely suppressed. From this perspective, lady unfaithfulness ''Tis destiny unshunnable like dying' (III.iii.279). Othello certainly equates Desdemona's deviation from her prescribed patriarchal position merits death. For to let her stay is to disturb patriarchal order and instill outstanding lack of confidence in Othello. at the same time as noting the severity of girl infidelity he also exposes the masculine major's fragility. For a quick period, Othello regains a number of confidence in his masculinity in Desdemona's obedience: he has successfully reestablished the masculine precept in his home. by banishing Desdemona, he is a hit in silencing her and demonstrating his energy and manipulate. Her silence and absence of presence is what Callaghan might categorize as 'evidence of injustice and victimization' (Correll 318). right here the 'right' behavior of Desdemona causes Othello to mirror on her with fondness and consider proclaiming 'Perdition trap my soul/ but I do love thee! And while i love thee now not/ Chaos is come once more' (III.iii.90'92). right here Othello affirms his love and accept as true with in Desdemona until chaos returns. so long as Dedemona has abided through her function prescribed in patriarchy, Othello unearths her impossible to resist again. yet Desdemona does now not continue to be irresistible to Othello, for he's thrown by means of Iago's influence. Chaos reigns in Othello's stressful masculinity which Iago draws out. He quickly sinks again into despair. one of the maximum clean pictures of Othello's aggravating masculinity and confusion lies in his confession to Iago that '[he] thinks [his] spouse be honest and assume she isn't always./ I think that thou (Iago) art just and think thou art now not' (III.iii.394'five). those lines disclose the risky nature of Othello's tense masculinity. One second he is at peace and the subsequent he is riddle>GET ANSWER