Palestine: National cinema without homeland, pp. 287-297

Explain the title of the chapter. Is there any paradox?

Why are Palestinians often depicted as terrorists against both Israel and the West? How did/do Palestinian authorities use cinema?

What have you learned about the Palestinian filmmaker Michel Khleifi and his films Wedding in Galilee and Fertile Memory? Based on the plot, would you consider the latter as a feminist film?

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Sample Solution

ACED ESSAYS