Analyze the relevance of one of the following texts:
1. Mock, Janet. 2014. Redefining Realness: My Path to Womanhood, Identity, Love & So Much More. New York: Atria Books.
2. Clare, Eli. 1999. Exile and Pride: Disability, Queerness and Liberation. Cambridge, MA: South End Press.
Explain the significance your chosen text has in relation to the course material (this is the relevance of the text). As such, you should ask yourself what the author says that overlaps with, relates to, or even contradicts the course material. Your thesis statement should make an argument that the text you chose is “relevant to Sexuality Studies because…”
• Identifying the main argument/message of the text
• Analyzing the significance/relevance the text has for the study of sexualities
• An introduction with a thesis statement
• A short summary of the text’s main themes (no more than 2 paragraphs/1 page)
• An analysis of the text using course material
• A conclusion
You must refer to at least 4 course texts (not including the books under review). You may also refer to lectures, but the bulk of your analysis should come from course texts. You must also incorporate 2 additional scholarly sources (academic articles, chapters, books) that you find from independent library research (to ensure relevance keep in mind the PARCA test from Assignment #2). As such, you should refer to a total of 7 texts for your analysis: the book you’ve chosen for the assignment (Clare OR Mock), 4 scholarly course texts, 2 scholarly external texts.
The essay should be developed around an explicit thesis. It must include proper referencing, and be formatted according to APA guidelines with bibliography.
Academic standard formatting: Title page, Times New Roman 12-point font, double-spaced, 1” margins, and page numbers.
The length of the assignment is 8 pages (not including a cover page or bibliography) in 12 point, Times New Roman font, with one inch margins, and page numbers.
Assignments should have a formal cover page that includes an original and relevant title (not Assignment #3 or Review Essay) your name and student number, the course code, your TA’s name, and the date the assignment is being submitted.
Dante Alighieri played a critical role in the literature world through his poem Divine Comedy that was written in the 14th century. The poem contains Inferno, Purgatorio, and Paradiso. The Inferno is a description of the nine circles of torment that are found on the earth. It depicts the realms of the people that have gone against the spiritual values and who, instead, have chosen bestial appetite, violence, or fraud and malice. The nine circles of hell are limbo, lust, gluttony, greed and wrath. Others are heresy, violence, fraud, and treachery. The purpose of this paper is to examine the Dante’s Inferno in the perspective of its portrayal of God’s image and the justification of hell.
In this epic poem, God is portrayed as a super being guilty of multiple weaknesses including being egotistic, unjust, and hypocritical. Dante, in this poem, depicts God as being more human than divine by challenging God’s omnipotence. Additionally, the manner in which Dante describes Hell is in full contradiction to the morals of God as written in the Bible. When god arranges Hell to flatter Himself, He commits egotism, a sin that is common among human beings (Cheney, 2016). The weakness is depicted in Limbo and on the Gate of Hell where, for instance, God sends those who do not worship Him to Hell. This implies that failure to worship Him is a sin.
God is also depicted as lacking justice in His actions thus removing the godly image. The injustice is portrayed by the manner in which the sodomites and opportunists are treated. The opportunists are subjected to banner chasing in their lives after death followed by being stung by insects and maggots. They are known to having done neither good nor bad during their lifetimes and, therefore, justice could have demanded that they be granted a neutral punishment having lived a neutral life. The sodomites are also punished unfairly by God when Brunetto Lattini is condemned to hell despite being a good leader (Babor, T. F., McGovern, T., & Robaina, K. (2017). While he commited sodomy, God chooses to ignore all the other good deeds that Brunetto did.
Finally, God is also portrayed as being hypocritical in His actions, a sin that further diminishes His godliness and makes Him more human. A case in point is when God condemns the sin of egotism and goes ahead to commit it repeatedly. Proverbs 29:23 states that “arrogance will bring your downfall, but if you are humble, you will be respected.” When Slattery condemns Dante’s human state as being weak, doubtful, and limited, he is proving God’s hypocrisy because He is also human (Verdicchio, 2015). The actions of God in Hell as portrayed by Dante are inconsistent with the Biblical literature. Both Dante and God are prone to making mistakes, something common among human beings thus making God more human.
To wrap it up, Dante portrays God is more human since He commits the same sins that humans commit: egotism, hypocrisy, and injustice. Hell is justified as being a destination for victims of the mistakes committed by God. The Hell is presented as being a totally different place as compared to what is written about it in the Bible. As a result, reading through the text gives an image of God who is prone to the very mistakes common to humans thus ripping Him off His lofty status of divine and, instead, making Him a mere human. Whether or not Dante did it intentionally is subject to debate but one thing is clear in the poem: the misconstrued notion of God is revealed to future generations.
Babor, T. F., McGovern, T., & Robaina, K. (2017). Dante’s inferno: Seven deadly sins in scientific publishing and how to avoid them. Addiction Science: A Guide for the Perplexed, 267.
Cheney, L. D. G. (2016). Illustrations for Dante’s Inferno: A Comparative Study of Sandro Botticelli, Giovanni Stradano, and Federico Zuccaro. Cultural and Religious Studies, 4(8), 487.
Verdicchio, M. (2015). Irony and Desire in Dante’s” Inferno” 27. Italica, 285-297.