What are the advantages of including visuals in a document? What considerations might help you judge which type of visual is best suited for the content, purpose, and audience? If you are authorized to edit visuals in a document, what parts of a visual would you typically edit? What sorts of errors might you expect to find in these parts of a visual? What are the simple content checks you might perform? What can you do as an editor to ensure that visuals (graph, map, photograph, video) are accessible to users who are visually impaired or who have hearing difficulties?
In a similar sense, Krogstad’s introduction to Nora’s household is a metaphor for the spread of capitalist ideology in Europe, and the consequent corrosion of the security attached to the domestic household. Krogstad is introduced as he enters through an unlocked door in the Helmer’s household “Now the door is pushed ajar, and Krogstad appears.” (130). Like Sandip, Krogstad’s arrival is sudden and unforeseen. By focusing on the unlocked door, it is clear to see that the bourgeoise household is defenceless in keeping intruders out. It is a facade of security that is easily compromised. Furthermore, Krogstad’s silent observation of Nora’s game with her children “what shall we play? Hide and seek?” (129) provides an unsettling sense of voyeurism as he intrudes on an emphatically private moment. This casts Nora’s household from its preconceived notions of seclusion and exposes it to be scrutinized by the outside world. Nicholas Grene extends this line of thought by stating that “the revolutionary innovation of Ibsen’s A Doll’s House was to turn that scene of the glass-walled conservatory the other way around, to put the audience of the play in the position of the townspeople, gazing in at the middle-class marital home.” (16). Grene’s point is a significant one as it illuminates the importance of staging in corroding the distinct lines between the interior and exterior world. The set of the bourgeoise household may be constructed to appear superficially private but it is, in fact, a stage. This means that it is designed for the sole purpose of being gazed upon and dissected. In this sense, there is a definitive and noticeable breach between the domestic household and the external world as the audience observes the bourgeoise home. This, Branislav Jakovljevic posits, means that “the reality of the stage is always measured against the truth of the outside world.” (432). In o>GET ANSWER