The Early Athenian Republican classical Riace Warriors were transitional to the refinements of the High Athenian Republican classical period that is embodied in Polykleitos’ Doryphoros
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2-Wikipedia and other Internet sources are not permitted as cited references. Reliance on these sources may lead to a reduction in grade for the final draf. BrilliantArtsoftheAncientGreeks[Polyclitus]1973.pdf

  1. StewartClassicalGreeceandtheBirthofWesternArt (1).pdf
  2. https://www.khanacademy.org/humanities/ancient-art-civilizations/greek-art/classical/v/polykleitos-doryphoros-spear-bearerLinks to an external site.https://www.khanacademy.org/humanities/ancient-art-civilizations/greek-art/classical/v/polykleitos-doryphoros-spear-bearer
  3. A source from the SFC library of your own choosing, in addition to classroom discussions to describe how
    Polykeitos in the Doryphoros created a work that advanced Athenian art beyond the early Athenian Classical Riace Warriors, through abstraction, to an object that manifested the High Athenian Classical embrace of:
    idealism [an inferior physical object that results from fixing aim on the conceptual model for man as Plato conceived it]
    rationalism [the creation of a work based upon ideal mathematical systems and as a reflection of functional, in this instance, life-like mechanical systems]
    humanism [a celebration of the nude human body as a reflection of ordinary citizen’s human agency, rational capacities and striving towards the ideal]
    Apply this argument to describe a work of your choosing from our Met trip that embodies or varies from these principles
    additionally, use FingestenArtJournal1961.pdf
    to discuss how Mondrian, rejecting the physical world in response to troubling circumstances in Europe between World Wars, made manifest a radically autonomous abstraction that as a Modern work still reflects Athenian classical principles

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