An 18-year-old woman presented to her family physician for an initial obstetric examination, accompanied by her 27-year-old boyfriend. Initial history revealed that she was a gravida 1, para 0, at 16 weeks of gestation and living in a mobile home with her partner. She was strongly considering giving up the baby for adoption because of “financial and other” reasons. Answers to screening violence history questions indicated that she had been beaten by her father from preschool age until she was 13 years of age; her parents then divorced. The patient revealed that her present partner had “slapped her around” on several occasions and that once she was “accidentally dragged by his truck” during an argument. He had slammed the driver’s door, started the truck and put it in gear, reportedly without realizing that her dress was caught in the car door. On further questioning the patient stated that she was not happy in this relationship and in fact did not feel safe. However, she conveyed that she is optimistic about the future because her partner beganto attend church and stated that he wanted to be a good father.
CC: “Sometimes I have felt unsafe in this relationship”.
Discuss the elements potential and real domestic violence in this case.
Discuss domestic violence during pregnancy.
What other information might you want from this patient today?
What differential diagnosis is appropriate for this scenario (include all that pertain to this case)?
What would your care approach be for this patient?
The hip bounce music and development have prevailing to decrease racial pressures, fashion a persuasive picture of minorities individuals, and impact an entire age who needs to have any kind of effect and voice their need. Hip-Hop sway as it were: social equity, correspondence, acknowledgment and considerably more. The account of Hip-jump is an account of a worldwide industry who rules the present famous music. As it were it has a long history and loads of hindrances. So as to attempt to comprehend this social development of a melodic sexual orientation, there were a couple of periods in hip-jump history. Without a doubt, the possibility of «cultural hip-jump " has a few adoptive parents like Africa Bambaataa or Kool Herc for instance. They had for normal to lead the road gatherings of Bronx in the 70s in New York. Additionally, it is sure that the term hip-jump was conceived in these square gatherings, that were simultaneously places of melodic admixture between disco, electro music, funk and Jamaican sounds. In the squares parties for instance, the rappers and the artists practice were truly held by the musicality and the scrutinizing of the Masters of services. Without a doubt, the trades of the artists and the rappers among them and with the general population change the ceremonial battles of region into stages arranged by breakers consummating their style in a few moves. Hip jump has created itself as the years progressed. To be sure, to truly comprehend in which setting the hip-jump's way of life was conceived, it is important to know, the dubious financial and social circumstance of the Afro-American and Latin American classes in New York City. While after the Second World War, the locale, for example, Harlem, Brooklyn or the Bronx speak to the expectation for the African-American, Puerto Rican, Irish, Italian and Jewish families, during the 60s, the modern occupations leave the regions to amass in the north rural areas. Whites pursue and the estimation of the land breakdown. The land theorists want to shave their old structures as opposed to reestablishing them. In 1989, we can say that hip-bounce moved on from its unassuming, exciting sources as inventive gathering music in the Bronx in the late 1970s. As individuals k>GET ANSWER