The purpose of this activity is to provide the student with an opportunity to critically think about the issues and problems that nurse leaders face. Respond with a minimum of 100 words
Carefully read three case studies in the Longest, Rakick and Darr (2014) textbook.
1. As an introduction provide a problem statement that reflects the case study 2. Identify an organizational theory that applies to the case study 3. In writing your response to each question at the end of each case study: a. first restate each question and b. supply your response with references to support your comments. 4. Prepare a title page, abstract, conclusion and reference list according to APA guidelines
Each case study assignment is worth 10 points (there are 3 case studies) for a total of 30 points, which are allocated in the following way:
1. Followed APA format for scholarly work 1 point 2. Answered all questions thoroughly and completely 4 points 3. Demonstrated adequate understanding of material 1 points 4 Used material from the literature to support position 2 points
Distributed: Thu, 26 Jul 2018 Himakshi Ratti Presentation Movies as medium of Mass Communication Film correspondence might be considered as a social procedure whereby a transmitted flag is gotten basically through visual receptors (and, frequently, solid receptors) and is then regarded as a message from which substance or significance is surmised. Film, as an emblematic frame, is a procedure of correspondence that utilizes film, the medium, with its innovation of optics, emulsions, and cameras, to deliver a bit of celluloid with a variable-thickness silver nitrate surface. It is man who makes film correspondence. This definition recommends that a bit of film, all by itself, is unimportant that significance exists just in a unique social and intellectual connection between a movie producer and a watcher. This relationship happens when a watcher regards a film not as simple signs activating perceptual mindfulness and natural reactions, yet as message units that have been assembled deliberately and from which importance might be surmised. Film is maybe the standard of all fine arts, most prominent and most open, particularly in India, a nation which delivers most number of movies in a year contrasted with some other nation (notwithstanding Hollywood, maybe), and a nation where we have an extensive base of film opening up to the world. Film, more than some other workmanship, has the ability to impact individuals. In this manner, it is imperative to see how the nation, its kin and its desires are spoken to in the film delivered in the nation. Film as a medium of mass correspondence can be seen at various levels, filling distinctive needs. It tends to be a fine art, a stimulation, a social archive or a social evaluate. Film can be these and in the meantime be a way to something different – a mirror unto our lives, indicating us precisely how we work as society. Standard Vs Alternative Cinema Mainstream movies can best be characterized as business films that are made by real amusement studios or organizations that are claimed by universal media combinations. In light of better financing, these movies can bear the cost of more costly performers, wide discharges or restricted discharges, and are sold at well known retail locations. This has turned out to be known as the studio framework. Movies made by significant studios or organizations that are not possessed by a media combination but rather are disseminated by an organization claimed by a media aggregate are likewise viewed as standard and are regularly alluded to as standard free movies. As a standard medium (film needs cash to be created. In this way, it must interest the standard group of onlookers, who will pay in the cinema world) film must, above all else, advance to the standard crowd. The meaning of standard changes from society to society, from culture to culture. Extensively, it implies speaking to the common mentalities, qualities, and practices of a general public or gathering, for instance, standard profound quality. A social develop, when connected to workmanship, standard may mean something that is accessible to the overall population, or something that has connections to corporate or business substances. Sexuality in Hindi standard movies alludes to the introduction in films of sexuality or suggestion and sex acts, including love scenes. Suggestive scenes have been introduced in movies since the quiet time of cinematography. Numerous performing artists and on-screen characters have uncovered in any event parts of their bodies or dressed and carried on in manners considered explicitly provocative by contemporary guidelines sooner or later in their vocations. A few movies containing sexual moments have been reprimanded by religious gatherings or prohibited by Govt. or then again both. Sexuality in film has been introduced in numerous classifications of film; while in a few types sexuality is once in a while portrayed. Sex in movies can be recognized to an explicit film and furthermore from nakedness in film, bareness can be introduced in a sexualized setting, for instance nakedness in naturalism would regularly be viewed as non-sexual. In India, media outlets is a critical piece of present day India and is expressive of Indian culture by and large. Generally Indian movies have come up short on the straight to the point delineation of sex; as of not long ago, notwithstanding kissing scenes were viewed as forbidden. Then again assault scenes or demonstrating rape were portrayed straightforwardly. Presently some Indian states demonstrate delicate center sexual scenes and nakedness in movies, while different zones don't. Standard movies are still to a great extent cooked for the majority of India, anyway outside movies containing sexuality are viewed by Indians in light of a similar procedure of glamorization of film stimulation that happened in Hollywood, Indian film, predominantly Hindi-speaking Bollywood industry is likewise starting to include sexual hints. A Brief History of Bollywood Sex and Romance Bollywood works of art can't be beaten for their obvious sentimental strain, where insinuate contacting was supplanted with the graceful, affable allusion of hot rain and wet apparel. Indians are so held about what occurs between consenting grown-ups, considering India is the second most crowded nation on the planet. In some ways, notwithstanding, Hindi movie producers have turned out to be more loose in their demeanors, as more youthful, Western-impacted ages grow up and make waves in an industry based on convention. Already concealed "taboos" like pre-marriage sex, onscreen bareness and even spouse swapping have inquisitively been passed by the Central Board of Film Certification, the strict guard dog likeness the MPAA that has filled in as a blue pencil since the mid '50s. Accumulated beneath is a glance at the milestone minutes and patterns that have cocked eyebrows through Bollywood history. Bollywood in the 70's and 80's was getting to be westernized. In those days the presence of a plain white brassiere spoke to the taboo idea of onscreen toplessness. A performer wearing only her over-the-bear rock holder who turned out the lights, for example, would infer that she would before long be demonstrating her bosoms to her sweetheart. On the off chance that anybody understood the intensity of such dressed titillation, it was Raj Kapoor, whose movies started to stretch the limits late in his directorial profession. His unparalleled 1973 teenager sentiment "Bobby" made a medium-term stick up vibe of Dimple Kapadia when she showed up in a swimsuit, and 1978′s "Satyam, Shivam, Sundaram" (which confronted a difficult task with the control load up, and was censured by some as being exploitative) saw Zeenat Aman in a scarcely there sari that opposed material science by remaining on. His last film, 1985′s "Slam Teri Ganga Mali" created additional debate when 16-year-old star Mandakini showed up showering in a cascade, wearing just a transparent white. Today, two-piece angels are undeniably predominant in Bollywood culture, and 2000′s "Hera Pheri" even delineated male sunbathers in swimming outfits, mixed up as young ladies from a separation by the film's hero. Up until the '50s, if Bollywood stars needed to express love or even desire onscreen, catching each other's hands and gazing longingly was about as naughty as it got. Embracing and light face stroking turned into the following jump over the accompanying three decades, however it wasn't until the '90s that kissing was extremely recognized, not to mention done. A lady may lean in for lip benefit, however would timidly flee before the arrangement was fixed, or else the genuine demonstration would be canvassed by a cloak at the time previously. While this, as well, is evolving today (genius performer Aamir Khan even has a kissing statement put in his co-stars' agreements; in the event that they won't kiss him, they can't act inverse him), puckering up can in any case be combative. Padmini Kolhapure stood out as truly newsworthy when she only gave Prince Charles a peck on the cheek, and after Aishwarya Rai got private with Hrithik Roshan in 2006′s "Dhoom 2," foulness cases were documented. "Thing numbers," or exceedingly sexualized, playful Bollywood tunes with suggestive verses and movement, started springing up in the late '80s and particularly during the '90s. Intended to stimulate, enthusiasm for the business films they show up in, thing numbers are remain solitary gems with no pertinence to their motion pictures' plots, including either appearance appearances from acclaimed stars — or all the more normally, "thing young ladies." Here, typification ought not to be mistaken for the attractive artists in progressively uncovering dress have turned into somewhat less trashed today, as some have utilized the grandstand as a springboard into driving jobs. Among the approved artists, at that point, comes the thought of "skin appear," what India equivocally calls any idea of performers and even on-screen characters now, who will parade more than what the traditionalist guidelines manage. Set out exposed entertainers like Bipasha Basu in 'Jism' and the dubiously blunt Mallika Sherawat in 'Murder' have accomplished reputation for their meagerly clad limit pushing alone. Elective Lifestyles Bollywood plots have surely advanced, less focused on orchestrated relational unions and more on youthful urbanites dating and clubbing. In any case, these are still small steps contrasted with what has been familiar with in Western culture. India still remains closeted in changing sexual inclinations. In 2003 "Kal No Naa Ho" treated homosexuality with droll, and the ongoing "Dostana" concerns two fakers in a similar vein, however little walks have been made to convey earnestness and receptiveness to the film. In 2005 "My Brother… Nikhil" inconspicuously conveyed attention to the AIDS emergency, however it never could have existed without the immensely disputable 1996 arrival of Deepa Mehta's "Fire," the principal Bollywood film to portray homosexuality. At the point when the last film opened, there were irate dissents and far reaching vandalism — motion picture theaters demonstrating the film were viciously raged, with windows crushed and publications consumed. While it's difficult to accept such bigotry over so little could exist in the advanced period. This too should be in any way contemplated that "Kabhi Alvida Na Kehna" (w>GET ANSWER