The need for Troy Mason in Fences

Discuss the need for Troy Maxson in Fences, Stanley Kowalski in A Streetcar Named Desire, Walter Younger in A Raisin in the Sun, and Willy Loman in Death of a Salesman, to “belong” to their respective societies how these desires affect their relationships. How do these desires and dreams complicate the idea of the “American Dream ” for these characters?

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