Consider the following scenarios: Scenario 1: Jennifer is a 2-year-old female who presents with her mother. Mom is concerned because Jennifer has been “running a temperature” for the last 3 days. Mom says that Jennifer is usually healthy and has no significant medical history. She was in her usual state of good health until 3 days ago when she started to get fussy, would not eat her breakfast, and would not sit still for her favorite television cartoon. Since then she has had a fever off and on, anywhere between 101oF and today’s high of 103.2oF. Mom has been giving her ibuprofen, but when the fever went up to 103.2oF today, she felt that she should come in for evaluation. A physical examination reveals a height and weight appropriate 2-year-old female who appears acutely unwell. Her skin is hot and dry. The tympanic membranes are slightly reddened on the periphery, but otherwise normal in appearance. The throat is erythematous with 4+ tonsils and diffuse exudates. Anterior cervical nodes are readily palpable and clearly tender to touch on the left side. The child indicates that her throat hurts “a lot” and it is painful to swallow. Vital signs reveal a temperature of 102.8oF, a pulse of 128 beats per minute, and a respiratory rate of 24 beats per minute. Scenario 2: Jack is a 27-year-old male who presents with redness and irritation of his hands. He reports that he has never had a problem like this before, but about 2 weeks ago he noticed that both his hands seemed to be really red and flaky. He denies any discomfort, stating that sometimes they feel “a little bit hot,” but otherwise they feel fine. He does not understand why they are so red. His wife told him that he might have an allergy and he should get some steroid cream. Jack has no known allergies and no significant medical history except for recurrent ear infections as a child. He denies any traumatic injury or known exposure to irritants. He is a maintenance engineer in a newspaper building and admits that he often works with abrasive solvents and chemicals. Normally he wears protective gloves, but lately they seem to be in short supply so sometimes he does not use them. He has exposed his hands to some of these cleaning fluids, but says that it never hurt and he always washed his hands when he was finished. Scenario 3: Martha is a 65-year-old woman who recently retired from her job as an administrative assistant at a local hospital. Her medical history is significant for hypertension, which has been controlled for years with hydrochlorothiazide. She reports that lately she is having a lot of trouble sleeping, she occasionally feels like she has a “racing heartbeat,” and she is losing her appetite. She emphasizes that she is not hungry like she used to be. The only significant change that has occurred lately in her life is that her 87-year-old mother moved into her home a few years ago. Mom had always been healthy, but she fell down a flight of stairs and broke her hip. Her recovery was a difficult one, as she has lost a lot of mobility and independence and needs to rely on her daughter for assistance with activities of daily living. Martha says it is not the retirement she dreamed about, but she is an only child and is happy to care for her mother. Mom wakes up early in the morning, likes to bathe every day, and has always eaten 5 small meals daily. Martha has to put a lot of time into caring for her mother, so it is almost a “blessing” that Martha is sleeping and eating less. She is worried about her own health though and wants to know why, at her age, she suddenly needs less sleep. • Review the three scenarios, Identify the pathophysiology of the disorders presented in each of the three scenarios, associated alterations and the patients’ adaptive responses to the alterations caused by the disease processes. You are required to discuss all three scenarios within the paper component of this assignment. • Review the examples of “Mind Maps—Dementia, Endocarditis, and Gastro- Construct one mind map on a selected disorder presented in one of the scenarios. Your Mind Map must include the epidemiology, pathophysiology, risk factors, clinical presentation, and diagnosis of the disorder, as well as any adaptive responses to alterations.
Hence to delineate this thought, it is valuable to investigate completely a wide range of speculations, for example, Martin Parr's preservationist 'Midsummer Madness' gathering has been communicated through various talks, the initially importance has been re-deciphered, in some cases inconspicuously, different occasions essentially in its procedure. The typical cost for basic items traditionalist Midsummer Madness is a piece of the narrative talk – where 'things as they may be' are appeared. Numerous authors, for example, John Tagg would have will probably contend that the organizing of the photos in this specific symbolism is inside the divulgence of narrative, which delivers they depict the truth of the white collar class consumerism in the 1980's in Britain. On the other hand Parr's work is associated with an advancement of the talk narrative where the picture taker permits to a greater degree an individual, autonomous perspective all through their picture of decision. (Bull, 2010). Marita Sturken and Lisa Cartwright Many pictures deliver implications, anyway implications of a bit of work don't are not, entirely, completely deciphered in the work itself, this is the place the maker of the bit of work has set its individual components for the watcher to reveal them. The implications and translations of work are based other than the picture itself and the maker of the picture. On the other hand, pictures have what we call the 'prevailing' otherwise called a common significance. The picture can likewise be translated and seen from multiple points of view that don't adjust to its initially meaning. Be that as it may, it is critical to understand that not all work of expressions and media preparations don't address all watchers the same, rather, a bit of craftsmanship addresses particular watchers who are drawn into the picture while being seen. For instance, style, content, the world it fabricates and the issues it raises. At the point when a watcher is occupied with a photo they say the picture addresses them, maybe in light of the fact that they can identify with it or know about somebody who they can relate it to. 'Similarly as watchers make importance from pictures, pictures likewise develop audiences.' Normally most pictures we see have a type of idea driving them that their makers have attempted to appear all through the picture this could be a little or vast part of the picture. For instance, promoters investigate crowd research to guarantee that the item they are publicizing to offer is straightforwardly engaged at the correct age gathering or sex for the top rated point. Specialists, visual fashioners, producers and numerous other individuals in this industry utilize pictures that the watcher will read translate agreeable to them. (Sturken, Cartwright, 2001). To finish up, does the individual (or individuals) who deliver a work (picture, film, fine art and so forth.) at last control its importance and translation? Subsequent to investigating diverse on the web and library book assets, for example, 'Stephen Bull PHOTOGRAPHY' who communicates how an individual photo is contemplated and depicted, I have discovered that every one of the recourses I have perused make them thing in like manner, the hypothesis of a watcher makes significance from pictures and the picture makes the group of onlookers. Despite the fact that I have specified all through my exposition that the maker of the work endeavors to demonstrate the importance he plans to give all through his/her picture/pictures the principle viewpoint as I would see it is the watcher and their sentiment of the picture and how they are drawn into it, how they translate the picture and identify with it. I accept from the exploration I have discovered that the individual/individuals who deliver the work don't have full control of the picture. The maker endeavors to indicate importance all through the picture/pictures, process yet how it is seen is the fundamental component of this inquiry. In synopsis, if the maker had full control there would be no need an examination group in all notice of craftsman, visual depiction and photography businesses. The maker would not have to investigate his intended interest group or age class, he/she would simply take the photo and communicate it. Anyway this is something that is essential all through the photographic business. We guide our work to a particular gathering of people to what the pictures idea outlines. Along these lines, "the group of onlookers will change the pictures interpretation".>GET ANSWER