Primary research question
1) How has the concept of translation evolved from the traditional print media to the modern online communication?
Secondary research questions
i. How do Jihadist videos represent the change that has taken place in the media sector?
ii. How is this representation taking shape for future communications?
The following must be given close attention and try as much as possible to incorporate them in the references:
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Massachussetts Institute of Technology (MIT) Press & Alphabet City Media Inc., 403-419.
Desjardins, Renée (2008) ‘Inter-Semiotic Translation and Cultural Representation within the Space of the Multi-Modal Text’, TranscUlturAl 1(1): 48-58.
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Pérez-González, Luis (2014) Audiovisual Translation: Theories, Methods and Issues, London & New York: Routledge. Chapter 6: ‘Multimodality’.
Pérez-González, Luis (2014) ‘Multimodality in Translation and Interpreting Studies’, in Sandra Bermann and Catherine Porter (eds) A Companion to
Translation Studies, Chichester: Wiley-Blackwell, 119-131. Post-peer review draft available online: https://www.academia.edu/
4490004/_2014_Multimodality_in_Translation_and_Interpreting_Studies
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Cronin, Michael (2003) Translation and Globalization. London & New York: Routledge. Chapter 2: ‘Globalization and new translation paradigms’.
Pérez-González, Luis (2014) Audiovisual Translation: Theories, Methods and Issues, London & New York: Routledge. Chapter 3: ‘Audiovisual translation as a
site of interventionist practice’.
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1. Globalisation and media culture
1.1. Globalisation has become a broad and all-encompassing term that evokes images of dystopian homogeneity and benign cosmopolitanism.
1.2. Globalisation is mostly viewed as a continuing work-in-progress, rather than an already accomplished fact. However globally-linked our everyday lives
may seem, they will only become ever more so in coming years and, it is suggested, at ever greater speeds.
1.3. It has been frequently suggested that globalization has sent many contemporary modern societies into a state of national identity crisis as exposure to
other cultures increases. The transnational movement of information, texts, images, and populations is radically expanding the horizons of our
imaginations.
1.4. Media culture is the material of representation. It is crucially important as a central site
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A Multidisciplinary Approach, Palgrave Macmillan, 200-221. Post-peer review draft available online:
https://www.academia.edu/4488806/_2014_Translation_and_New_s_Media_Participatory_Subtitling_Practices_in_Networked_Mediascapes
Schäffner, Christina (2012) ‘Rethinking Transediting’, Meta 57(4): 866-883. Available online: http://id.erudit.org/iderudit/1021222ar
van Leeuwen, Theo (2006) ‘Translation, Adaptation, Globalization. The Vietnam News’, Journalism 7(2): 217–237.
van Doorslaer, Luc (2012) ‘Translating, Narrating and Constructing Images in Journalism with a Test Case on Representation in Flemish TV News’, Meta 57(4):
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Chouliaraki, Lilie (2012) ‘Re-mediation, Inter-mediation, Trans-mediation’, Journalism Studies, 14 (2): 267-283.
Deuze, Mark (2009) ‘Convergence Culture and Media Work’, in J. Holt and A. Perren (eds) Media Industries: History, Theory, and Method, Malden, MA:
Wiley-Blackwell, 144-156.
Dwyer, Tim (2010) Media Convergence, Maidenhead: Open University Press.
Jarvis, Jeff (2007) ‘Networked Journalism’, http://www.buzzmachine.com/2006/07/05/ networked-journalism, date accessed 15 November 201e.
Jenkins, Henry (2004) ‘The cultural logic of media convergence’, International Journal of Cultural Studies 7(1): 33–43.
Jenkins, Henry (2008) Convergence Culture (updated edition), New York: New York University Press.
Jensen, Klaus Bruhn (2010) Media Convergence, London: Routledge.
McNair, Brian (2006) Cultural Chaos: Journalism, News and Power in a Globalised World, London & New York: Routledge.
Meikle, Graham and SHerman Young (2012) Media Convergence. Networked Digital Media in Everyday Life, Basingstoke: Palgrave Macmillan.
Murdock, Graham (2000) ‘Digital Futures: European Television in the Age of Convergence’, in Jan Wieten, Graham Murdock and Peter Dahlgren (eds)
Television Across Europe, London: Sage, 35.57.
Turner, Graeme (2010) Ordinary People and the Media: The Demotic Turn, London.
Denison, Rayna (2011). ‘Anime Fandom and the Liminal Spaces between Fan Creativity and Piracy’, International Journal of Cultural Studies 14(5): 449-466.
Pérez-González, Luis (2012) ‘Amateur Subtitling and the Pragmatics of Spectatorial Subjectivity’, Language and Intercultural Communication 12(4): 335-352.
Pérez-González, Luis (2013) ‘Amateur Subtitling as Immaterial Labour in Digital Media Culture: An Emerging Paradigm of Civic Engagement’, Convergence:
The International Journal of Research into New Media Technologies 19(2) 157-175.
