What does Ho argue about Western linguistic categories and the Nat Kadaw? How do the spirit mediums perform and transgress gendered
categories? What does Conquerwood note about the earlier study we looked at by Geertz? According to Conquerwood, what is the unique role of
Performance Studies? Please view the film Friends in High Places below and connect it to materials by Ho and Conquerwood. Cite one scene that
you found striking.

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