Dehydration of 2-Methylcyclohexanol

by | Mar 9, 2021 | chemistry

Topic: E1 Reactions: Dehydration of 2-Methylcyclohexanol

  1. Title Page: Include the title of the experiment (not necessarily the title as written in the laboratory manual), author’s name, name of lab partner (if applicable), class and section for which report was written, and date of submission.
  2. Introduction: PRESENT TENSE. A stand-alone section that includes an objective, a purpose, and the background scientific context that supports and leads to your ultimate hypothesis of the experimental outcome.

Objective: What did you set out to accomplish? This may include a description of the overall experimental transformation, a balanced equation, proposed electron-pushing arrow mechanisms, and/or flow charts of procedures (if pertinent to the objective).

Purpose: Why are you doing this experiment? This is vastly different from the objective (see above) and can be somewhat subjective. A purpose could be:

(a) To evaluate the mechanism and resultant product stereochemistry, regiochemistry, and/or overall efficacy of a particular reaction, or to compare these for of a particular class of reactions.

(b) To evaluate any new laboratory techniques. Include a complete description of the theory behind every new laboratory and/or analytical technique employed.

(c) To underscore the importance of the experimental transformation to the general or scientific public. To illustrate this, you could specifically describe any background information that illustrates the industrial, biological, medicinal, or other significance of the objectives listed above.

Hypothesis: What do you predict to be the key result(s) of the experiment? A sound hypothesis should address both the objective and the purpose, and is clearly rationalized using scientific concepts, theories, and/or proposed mechanisms.

Note that the objectives, purposes, and hypotheses should not be written separately or stated directly as “the purpose of the experiment was to…” Alternatively, they should be laced together in well-organized and well-written sentences that flow between paragraphs. Many times, the hypothesis is inferred in the objective, and does not need to be stated explicitly as “the hypothesis of the experiment is…”

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Dante Alighieri played a critical role in the literature world through his poem Divine Comedy that was written in the 14th century. The poem contains Inferno, Purgatorio, and Paradiso. The Inferno is a description of the nine circles of torment that are found on the earth. It depicts the realms of the people that have gone against the spiritual values and who, instead, have chosen bestial appetite, violence, or fraud and malice. The nine circles of hell are limbo, lust, gluttony, greed and wrath. Others are heresy, violence, fraud, and treachery. The purpose of this paper is to examine the Dante’s Inferno in the perspective of its portrayal of God’s image and the justification of hell. 

In this epic poem, God is portrayed as a super being guilty of multiple weaknesses including being egotistic, unjust, and hypocritical. Dante, in this poem, depicts God as being more human than divine by challenging God’s omnipotence. Additionally, the manner in which Dante describes Hell is in full contradiction to the morals of God as written in the Bible. When god arranges Hell to flatter Himself, He commits egotism, a sin that is common among human beings (Cheney, 2016). The weakness is depicted in Limbo and on the Gate of Hell where, for instance, God sends those who do not worship Him to Hell. This implies that failure to worship Him is a sin.


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God is also depicted as lacking justice in His actions thus removing the godly image. The injustice is portrayed by the manner in which the sodomites and opportunists are treated. The opportunists are subjected to banner chasing in their lives after death followed by being stung by insects and maggots. They are known to having done neither good nor bad during their lifetimes and, therefore, justice could have demanded that they be granted a neutral punishment having lived a neutral life. The sodomites are also punished unfairly by God when Brunetto Lattini is condemned to hell despite being a good leader (Babor, T. F., McGovern, T., & Robaina, K. (2017). While he commited sodomy, God chooses to ignore all the other good deeds that Brunetto did.

Finally, God is also portrayed as being hypocritical in His actions, a sin that further diminishes His godliness and makes Him more human. A case in point is when God condemns the sin of egotism and goes ahead to commit it repeatedly. Proverbs 29:23 states that “arrogance will bring your downfall, but if you are humble, you will be respected.” When Slattery condemns Dante’s human state as being weak, doubtful, and limited, he is proving God’s hypocrisy because He is also human (Verdicchio, 2015). The actions of God in Hell as portrayed by Dante are inconsistent with the Biblical literature. Both Dante and God are prone to making mistakes, something common among human beings thus making God more human.

To wrap it up, Dante portrays God is more human since He commits the same sins that humans commit: egotism, hypocrisy, and injustice. Hell is justified as being a destination for victims of the mistakes committed by God. The Hell is presented as being a totally different place as compared to what is written about it in the Bible. As a result, reading through the text gives an image of God who is prone to the very mistakes common to humans thus ripping Him off His lofty status of divine and, instead, making Him a mere human. Whether or not Dante did it intentionally is subject to debate but one thing is clear in the poem: the misconstrued notion of God is revealed to future generations.

 

References

Babor, T. F., McGovern, T., & Robaina, K. (2017). Dante’s inferno: Seven deadly sins in scientific publishing and how to avoid them. Addiction Science: A Guide for the Perplexed, 267.

Cheney, L. D. G. (2016). Illustrations for Dante’s Inferno: A Comparative Study of Sandro Botticelli, Giovanni Stradano, and Federico Zuccaro. Cultural and Religious Studies, 4(8), 487.

Verdicchio, M. (2015). Irony and Desire in Dante’s” Inferno” 27. Italica, 285-297.

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