Your assignment is to do a film as art analysis and NOT a movie review. Not just an analysis of the film itself,
but of the film as it relates to being a work of art. You should be looking for imagery, poetic language, natural
environment, physical beauty, camera angles, views and even special effects. You should NOT be telling me
about the story… I have seen it… instead tell how the director used film as an art form, his use or lack of use of
color, music, scenery, images, costumes, etc. to get his point across.
The work should be typed – double spaced and properly formatted to get any credit for this assignment. No
larger than 12 font and either Times New Roman or Arial only.
On title page please include title of film, director, and main actors. There should be 2 -3 pages of writing. This is
purely an opinion paper so keep it as such, you can back your opinion with scenes, lines etc from the movie
but it needs to be your work!!
Please choose from the list below only:
1) Malena 33) Belle de Jour
2) Il Postino 34) Plein Soleil
3) Cinema Paradiso 35) Le Mepris
4) The Bicycle Thief 36) Vivre Sa Vie (my life to live)
5) Roma: Citta Aperta (open city) 37) The Umbrellas of Cherbourg
6) Respiro 38) Les Choses de la Vie
7) Senza Pelle 39) Z
8) L’Avventura 40) The Rules of the Game
9) Swept Away (Giancarlo Giannini version) 41) Claire’s Knee
10) Life is Beautiful 42) Amelie
11) 8 ½ 43) Diary of a Country Priest
12) La Strada 44) Diabolique
13) Death in Venice 45) The Last Metro
14) The Damned (Visconti version) 46) Indochine
15) Nights of Cabiria 47) The Hunger
16) Umberto D 48) Um Filme Falado (a talking film)
17) The Magdalene Sisters 49) Jean de Florette
18) All About My Mother 50) Christiane F
19) Jamon Jamon 51) Antonia’s Line
20) Kika 52) Betty Blue
21) Satyricon 53) Kolya
22) Ay, Carmela 54) The Night of the Shooting Stars
23) Last Stop Wonderland 55) Amarcord
24) Like Water for Chocolate 56) Il Monstro
25) La Cage Aux Folles 57) Seven Beauties
26) Open Your Eyes 58) Yesterday, Today and Tomorrow
27) Clockwork Orange 59) Ossessione
28) Eat Drink Man Woman 60) Hable con Ella (talk to her)
29) Four Weddings and A Funeral 61) Tie Me Up! Tie Me Down!
30) Dona Flor and Her Two Husbands 62) Sex and Lucia
31) Farinelli 63) Belle Epoque
32) Manon of the Spring 64) Vengo

Sample Solution

Sample solution

Dante Alighieri played a critical role in the literature world through his poem Divine Comedy that was written in the 14th century. The poem contains Inferno, Purgatorio, and Paradiso. The Inferno is a description of the nine circles of torment that are found on the earth. It depicts the realms of the people that have gone against the spiritual values and who, instead, have chosen bestial appetite, violence, or fraud and malice. The nine circles of hell are limbo, lust, gluttony, greed and wrath. Others are heresy, violence, fraud, and treachery. The purpose of this paper is to examine the Dante’s Inferno in the perspective of its portrayal of God’s image and the justification of hell. 

In this epic poem, God is portrayed as a super being guilty of multiple weaknesses including being egotistic, unjust, and hypocritical. Dante, in this poem, depicts God as being more human than divine by challenging God’s omnipotence. Additionally, the manner in which Dante describes Hell is in full contradiction to the morals of God as written in the Bible. When god arranges Hell to flatter Himself, He commits egotism, a sin that is common among human beings (Cheney, 2016). The weakness is depicted in Limbo and on the Gate of Hell where, for instance, God sends those who do not worship Him to Hell. This implies that failure to worship Him is a sin.

God is also depicted as lacking justice in His actions thus removing the godly image. The injustice is portrayed by the manner in which the sodomites and opportunists are treated. The opportunists are subjected to banner chasing in their lives after death followed by being stung by insects and maggots. They are known to having done neither good nor bad during their lifetimes and, therefore, justice could have demanded that they be granted a neutral punishment having lived a neutral life. The sodomites are also punished unfairly by God when Brunetto Lattini is condemned to hell despite being a good leader (Babor, T. F., McGovern, T., & Robaina, K. (2017). While he commited sodomy, God chooses to ignore all the other good deeds that Brunetto did.

Finally, God is also portrayed as being hypocritical in His actions, a sin that further diminishes His godliness and makes Him more human. A case in point is when God condemns the sin of egotism and goes ahead to commit it repeatedly. Proverbs 29:23 states that “arrogance will bring your downfall, but if you are humble, you will be respected.” When Slattery condemns Dante’s human state as being weak, doubtful, and limited, he is proving God’s hypocrisy because He is also human (Verdicchio, 2015). The actions of God in Hell as portrayed by Dante are inconsistent with the Biblical literature. Both Dante and God are prone to making mistakes, something common among human beings thus making God more human.

To wrap it up, Dante portrays God is more human since He commits the same sins that humans commit: egotism, hypocrisy, and injustice. Hell is justified as being a destination for victims of the mistakes committed by God. The Hell is presented as being a totally different place as compared to what is written about it in the Bible. As a result, reading through the text gives an image of God who is prone to the very mistakes common to humans thus ripping Him off His lofty status of divine and, instead, making Him a mere human. Whether or not Dante did it intentionally is subject to debate but one thing is clear in the poem: the misconstrued notion of God is revealed to future generations.

 

References

Babor, T. F., McGovern, T., & Robaina, K. (2017). Dante’s inferno: Seven deadly sins in scientific publishing and how to avoid them. Addiction Science: A Guide for the Perplexed, 267.

Cheney, L. D. G. (2016). Illustrations for Dante’s Inferno: A Comparative Study of Sandro Botticelli, Giovanni Stradano, and Federico Zuccaro. Cultural and Religious Studies4(8), 487.

Verdicchio, M. (2015). Irony and Desire in Dante’s” Inferno” 27. Italica, 285-297.

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