This laboratory will examine the basic features of maps, including methods for describing locations and land areas, understanding map scales and symbols, and interpreting contour lines to show the third dimension (vertical) of a land surface. Specific concepts that will be introduced or reinforced include the quadrangle map, contour lines, latitude and longitude, scale, magnetic declination and azimuth.

Virtual Lab Instructions

Download free Autodesk Sketchbook (Desktop or Mobile):
https://www.autodesk.com/products/sketchbook/free-download

Familiarize yourself with basic functionality and self-explanatory icons. You will mostly use pencil (and eraser). Use >Help to get, well, help.

Download Files for local markup. Then >File >Add Image

Follow Lab assignment instructions ….

File >Save As… the image you complete (as TIFF or JPEG file).

Insert saved image to answer document you submit to Canvas.

Task I (26 points)
On the figure below:
● Three streams are represented as thin, dashed lines.
● Elevation points (black dots with elevations shown in meters) have been surveyed along stream courses and along stream divides.
● The 800-meter contour line (thick, blue line) has already been drawn.
Your objective:
● Draw all other contours (7 total), applying a 20-meter contour interval.
o Contour lines intersecting rivers should form a V shape. If the lines form a U shape, this indicates a glacier and will result in lost points.
o Contour lines should not intersect each other as this indicates that a single point has two different elevations which is impossible.
● Label each contour line with its elevation at selected, strategic spots from 820 m to 940 m.

Task II (24 points)
● Construct a topographic profile along line X-Y on the map below.
● First fill in missing elevation values for contours on the map using text boxes or the draw tool
o Notice that the contour interval is 100 meters on this map
● Then, use Insert > Shapes > Circle. Place dots along the X-Y line to mark where it intersects features of the map.
o Mark the location and elevation of X and Y;
o Mark the location and elevation of contour lines;
o Mark the location and elevation of rivers.
● Transfer the information from the dots to the profile grid by going to Insert > Shapes > Line.
o Draw a vertical line (hold shift to keep it vertical) from each point you marked, down to its corresponding coordinates on the profile below.
● Finally, use a Draw tool to connect the points and complete your profile,
o Remember to pay attention to whether the elevation increases or decreases between elevations of the same value.

(Note that the vertical scale on the profile goes up to 700 m. What this represents in terms of a fractional scale depends on the way the figures are printed, but something like the vertical scale being twice the horizontal scale is not unreasonable. The relief is exaggerated, a common circumstance designed to enhance the visual character of a topographic profile.)

Task III (50 points)
Use the map provided (File: Task III Map) to answer the following questions. Show your work for all calculations.

  1. What is the name of this quadrangle?
  2. What year was this map published?
  3. What is the name of the quadrangle to the east of the area shown in this map?

to the southwest?

to the north?

  1. What is the latitude of the southern boundary?
  2. What is the latitude of the northern boundary?
  3. What is the longitude of the eastern boundary?
  4. What is the longitude of the western boundary?
  5. What is the size of the quadrangle in angular units (that is, how many degrees and minutes of area does it cover)?
  6. Locate the Harmony Borax Works. Define its location in terms of latitude and longitude, to the nearest minute.
  7. What is the fractional scale of this map?
  8. Use the graphic scale to determine the distance in miles and kilometers between the Harmony Borax Works and Texas Springs (located SE of the Harmony Borax Works).
  9. What is the approximate scale of this map?
  10. If you enlarged part of the map to a scale of 1 inch to 1000 feet, by what factor would it have to be enlarged? Explain your answer.
  11. What would the enlargement factor be if part of the map was enlarged to a scale of 1 cm to 100 m? Explain your answer.
  12. What magnetic declination (in degrees) is indicated on the map, and for what year?
  13. What is the contour interval for this map?
  14. Locate the Funeral Mountains (NE corner of the map). What is the highest elevation within this area?

Look in the valley, what is the lowest elevation? Where in the map can it be found?

What is the relief in the between the Funeral Mountains (at the highest point) and this spot (that is, the difference between the highest and lowest elevation)?

What is the maximum height of the head of the dry stream at the Artist’s Palette?

  1. Find the southernmost mine (shaped like a ‘Y’) near Corkscrew Canyon and give its elevation.
  2. In what direction does the water flow in Death Valley Canyon? How do you know?
  3. Please describe, in detail, what makes a good french fry. (6/100 pts here- make it good.)

Sample Solution

Sample solution

Dante Alighieri played a critical role in the literature world through his poem Divine Comedy that was written in the 14th century. The poem contains Inferno, Purgatorio, and Paradiso. The Inferno is a description of the nine circles of torment that are found on the earth. It depicts the realms of the people that have gone against the spiritual values and who, instead, have chosen bestial appetite, violence, or fraud and malice. The nine circles of hell are limbo, lust, gluttony, greed and wrath. Others are heresy, violence, fraud, and treachery. The purpose of this paper is to examine the Dante’s Inferno in the perspective of its portrayal of God’s image and the justification of hell. 

In this epic poem, God is portrayed as a super being guilty of multiple weaknesses including being egotistic, unjust, and hypocritical. Dante, in this poem, depicts God as being more human than divine by challenging God’s omnipotence. Additionally, the manner in which Dante describes Hell is in full contradiction to the morals of God as written in the Bible. When god arranges Hell to flatter Himself, He commits egotism, a sin that is common among human beings (Cheney, 2016). The weakness is depicted in Limbo and on the Gate of Hell where, for instance, God sends those who do not worship Him to Hell. This implies that failure to worship Him is a sin.

God is also depicted as lacking justice in His actions thus removing the godly image. The injustice is portrayed by the manner in which the sodomites and opportunists are treated. The opportunists are subjected to banner chasing in their lives after death followed by being stung by insects and maggots. They are known to having done neither good nor bad during their lifetimes and, therefore, justice could have demanded that they be granted a neutral punishment having lived a neutral life. The sodomites are also punished unfairly by God when Brunetto Lattini is condemned to hell despite being a good leader (Babor, T. F., McGovern, T., & Robaina, K. (2017). While he commited sodomy, God chooses to ignore all the other good deeds that Brunetto did.

Finally, God is also portrayed as being hypocritical in His actions, a sin that further diminishes His godliness and makes Him more human. A case in point is when God condemns the sin of egotism and goes ahead to commit it repeatedly. Proverbs 29:23 states that “arrogance will bring your downfall, but if you are humble, you will be respected.” When Slattery condemns Dante’s human state as being weak, doubtful, and limited, he is proving God’s hypocrisy because He is also human (Verdicchio, 2015). The actions of God in Hell as portrayed by Dante are inconsistent with the Biblical literature. Both Dante and God are prone to making mistakes, something common among human beings thus making God more human.

To wrap it up, Dante portrays God is more human since He commits the same sins that humans commit: egotism, hypocrisy, and injustice. Hell is justified as being a destination for victims of the mistakes committed by God. The Hell is presented as being a totally different place as compared to what is written about it in the Bible. As a result, reading through the text gives an image of God who is prone to the very mistakes common to humans thus ripping Him off His lofty status of divine and, instead, making Him a mere human. Whether or not Dante did it intentionally is subject to debate but one thing is clear in the poem: the misconstrued notion of God is revealed to future generations.

 

References

Babor, T. F., McGovern, T., & Robaina, K. (2017). Dante’s inferno: Seven deadly sins in scientific publishing and how to avoid them. Addiction Science: A Guide for the Perplexed, 267.

Cheney, L. D. G. (2016). Illustrations for Dante’s Inferno: A Comparative Study of Sandro Botticelli, Giovanni Stradano, and Federico Zuccaro. Cultural and Religious Studies4(8), 487.

Verdicchio, M. (2015). Irony and Desire in Dante’s” Inferno” 27. Italica, 285-297.

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