A. Global climate change politics and International Relations theories (30 points)
We have been focusing on the COP26 climate change talks currently taking place in Glasgow, Scotland. COP26 refers to the Conference of the Parties of the UN Framework Convention on Climate Change, the signature global forum for climate change negotiations since the 1990s. Its goal is to accelerate the central aim of the 2015 Paris Climate Accords to stop the planet from warming more than 1.5 degrees C. This would require the world to halve greenhouse gas emissions by 2030 and reach net-zero emissions by 2050. The world is on pace to meet or exceed 3 degrees (at least) by 2100 if current trends continue, as seen in The Economist docu-short we watched in class on Nov. 9.
The Glasgow conference is being pitched by scientists, activists, and some (but not all) politicians as an urgent opportunity to act before it is too late. But climate conferences like these have often disappointed, with many criticizing them as offering empty promises with little enforceable action. Among the sticky issues that have long dragged climate talks include historical responsibility, current & future emissions, financing climate adaptation, compensation for loss & damage, voluntary measures v. strong enforcement, climate justice for vulnerable communities, and accusations of greenwashing. Behind the scenes, it has been challenging to coordinate effective action between 200 countries with different histories of industrialization and consumption, and different levels of ecological deficits and surpluses. See an interesting global map that visualizes which countries are running an ecological deficit and how this is calculated: https://data.footprintnetwork.org/#/
Nonetheless, following the principle of “common but differentiated responsibility,” delegates hope world leaders will commit to robust Nationally-Determined Contributions (NDCs), which are basically long-term, transparent national plans of decarbonization that can be verified every five years to ensure the world is on track to keep to a 1.5 degree world.
Your task in Part A is to apply the analytical power of IR theories to the quandary of global climate change politics, offering perspectives on cooperation and conflict in Glasgow. To do so, select (6) of the following (8) theories and answer the following questions.
• What are the key assumptions of X theory?
• How would this theory describe the problem of global climate change politics?
• How would this theory prescribe effective solutions, if any?
• (1) page per theory will suffice.
Here is a list of IR theories we’ve studied this quarter:

  1. Normative IR theory
  2. Realism
  3. Liberalism
  4. Constructivism
  5. Marxism
  6. Postcolonialism
  7. Feminism
  8. Green Theory

B. Write a response to (1) of the following two questions (10 points):

  1. Write a critical reaction to the Frontline documentary about the Taliban takeover of Afghanistan that we watched earlier in the quarter. What do you see as the most salient issues raised in the documentary? What would you advise the international community to do to ensure peace and a hopeful future in the country? Reference specific moments in the documentary or quotes by individuals to help you compose your answer. To assist your critical reaction, you may also refer to reactions your classmates had in the Canvas discussion space for this film. (1-2 pages)
  2. Write a critical reaction to the textbook we’ve read this quarter – Richard Haass’ The World: A Brief Introduction. What do you consider its strengths and weaknesses as text for an introductory international relations course? What did you learn most from the book in terms of the ideas, concepts, or issues it raises, and what would you like to study further as a result? (1-2 pages)

Bonus Question (2 points):
What have you learned about the international relations of the country you are following this quarter for the World News assignment? (1 full paragraph)

Sample Solution

Sample solution

Dante Alighieri played a critical role in the literature world through his poem Divine Comedy that was written in the 14th century. The poem contains Inferno, Purgatorio, and Paradiso. The Inferno is a description of the nine circles of torment that are found on the earth. It depicts the realms of the people that have gone against the spiritual values and who, instead, have chosen bestial appetite, violence, or fraud and malice. The nine circles of hell are limbo, lust, gluttony, greed and wrath. Others are heresy, violence, fraud, and treachery. The purpose of this paper is to examine the Dante’s Inferno in the perspective of its portrayal of God’s image and the justification of hell. 

In this epic poem, God is portrayed as a super being guilty of multiple weaknesses including being egotistic, unjust, and hypocritical. Dante, in this poem, depicts God as being more human than divine by challenging God’s omnipotence. Additionally, the manner in which Dante describes Hell is in full contradiction to the morals of God as written in the Bible. When god arranges Hell to flatter Himself, He commits egotism, a sin that is common among human beings (Cheney, 2016). The weakness is depicted in Limbo and on the Gate of Hell where, for instance, God sends those who do not worship Him to Hell. This implies that failure to worship Him is a sin.

God is also depicted as lacking justice in His actions thus removing the godly image. The injustice is portrayed by the manner in which the sodomites and opportunists are treated. The opportunists are subjected to banner chasing in their lives after death followed by being stung by insects and maggots. They are known to having done neither good nor bad during their lifetimes and, therefore, justice could have demanded that they be granted a neutral punishment having lived a neutral life. The sodomites are also punished unfairly by God when Brunetto Lattini is condemned to hell despite being a good leader (Babor, T. F., McGovern, T., & Robaina, K. (2017). While he commited sodomy, God chooses to ignore all the other good deeds that Brunetto did.

Finally, God is also portrayed as being hypocritical in His actions, a sin that further diminishes His godliness and makes Him more human. A case in point is when God condemns the sin of egotism and goes ahead to commit it repeatedly. Proverbs 29:23 states that “arrogance will bring your downfall, but if you are humble, you will be respected.” When Slattery condemns Dante’s human state as being weak, doubtful, and limited, he is proving God’s hypocrisy because He is also human (Verdicchio, 2015). The actions of God in Hell as portrayed by Dante are inconsistent with the Biblical literature. Both Dante and God are prone to making mistakes, something common among human beings thus making God more human.

To wrap it up, Dante portrays God is more human since He commits the same sins that humans commit: egotism, hypocrisy, and injustice. Hell is justified as being a destination for victims of the mistakes committed by God. The Hell is presented as being a totally different place as compared to what is written about it in the Bible. As a result, reading through the text gives an image of God who is prone to the very mistakes common to humans thus ripping Him off His lofty status of divine and, instead, making Him a mere human. Whether or not Dante did it intentionally is subject to debate but one thing is clear in the poem: the misconstrued notion of God is revealed to future generations.

 

References

Babor, T. F., McGovern, T., & Robaina, K. (2017). Dante’s inferno: Seven deadly sins in scientific publishing and how to avoid them. Addiction Science: A Guide for the Perplexed, 267.

Cheney, L. D. G. (2016). Illustrations for Dante’s Inferno: A Comparative Study of Sandro Botticelli, Giovanni Stradano, and Federico Zuccaro. Cultural and Religious Studies4(8), 487.

Verdicchio, M. (2015). Irony and Desire in Dante’s” Inferno” 27. Italica, 285-297.

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