At its peak, 1960s liberalism faced challenges from the left and right. Young activists became impatient with the slow pace of social progress. The escalation
of the Vietnam War inspired protests. The New Left and counterculture criticized modern technology, bureaucratization, the possibility of nuclear annihilation.
They sought new ways of creating political, social, and personal liberation. The varieties of political protest and cultural dissent emboldened other oppressed
groups to emancipate themselves. Women, Latinos, Indians, and gay Americans all launched liberation movements. Why does the Movimiento Estudiantil
Chicano de Aztlan (or MeChA, Document A) focus on the use of the term Chicano, and what does it hope to gain by its use? Why do the Alcatraz protesters
believe (Document B) they are being fair to the United States? What connections do Chicano and Indian protesters make between cultural awareness and
political activism? How did the civil rights and black power movements influence other freedom movements?
Document A: Chicano Student Movement of Aztlan, 1969.
Chicano Student Movement of Aztlán, 1969 For decades Mexican people in the United States struggled to realize the “American Dream.” And some–a few –
have. But the cost, the ultimate cost of assimilation, required turning away from el barrio [one’s neighborhood] and la colonia (one’s community]. In the
meantime, due to the racist structure of this society, to our essentially different life style, and to the socioeconomic functions assigned to our community by
Anglo-American society- as suppliers of cheap labor and a dumping ground for the small-time capitalist entrepreneur- the barrio and colonia
remained exploited, impoverished, and marginal. As a result, the self-determination of our community is now the only acceptable mandate for social and
political action; it is the essence of Chicano commitment. Culturally, the word Chicano, in the past a pejorative and class-bound adjective, has now become
the root idea of a new cultural identity for our people. It also reveals a
growing solidarity and the development of a common social praxis [customary conduct]. The widespread use of the term Chicano today signals a rebirth of
pride and confidence. Chicanismo simply embodies an ancient truth: that man is never closer to his true self as when he is close to
his community. Chicanismo draws its faith and strength from two main sources: from the just struggle of our people and from an objective analysis of our
community’s strategic needs. We recognize that without a strategic use of education, an education that places value on what we value, we will not realize our
destiny. Chicanos recognize the central importance of institutions of higher learning to modern progress, in this case, to the development of our community.
But we go further: we believe that higher education must contribute to the information of a complete man
who truly values life and freedom. Source: Carlos Muñoz Jr., Youth, Identity, Power: The Chicano Movement •
(London: Verso, 1989), 191-92.

Sample solution

Dante Alighieri played a critical role in the literature world through his poem Divine Comedy that was written in the 14th century. The poem contains Inferno, Purgatorio, and Paradiso. The Inferno is a description of the nine circles of torment that are found on the earth. It depicts the realms of the people that have gone against the spiritual values and who, instead, have chosen bestial appetite, violence, or fraud and malice. The nine circles of hell are limbo, lust, gluttony, greed and wrath. Others are heresy, violence, fraud, and treachery. The purpose of this paper is to examine the Dante’s Inferno in the perspective of its portrayal of God’s image and the justification of hell. 

In this epic poem, God is portrayed as a super being guilty of multiple weaknesses including being egotistic, unjust, and hypocritical. Dante, in this poem, depicts God as being more human than divine by challenging God’s omnipotence. Additionally, the manner in which Dante describes Hell is in full contradiction to the morals of God as written in the Bible. When god arranges Hell to flatter Himself, He commits egotism, a sin that is common among human beings (Cheney, 2016). The weakness is depicted in Limbo and on the Gate of Hell where, for instance, God sends those who do not worship Him to Hell. This implies that failure to worship Him is a sin.

God is also depicted as lacking justice in His actions thus removing the godly image. The injustice is portrayed by the manner in which the sodomites and opportunists are treated. The opportunists are subjected to banner chasing in their lives after death followed by being stung by insects and maggots. They are known to having done neither good nor bad during their lifetimes and, therefore, justice could have demanded that they be granted a neutral punishment having lived a neutral life. The sodomites are also punished unfairly by God when Brunetto Lattini is condemned to hell despite being a good leader (Babor, T. F., McGovern, T., & Robaina, K. (2017). While he commited sodomy, God chooses to ignore all the other good deeds that Brunetto did.

Finally, God is also portrayed as being hypocritical in His actions, a sin that further diminishes His godliness and makes Him more human. A case in point is when God condemns the sin of egotism and goes ahead to commit it repeatedly. Proverbs 29:23 states that “arrogance will bring your downfall, but if you are humble, you will be respected.” When Slattery condemns Dante’s human state as being weak, doubtful, and limited, he is proving God’s hypocrisy because He is also human (Verdicchio, 2015). The actions of God in Hell as portrayed by Dante are inconsistent with the Biblical literature. Both Dante and God are prone to making mistakes, something common among human beings thus making God more human.

To wrap it up, Dante portrays God is more human since He commits the same sins that humans commit: egotism, hypocrisy, and injustice. Hell is justified as being a destination for victims of the mistakes committed by God. The Hell is presented as being a totally different place as compared to what is written about it in the Bible. As a result, reading through the text gives an image of God who is prone to the very mistakes common to humans thus ripping Him off His lofty status of divine and, instead, making Him a mere human. Whether or not Dante did it intentionally is subject to debate but one thing is clear in the poem: the misconstrued notion of God is revealed to future generations.

 

References

Babor, T. F., McGovern, T., & Robaina, K. (2017). Dante’s inferno: Seven deadly sins in scientific publishing and how to avoid them. Addiction Science: A Guide for the Perplexed, 267.

Cheney, L. D. G. (2016). Illustrations for Dante’s Inferno: A Comparative Study of Sandro Botticelli, Giovanni Stradano, and Federico Zuccaro. Cultural and Religious Studies4(8), 487.

Verdicchio, M. (2015). Irony and Desire in Dante’s” Inferno” 27. Italica, 285-297.

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