“Only a fuzzy boundary separates interpreting a theory versus revising it.” – Funder (2019, p. 397)
A theory is basically an idea about how something works or occurs; it is not proof. Although a
personality theory may explain certain aspects of a situation or behavior, others who have different
ideas may still question the theory.
Sigmund Freud’s psychoanalytic theory of personality is case in point. He believed that most of our
thoughts, feelings, and memories—what influences us—occurs below consciousness. One of the
problems with Freud’s theory was the difficulty of testing his ideas. For this reason, there were
theorists who separated themselves from Freud’s work. Others drew from aspects of Freud’s theory
of psychoanalysis but developed their own theories.
For this Discussion, you will review the personality theories of Freud, along with those of Carl Jung,
Erik Erikson, Alfred Adler, and Karen Horney. Then you will choose one theorist as the focus of your
Discussion post.
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Sample solution

Dante Alighieri played a critical role in the literature world through his poem Divine Comedy that was written in the 14th century. The poem contains Inferno, Purgatorio, and Paradiso. The Inferno is a description of the nine circles of torment that are found on the earth. It depicts the realms of the people that have gone against the spiritual values and who, instead, have chosen bestial appetite, violence, or fraud and malice. The nine circles of hell are limbo, lust, gluttony, greed and wrath. Others are heresy, violence, fraud, and treachery. The purpose of this paper is to examine the Dante’s Inferno in the perspective of its portrayal of God’s image and the justification of hell. 

In this epic poem, God is portrayed as a super being guilty of multiple weaknesses including being egotistic, unjust, and hypocritical. Dante, in this poem, depicts God as being more human than divine by challenging God’s omnipotence. Additionally, the manner in which Dante describes Hell is in full contradiction to the morals of God as written in the Bible. When god arranges Hell to flatter Himself, He commits egotism, a sin that is common among human beings (Cheney, 2016). The weakness is depicted in Limbo and on the Gate of Hell where, for instance, God sends those who do not worship Him to Hell. This implies that failure to worship Him is a sin.

God is also depicted as lacking justice in His actions thus removing the godly image. The injustice is portrayed by the manner in which the sodomites and opportunists are treated. The opportunists are subjected to banner chasing in their lives after death followed by being stung by insects and maggots. They are known to having done neither good nor bad during their lifetimes and, therefore, justice could have demanded that they be granted a neutral punishment having lived a neutral life. The sodomites are also punished unfairly by God when Brunetto Lattini is condemned to hell despite being a good leader (Babor, T. F., McGovern, T., & Robaina, K. (2017). While he commited sodomy, God chooses to ignore all the other good deeds that Brunetto did.

Finally, God is also portrayed as being hypocritical in His actions, a sin that further diminishes His godliness and makes Him more human. A case in point is when God condemns the sin of egotism and goes ahead to commit it repeatedly. Proverbs 29:23 states that “arrogance will bring your downfall, but if you are humble, you will be respected.” When Slattery condemns Dante’s human state as being weak, doubtful, and limited, he is proving God’s hypocrisy because He is also human (Verdicchio, 2015). The actions of God in Hell as portrayed by Dante are inconsistent with the Biblical literature. Both Dante and God are prone to making mistakes, something common among human beings thus making God more human.

To wrap it up, Dante portrays God is more human since He commits the same sins that humans commit: egotism, hypocrisy, and injustice. Hell is justified as being a destination for victims of the mistakes committed by God. The Hell is presented as being a totally different place as compared to what is written about it in the Bible. As a result, reading through the text gives an image of God who is prone to the very mistakes common to humans thus ripping Him off His lofty status of divine and, instead, making Him a mere human. Whether or not Dante did it intentionally is subject to debate but one thing is clear in the poem: the misconstrued notion of God is revealed to future generations.

 

References

Babor, T. F., McGovern, T., & Robaina, K. (2017). Dante’s inferno: Seven deadly sins in scientific publishing and how to avoid them. Addiction Science: A Guide for the Perplexed, 267.

Cheney, L. D. G. (2016). Illustrations for Dante’s Inferno: A Comparative Study of Sandro Botticelli, Giovanni Stradano, and Federico Zuccaro. Cultural and Religious Studies4(8), 487.

Verdicchio, M. (2015). Irony and Desire in Dante’s” Inferno” 27. Italica, 285-297.

Discussion: Interpreting and Revising Personality Theory

Funder’s (2019) assertion that “only a fuzzy boundary separates interpreting a theory versus revising it” (p. 397) resonates deeply when examining the evolution of personality psychology, particularly in the context of Sigmund Freud’s monumental yet often debated psychoanalytic theory. A theory, at its core, provides a framework for understanding phenomena, offering explanations and generating hypotheses. However, as Funder aptly points out, the act of truly understanding a complex theory often necessitates a degree of interpretation, and this interpretation can subtly, or even overtly, lead to revision. The very act of applying a theory to new contexts, considering its limitations in light of emerging evidence, or attempting to make its abstract concepts more testable can inadvertently shift its original tenets.

Discussion: Interpreting and Revising Personality Theory

Funder’s (2019) assertion that “only a fuzzy boundary separates interpreting a theory versus revising it” (p. 397) resonates deeply when examining the evolution of personality psychology, particularly in the context of Sigmund Freud’s monumental yet often debated psychoanalytic theory. A theory, at its core, provides a framework for understanding phenomena, offering explanations and generating hypotheses. However, as Funder aptly points out, the act of truly understanding a complex theory often necessitates a degree of interpretation, and this interpretation can subtly, or even overtly, lead to revision. The very act of applying a theory to new contexts, considering its limitations in light of emerging evidence, or attempting to make its abstract concepts more testable can inadvertently shift its original tenets.

Freud’s psychoanalytic theory, with its emphasis on the unconscious, psychosexual stages, and defense mechanisms, serves as a prime example of this dynamic. While his ideas offered a revolutionary perspective on the inner workings of the human mind and its influence on behavior, the inherent difficulty in empirically validating many of his core constructs left it open to both interpretation and critique. Theorists who followed Freud often found themselves grappling with the challenge of how to understand and apply his complex ideas. This process inevitably involved interpretation – making sense of his often metaphorical language, applying his broad concepts to specific behaviors, and considering the cultural and historical context in which his theories were developed.

However, this interpretation often paved the way for revision. As theorists attempted to address the limitations of Freud’s work, particularly its lack of testability and its potential cultural biases, they began to modify, expand upon, or even reject certain aspects of his original framework. Some, like Carl Jung, while acknowledging the importance of the unconscious, broadened its scope to include the collective unconscious and archetypes, moving beyond Freud’s primary focus on individual drives and early experiences. Erik Erikson, building upon Freud’s psychosexual stages, shifted the emphasis to psychosocial stages that spanned the entire lifespan, highlighting the influence of social and cultural factors on personality development. Alfred Adler diverged significantly by emphasizing the conscious striving for superiority and the role of social interest, downplaying the primacy of sexual and aggressive drives. Similarly, Karen Horney challenged Freud’s patriarchal biases, particularly his views on female psychosexual development, and focused on the impact of social and cultural factors on neurosis and the development of the self.

Focus Theorist: Karen Horney

I will focus on Karen Horney to further illustrate the fuzzy boundary between interpretation and revision. Horney was initially a proponent of psychoanalysis but gradually developed her own distinct theory, often referred to as psychodynamic or neo-Freudian. Her work can be seen as both an interpretation and a significant revision of Freudian concepts.

Horney’s initial engagement with Freud involved attempting to understand and apply his theories, particularly in her clinical work with women. However, through her observations, she began to question some of Freud’s core assumptions, particularly his views on female psychology, such as the concept of “penis envy.” Horney interpreted women’s feelings of inferiority not as a biological consequence of lacking a penis, but as a result of societal and cultural factors that limited their opportunities and devalued their experiences. In this sense, she was interpreting women’s psychological distress through a socio-cultural lens, which differed from Freud’s more biologically deterministic perspective.

This interpretation, however, quickly led to significant revisions of Freudian theory. Horney proposed that the primary driving force in personality development was not the management of psychosexual urges, but rather the need to cope with basic anxiety – the feeling of being isolated and helpless in a potentially hostile world. This basic anxiety, stemming from disturbed interpersonal relationships in childhood, could lead to the development of neurotic needs – irrational strivings for affection, power, independence, etc. These neurotic needs, in turn, shaped personality and behavior.

Horney’s concept of the “real self,” “idealized self,” and “actual self” further represents a significant departure from Freud. She believed that individuals strive to realize their real self – their genuine potential – but that basic anxiety and neurotic needs can lead to the creation of an idealized self – an unrealistic and often grandiose image of who they should be. The discrepancy between the idealized self and the actual self (who the person truly is) leads to inner conflict and psychological distress. This focus on the self and interpersonal relationships as central to personality development contrasts with Freud’s emphasis on the unconscious and instinctual drives.

In conclusion, Horney’s work exemplifies Funder’s point about the fuzzy boundary between interpretation and revision. She began by engaging with and attempting to understand Freudian theory, interpreting it through her own clinical experiences and socio-cultural awareness. However, her interpretations ultimately led her to question fundamental Freudian assumptions and to develop her own distinct theoretical framework, offering alternative explanations for personality development and psychopathology. Her work demonstrates how the very act of grappling with and applying a theory can naturally lead to its modification and the emergence of new perspectives in the ongoing quest to understand the complexities of human personality.

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