What do you understand of the position outlined by Laura Mulvey in “Visual Pleasure and Narrative Cinema”: its sequel “Afterthoughts on Visual
Pleasure and Narrative Cinema”, and the work of writers as Mary Ann Doane who followed, adapted and contested Mulvey’s work? Taking this as a starting point, and with reference to key terms advanced by Mulvey and others – such as scopophilia, voyeurism, identification – analyze a segment from “The Postman Always Rings Twice” (1946).
The segment can be found on youtube: https:/Awww. youtube. com/watch?v=WGFer3-Aguw
Also, you need to support your argument by using other examples from the movie b the main analysis should be surrounded upon this one specific segment. You can easily analyze in sing Lacan and Freudian concepts as fetishism, voyeurism, etc. Don’t forget to apply Mulvey as well. She argued about 3 looks: camera look, how do characters look at each other and how spectator looks at characters. After you discuss the classical approach to segment pon Mulvey yo need to extend essay saying about the female’s identification (it can b font in Mulvey’s sequel and Ann Doane article as well as in Miriam Hansen article).
It is also necessary to include the cultural and social context of the ‘noir’ genre and why at some point it was popular? (due to the post-WWII).The possible structure of the essay will be:
Introduction: explain Freudian and Lacan original psychoanalysis and its main thesis. Then discuss Mulvey’s points on her first essay and show how Mulvey reses Freudian concepts into the gender theory. Then state which film are you going to discuss. DON’T FORGET TO

  1. Start to analyze a segment showing your understanding of Mulvey’s theory (3 looks, masochistic representation, female as a threat and so on)
  2. Discuss Mulvey’s sequel + Ann Doane + Valentino case (Hansen article) + explore the complexity of the ‘film noir ‘ee oe

Sample Solution

Sample solution

Dante Alighieri played a critical role in the literature world through his poem Divine Comedy that was written in the 14th century. The poem contains Inferno, Purgatorio, and Paradiso. The Inferno is a description of the nine circles of torment that are found on the earth. It depicts the realms of the people that have gone against the spiritual values and who, instead, have chosen bestial appetite, violence, or fraud and malice. The nine circles of hell are limbo, lust, gluttony, greed and wrath. Others are heresy, violence, fraud, and treachery. The purpose of this paper is to examine the Dante’s Inferno in the perspective of its portrayal of God’s image and the justification of hell. 

In this epic poem, God is portrayed as a super being guilty of multiple weaknesses including being egotistic, unjust, and hypocritical. Dante, in this poem, depicts God as being more human than divine by challenging God’s omnipotence. Additionally, the manner in which Dante describes Hell is in full contradiction to the morals of God as written in the Bible. When god arranges Hell to flatter Himself, He commits egotism, a sin that is common among human beings (Cheney, 2016). The weakness is depicted in Limbo and on the Gate of Hell where, for instance, God sends those who do not worship Him to Hell. This implies that failure to worship Him is a sin.

God is also depicted as lacking justice in His actions thus removing the godly image. The injustice is portrayed by the manner in which the sodomites and opportunists are treated. The opportunists are subjected to banner chasing in their lives after death followed by being stung by insects and maggots. They are known to having done neither good nor bad during their lifetimes and, therefore, justice could have demanded that they be granted a neutral punishment having lived a neutral life. The sodomites are also punished unfairly by God when Brunetto Lattini is condemned to hell despite being a good leader (Babor, T. F., McGovern, T., & Robaina, K. (2017). While he commited sodomy, God chooses to ignore all the other good deeds that Brunetto did.

Finally, God is also portrayed as being hypocritical in His actions, a sin that further diminishes His godliness and makes Him more human. A case in point is when God condemns the sin of egotism and goes ahead to commit it repeatedly. Proverbs 29:23 states that “arrogance will bring your downfall, but if you are humble, you will be respected.” When Slattery condemns Dante’s human state as being weak, doubtful, and limited, he is proving God’s hypocrisy because He is also human (Verdicchio, 2015). The actions of God in Hell as portrayed by Dante are inconsistent with the Biblical literature. Both Dante and God are prone to making mistakes, something common among human beings thus making God more human.

To wrap it up, Dante portrays God is more human since He commits the same sins that humans commit: egotism, hypocrisy, and injustice. Hell is justified as being a destination for victims of the mistakes committed by God. The Hell is presented as being a totally different place as compared to what is written about it in the Bible. As a result, reading through the text gives an image of God who is prone to the very mistakes common to humans thus ripping Him off His lofty status of divine and, instead, making Him a mere human. Whether or not Dante did it intentionally is subject to debate but one thing is clear in the poem: the misconstrued notion of God is revealed to future generations.

 

References

Babor, T. F., McGovern, T., & Robaina, K. (2017). Dante’s inferno: Seven deadly sins in scientific publishing and how to avoid them. Addiction Science: A Guide for the Perplexed, 267.

Cheney, L. D. G. (2016). Illustrations for Dante’s Inferno: A Comparative Study of Sandro Botticelli, Giovanni Stradano, and Federico Zuccaro. Cultural and Religious Studies4(8), 487.

Verdicchio, M. (2015). Irony and Desire in Dante’s” Inferno” 27. Italica, 285-297.

This question has been answered.

Get Answer