2500 words in total.

The research proposal incorporates all three course objectives by (a) demonstrating an understanding of different research methods and their practical applications (b) demonstrating the skills and knowledge needed to initiate and carry out small research projects in art, craft, design, planning, and architecture, and (c) demonstrating an understanding of the relationship between visual culture and research, from the position of the individual emerging practitioner.

You must include the following sections:

1. Title page
2. Abstract (up to 200 words)
3. Introduction (contextual/background information, setting the scene, rationale, aims and objectives)
4. Research questions
5. Literature and/or artefact review (From your previous assignment – for reference only. It is not included in word count and will not be assessed).
6. Methods and Methodology
7. Research timeline
8. Ethical considerations (if applicable)
9. References (not included in word count)
10. Appendices (if applicable, not included in word count)
Rethinking Slums: Development of slums towards sustainability

Slums have become an unavoidable reality in many countries of the world, particularly the developing world. Although there are various slums upgrading models and approaches to address the urban poverty in developing countries, the number of slum dwellers has actually grown and the problem is expected to become worse. Other public policies have to eradicate slums and didn’t take into account the resources and the potentials that slums offer. This refers to the need to change the procedures followed in the development processes. Along with the human-related problems associated with slums, slums cause serious impacts on the environment and natural resources. In this context, sustainable development is the main outlet to achieve a real boom of the developing world that consequently confirms the need to develop slums in an integrated manner.

So, this paper adopts a concept of investing the positive aspects of the slums’ community in conjunction with developing a thorough framework based on the three pillars of sustainability, economy, society, and environment. From this vein, the research is guided by a set of successful practices of many of developing countries through an approach grounded on the three pillars of sustainability. The objectives of this paper are; 1) shedding light on the positive human power of slum dwellers, 2) disseminating best practices on sustainable approaches, from which it can be developed and adapted to fit in the context of the urban slums of developing countries, and 3) providing a comprehensive framework for developing sustainable slums.

Sample Solution

Sample solution

Dante Alighieri played a critical role in the literature world through his poem Divine Comedy that was written in the 14th century. The poem contains Inferno, Purgatorio, and Paradiso. The Inferno is a description of the nine circles of torment that are found on the earth. It depicts the realms of the people that have gone against the spiritual values and who, instead, have chosen bestial appetite, violence, or fraud and malice. The nine circles of hell are limbo, lust, gluttony, greed and wrath. Others are heresy, violence, fraud, and treachery. The purpose of this paper is to examine the Dante’s Inferno in the perspective of its portrayal of God’s image and the justification of hell. 

In this epic poem, God is portrayed as a super being guilty of multiple weaknesses including being egotistic, unjust, and hypocritical. Dante, in this poem, depicts God as being more human than divine by challenging God’s omnipotence. Additionally, the manner in which Dante describes Hell is in full contradiction to the morals of God as written in the Bible. When god arranges Hell to flatter Himself, He commits egotism, a sin that is common among human beings (Cheney, 2016). The weakness is depicted in Limbo and on the Gate of Hell where, for instance, God sends those who do not worship Him to Hell. This implies that failure to worship Him is a sin.

God is also depicted as lacking justice in His actions thus removing the godly image. The injustice is portrayed by the manner in which the sodomites and opportunists are treated. The opportunists are subjected to banner chasing in their lives after death followed by being stung by insects and maggots. They are known to having done neither good nor bad during their lifetimes and, therefore, justice could have demanded that they be granted a neutral punishment having lived a neutral life. The sodomites are also punished unfairly by God when Brunetto Lattini is condemned to hell despite being a good leader (Babor, T. F., McGovern, T., & Robaina, K. (2017). While he commited sodomy, God chooses to ignore all the other good deeds that Brunetto did.

Finally, God is also portrayed as being hypocritical in His actions, a sin that further diminishes His godliness and makes Him more human. A case in point is when God condemns the sin of egotism and goes ahead to commit it repeatedly. Proverbs 29:23 states that “arrogance will bring your downfall, but if you are humble, you will be respected.” When Slattery condemns Dante’s human state as being weak, doubtful, and limited, he is proving God’s hypocrisy because He is also human (Verdicchio, 2015). The actions of God in Hell as portrayed by Dante are inconsistent with the Biblical literature. Both Dante and God are prone to making mistakes, something common among human beings thus making God more human.

To wrap it up, Dante portrays God is more human since He commits the same sins that humans commit: egotism, hypocrisy, and injustice. Hell is justified as being a destination for victims of the mistakes committed by God. The Hell is presented as being a totally different place as compared to what is written about it in the Bible. As a result, reading through the text gives an image of God who is prone to the very mistakes common to humans thus ripping Him off His lofty status of divine and, instead, making Him a mere human. Whether or not Dante did it intentionally is subject to debate but one thing is clear in the poem: the misconstrued notion of God is revealed to future generations.

 

References

Babor, T. F., McGovern, T., & Robaina, K. (2017). Dante’s inferno: Seven deadly sins in scientific publishing and how to avoid them. Addiction Science: A Guide for the Perplexed, 267.

Cheney, L. D. G. (2016). Illustrations for Dante’s Inferno: A Comparative Study of Sandro Botticelli, Giovanni Stradano, and Federico Zuccaro. Cultural and Religious Studies4(8), 487.

Verdicchio, M. (2015). Irony and Desire in Dante’s” Inferno” 27. Italica, 285-297.

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