The is/ought fallacy occurs when one draws a conclusion about what ought to be from statements about what is. For example, it would be a fallacy to argue that since everyone lies, everyone ought to lie. Just because something is the case, it does not mean that it ought to be the case. It would be a mistake to argue that since people do seek their own good, they ought to. It would be a mistake to argue that since people do naturally seek pleasure that they ought to seek pleasure.

Statements about what is the case are called Descriptive Statements because their aim is to say what is the case, that is, to describe what is

Some Descriptive Statements

Everyone lies

All human motivation is self-interested

Everyone seeks pleasure

Red is a color

Red is not a color

The number of stars in the universe is odd

The number of stars in the universe is even

No one lies

Different cultures have different moral standards

Notice that some of the descriptive statements above are false. A statement is descriptive if its intent is to describe what is that case, but it may fail to describe the situation correctly. So, “The number of stars in the universe is odd” and “the number of stars in the universe is even” are both descriptive even though at any given moment only one is true.

Statements about what ought to be the case are called Prescriptive Statements because they don’t merely describe what is the case, but they prescribe what ought to be the case. Prescriptive Statements are often called Normative Statements since they prescribe a norm or standard.

Some Prescriptive/Normative Statements

People ought to lie

People ought to be motivated only by self-interest

People ought to be motivation only by pleasure

People ought not lie

It would be nice if we could distinguish between descriptive claims from prescriptive claims by looking for the words “is” and “ought” but it is not so easy. For example,

Murder is wrong

is prescriptive, even though it does have the word “is” and does not have the word “ought”. Here’s why:

To say that murder is wrong is to say that one ought not to murder. It’s implicit, to be sure, but make a note: When we say that X is right or X is wrong, we are making a prescriptive claim, a normative claim (prescriptive and normative are synonymous).

The First Moral Theory of the Semester: Ethical Relativism

Two Correct Definitions

Ethical Relativism (definition 1): The view that what makes an act right or wrong is one’s culture: one’s culture is the only moral standard there is.

Ethical Relativism (definition 2): The view that one ought only to follow the rules of one’s culture, that there is nothing more to morality than that.

A Fallacious Argument in Favor of Ethical Relativism

Different cultures have different moral standards

Therefore, one ought only to follow the rules of one’s culture, that there is nothing more to morality than that.

Why is this argument invalid, fallacious?

Even though the most common argument in favor of Ethical Relativism is a fallacy, we need a good argument against it if we are justified in concluding it is false (It is one thing to say that an argument in favor of X is no good and it is quite another thing to say that there is good reason to think that X is false. If someone proposes an argument in favor of God’s existence that turns out to be faulty, we cannot, for that reason alone conclude that God does not exist).

Two Arguments Against Ethical Relativism

If ER is true, then moral change in a culture is neither moral progress nor moral decline.

Changes in a culture can be moral progress or decline.

Therefore, ER is false

If ER is true, then moral reformers are always wrong to oppose the culture’s moral standard.

A moral reformer may sometimes be right to oppose the culture’s moral standard.

Therefore ER is false

Both arguments are valid. Both have all true premises.

Conclusions

So the logic section was grueling but if you can see that Modus Tollens is a valid argument form and you believe that a culture can advance or decline morally, you also see that Ethical Relativism must be false. In the same way, if you see that Modus Tollens is a valid argument form and you believe that a moral reformer can sometimes be right to oppose a culture’s standard, then ER must be false.

Sample Solution

Sample solution

Dante Alighieri played a critical role in the literature world through his poem Divine Comedy that was written in the 14th century. The poem contains Inferno, Purgatorio, and Paradiso. The Inferno is a description of the nine circles of torment that are found on the earth. It depicts the realms of the people that have gone against the spiritual values and who, instead, have chosen bestial appetite, violence, or fraud and malice. The nine circles of hell are limbo, lust, gluttony, greed and wrath. Others are heresy, violence, fraud, and treachery. The purpose of this paper is to examine the Dante’s Inferno in the perspective of its portrayal of God’s image and the justification of hell. 

In this epic poem, God is portrayed as a super being guilty of multiple weaknesses including being egotistic, unjust, and hypocritical. Dante, in this poem, depicts God as being more human than divine by challenging God’s omnipotence. Additionally, the manner in which Dante describes Hell is in full contradiction to the morals of God as written in the Bible. When god arranges Hell to flatter Himself, He commits egotism, a sin that is common among human beings (Cheney, 2016). The weakness is depicted in Limbo and on the Gate of Hell where, for instance, God sends those who do not worship Him to Hell. This implies that failure to worship Him is a sin.

God is also depicted as lacking justice in His actions thus removing the godly image. The injustice is portrayed by the manner in which the sodomites and opportunists are treated. The opportunists are subjected to banner chasing in their lives after death followed by being stung by insects and maggots. They are known to having done neither good nor bad during their lifetimes and, therefore, justice could have demanded that they be granted a neutral punishment having lived a neutral life. The sodomites are also punished unfairly by God when Brunetto Lattini is condemned to hell despite being a good leader (Babor, T. F., McGovern, T., & Robaina, K. (2017). While he commited sodomy, God chooses to ignore all the other good deeds that Brunetto did.

Finally, God is also portrayed as being hypocritical in His actions, a sin that further diminishes His godliness and makes Him more human. A case in point is when God condemns the sin of egotism and goes ahead to commit it repeatedly. Proverbs 29:23 states that “arrogance will bring your downfall, but if you are humble, you will be respected.” When Slattery condemns Dante’s human state as being weak, doubtful, and limited, he is proving God’s hypocrisy because He is also human (Verdicchio, 2015). The actions of God in Hell as portrayed by Dante are inconsistent with the Biblical literature. Both Dante and God are prone to making mistakes, something common among human beings thus making God more human.

To wrap it up, Dante portrays God is more human since He commits the same sins that humans commit: egotism, hypocrisy, and injustice. Hell is justified as being a destination for victims of the mistakes committed by God. The Hell is presented as being a totally different place as compared to what is written about it in the Bible. As a result, reading through the text gives an image of God who is prone to the very mistakes common to humans thus ripping Him off His lofty status of divine and, instead, making Him a mere human. Whether or not Dante did it intentionally is subject to debate but one thing is clear in the poem: the misconstrued notion of God is revealed to future generations.

 

References

Babor, T. F., McGovern, T., & Robaina, K. (2017). Dante’s inferno: Seven deadly sins in scientific publishing and how to avoid them. Addiction Science: A Guide for the Perplexed, 267.

Cheney, L. D. G. (2016). Illustrations for Dante’s Inferno: A Comparative Study of Sandro Botticelli, Giovanni Stradano, and Federico Zuccaro. Cultural and Religious Studies4(8), 487.

Verdicchio, M. (2015). Irony and Desire in Dante’s” Inferno” 27. Italica, 285-297.

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