• Read “African American and Ethnic Studies” (1838-1840) ReadingNiewing – View the 1961 film production of “A Raisin in the Sun,” directed by Daniel Petrie. Libraries have them available for free checkout or view it on YouTube.com by searching with these words: A raisin in the sun (1961)1114. You can also view it on Amazon.com under Instant Videos, either by buying it or renting it (which is cheaper). Running time: 128 minutes.
write several insightful comments about one scene from the dramatic production of “A Raisin in the Sun” you viewed. Compare it to the original written script (since this film is an adaptation of the drama). It should run at least ten sentences in length. Also state how you viewed it (got it on a dvd from the library, watched it on YouTube, who you viewed it with, where and when), and what percent of it you watched (watch the entire film for full credit).
The target of this proposition is to perceive how the observations of the scene picture taker can further illuminate the relationship of engineering and the scene. Seeing how scene photographers see their subject and characterize the issues that impact their own points of view turns into the instrument for better understanding issues shared by design. For instance, surrounding, the part of the skyline, normal and counterfeit light, surface, state of mind, scale, geology and the juxtaposition of man-made and common components are issues shared by the two controls. Also how scene photographers watch and translate the scene in its numerous states of mind challenges modelers to understand acknowledging how comparative changes happen in functions of design after some time. To show such discoveries, important cases of photography and design will be compared, talked about and bolstered by logical outlines. In this manner, an investigation of scene photography will ideally elucidate and move elective methods for characterizing the interface between the building and the scene. Kinds OF LANDSCAPE PHOTOGRAPHY Figure 3: Man in water Reflection Barcelona, Spain Unique photograph by Rouzbeh Mokhtari Kinds of Landscape photography: â€¢ Representational â€¢ Impressionistic â€¢ Abstract 3 Kinds OF LANDSCAPE PHOTOGRAPHY "Picture takers for the most part utilize three distinct styles in scene photography, which are representational, impressionistic and abstract"(1). Representational style results in pictures that demonstrate to us the most sensible and normal look of the scene with no guiles. It is straight forward, that is the thing that you see is the thing that you get. Despite the fact that the picture taker does not include any props or outside segments to the scene, the best outcome is anything but a basic depiction, somewhat a long way from it. The best consideration is paid to composition, and points of interest of surface, light, foliage, timing and climate are basic. For the draftsman who consolidates this style of photography in his or her work, focusing on every one of the points of interest said above is compulsory. At that point an individual understanding of the work can show itself in the related design subject(Figure 4,5). The second style of photography is impressionistic. Photographic systems result in pictures with slippery or ambiguous quality. These photos are not so much touchable but rather more incredible, while despite everything they hold their qualities that influence them to scene pictures. Concentrate crafted by this second gathering has helped me to have a superior comprehension of surface in design(Figure 6,7). One illustration is the point at which I utilized the vague glass in the building, and the passerby couldn't tell what or how within looked. He or she could have their own particular creative ability about the subject. The last style of photography is called conceptual, which manages shape, frame, complexity and shading in a specific scene, of which regularly nothing might be unmistakable. One a player in the scene might be joined with another so as to draw out the excellence or risk, water or desert, or red and blue of the scene. Theoretical scene photography isn't generally planned to delineate a specific scene by any stretch of the imagination, rather to make a bit of workmanship that is just approximately in view of a genuine scene in reality( Figure 3,8). One great structural illustration is crafted by architect Luis Barragan. His works manage surface, light, shadow and reiteration, which he applies to his creation. His works for me speak to the transition of theoretical scene photography to architecture. Figure 4: San Sebastion, Spain Authentic photograph by Rouzbeh Mokhtari Figure 5: Sidi bou stated, Tunisia, Authentic, photograph by Rouzbeh Mokhtari Figure 6: Musse Historie Naturelle, Paris, France Impressionistic photograph by Rouzbeh Mokhtari Figure 7: Estate de Chenonceau, Visit, France Impressionistic photograph by Rouzbeh Mokhtari Figure 8: Outrage Unique Maryland, USA Dynamic photograph by Rouzbeh Mokhtari 1-Landcape photogrophy. http://www.photographyicon.com/scene/index.html. - Sontag, Susan. On photogrophy. New York: farrar straus and girouxn.d. 4 ISSUES FOUND IN LANDSCAPE PHOTOGRAPHY Geology: Scene photography comprises of three vital sub-areas. To start with, it is about geology of the site and the difference of sky versus earth, bluff versus level, ocean versus arrive and the control of skyline. Engineers manage similar issues in their work, for example the Cliffside house by Michael Rotondi ,which investigates the idea of sky versus earth; Salk foundation by Louis Kahn for the idea of govern of skyline; Casa Malaparte by Adalberto Libera in the idea of precipice versus level; and Gilardi house by Louis Barragan in the idea of ocean versus arrive. I do accept that each of the previously mentioned cases were by one means or another impacted via scene photography. A draftsman ought to have a decent handle of the impact of the territory and atmosphere on his outline and in accomplishing that crafted by the scene picture taker can be gainful. Scene photography Design Sky versus Earth Figure 9(Left): Marmata, Tunisia photograph by Rouzbeh Mokhtari Figure 10(Right): Cliffside house by Michael Rotondi Manage of Horizon Figure 11(left): Sea City, Maryland photograph by Rouzbeh Mokhtari Figure 12(Right): Salk organization by Louis Kahn Bluff versus Level Figure 13(Left): Gozo, Malta photograph by Rouzbeh Mokhtari Figure 14(Right): Casa Malaparte Ocean versus Land Figure 15(left): Gozzo, Malta Figure 16(Right): Gilardi House by Luis Barragan photograph by Rouzbeh Mokhtari 5 ISSUES FOUND IN LANDSCAPE PHOTOGRAPHY Scale: These second segment manages the subject of scale, regardless of whether excellent, pieces and part, close up, or miniaturized scale. From the earliest starting point of engineering, designers, for example, Andrea Palladio, utilized the proportion established in nature to make the congruity with the building. What's more there are a few structures that are composed in view of human's body. It implies that there is a corresponding relationship between's human's body and building's components, for example, entryways and windows estimate. Here and there, building are scaled more to their condition or reason that it's simply the building components handled their to show the excellent, over fueling or even rose above appearance. Notwithstanding these methodologies, the manner in which designer controls scale influence the clients by making the building feels, good, divine or even stunning. To put it plainly, the size of design isn't just the arrangement of size in different levels (physical, visual, mechanical, temperate, and so on.), yet in addition the all relations between the extents, which exist in comparable types of various size each other. Scene photography can enable him to secure a superior feeling of detail in his outline, one thing which can be of most extreme significance.>GET ANSWER