1. How does a layer-2 switch differ from a router?
2. Under what circumstances would you use a switched backbone?
3. Explain how single-switch VLANs work.
4. What are the advantages and disadvantages of VLANs?
Pat’s Engineering Works Pat’s Engineering Works is a small company that specializes in complex engineering consulting projects. The projects typically involve one or two engineers who do data-intensive analyses for companies. Because so much data are needed, the projects are stored on the company’s high-capacity server but moved to the engineers’ workstations for analysis. The company is moving into new offices and wants you to design its network. It has a staff of 8 engineers (which is expected to grow to 12 over the next 5 years), plus another 8 management and clerical employees who also need network connections but whose needs are less intense. Design the network.
Live Interpretation of Heritage Distributed: first August, 2018 Last Edited: first August, 2018 Disclaimer: This paper has been put together by an understudy. This isn't a case of the work composed by our expert paper essayists. You can see tests of our expert work here. Any assessments, discoveries, conclusions or suggestions communicated in this material are those of the writers and don't really mirror the perspectives of UK Essays. Noteworthy Sites, Museums and Galleries Live elucidation of Heritage Presentation In the course of recent decades legacy and culture has turned into an imperative piece of individuals' life, particularly in regard of their relaxation and vacationer exercises (Boyd 2003, p.1). This is especially valid on account of tourism, where the chronicled interest for traveler and relaxation exercises have melted away for those loaded with more social components. There is an expanding want to visit memorable destinations, exhibition halls and displays in an endeavor by the person to take in more about their legacy and those of different societies and social gatherings. In the meantime, the present legacy guest has turned out to be all the more perceiving about the way that these settings exhibit legacy experience to them (Boyd 2003, p.2). Basically along these lines, legacy can be believed to identify with verifiable occasions and settings and the guest needs to encounter those authentic encounters as a relatively physical occasion. Nonetheless, in spite of the various examines and study comes about that backings this adjustment in the guest request, there is still proof that various legacy destinations, exhibition halls and displays are neglecting to respond decidedly to these discoveries (Black 2005, p.10), which as a rule has brought about a drop in guest numbers at these settings. This circumstance can have genuine outcomes, particularly for those legacy locales that depend upon extra charges to cross over any barrier between state financing and the running expenses of the setting. Indeed, even where this not the situation, for instance where government financing is utilized to give free affirmation, such settings are as yet responsible to the state and need to demonstrate that their foundation is conveying to the necessities of the general population, which a lessening in guest numbers won't accomplish. With an end goal to address this issue the most recent two decades have seen an expansion in writing related particularly to the way in which legacy is shown and depicted to the guest, making another train under the general title of legacy translation. Legacy translation relates similarly to the comprehension of the site or protests showed for the guest and the inspiration determinant and requirements of that guest (Blockley and Hems 2006, p.1). Up to this point, most scholastics concur that legacy elucidation has been the minimum created part of the scene's advancement to the guest (Boyd 2003 and Blockley and Hems 2006). Understanding structures and indispensable piece of the guest encounter and will impact the experience that they detract from the visit (Boyd 2003, p.193). Along these lines, it takes after that understanding what persuades a guest or gathering of guests will empower the exhibition hall, exhibition or legacy site to be better ready to show and advance their item (in the same place 2003, p.64). For most guests that inspiration will be to pick up delight and gaining from the question or action being shown. As a rule, as Blockley and Hems (2006, p.10) propose in their exploration the inspiration for the visit is to satisfy the person's requirement for delight and inclining and if the legacy scene or protest does not accomplish this the guest will leave disappointed. Actually, the guest has generally expected to be welcomed with visual perspectives, and vivified shows when going to legacy locales (Dicks 2003, p.17). In this way it is basic for the setting chiefs to guarantee their goal and its substance meet these prerequisites. One part of understanding that has gone to the fore in the psyches of the guest amid ongoing years, and a zone that scholastics concur is a basic piece of elucidation, is the level of connection that exists between the guest and the legacy scene or question. An ongoing improvement in this regard is the expanding utilization of different types of live understanding inside the legacy show and other scene exercises, and it this region of translation that will shape the point of convergence for this examination. Live Interpretation Live understanding of legacy is the most direct type of cooperation between the guest and the curios and occasions that are being displayed at legacy destinations and settings. Guests and travelers today hope to see live legacy and social shows as opposed to lifeless things showed in vacant or one dimensional building and show boxes. For instance, guests to mechanical exhibition halls have generally expected to be dealt with to visual and moving presentations of chronicled apparatus and even to feel the experience through a living case of the general public of the time (Dicks 2003, p.29). The procedure of live elucidation can be conveyed in various organizations. One early case of live elucidation was accomplished by enabling the guest to associate with working models, which empowered them to all the more likely decipher the procedures that were included with that models operational reason. As the procedure of translation kept on developing, these working models were improved by the incorporation of sound and visual elucidation strategies, which look into demonstrated were seen to be more remunerating for the guest than composed content material, for example, flyers and books (Boyd 2003, p.231). The utilization of data and correspondence innovation is another territory of live elucidation that can demonstrate viable, through a procedure of intelligent inclusion or showing films and holographic pictures (Atkinson 2007). As Atkinson (2007) report additionally clarifies, by utilizing ICT it is workable for the legacy site administration to have the capacity to "customize and tailor shows and encounters to the individual or particular gathering's needs." Be that as it may, today the most direct type of live elucidation is regarded to be what includes physical up close and personal collaboration between the guest and an agent or gathering of delegates specifically required with the legacy site, either on an intentional or utilized premise (Blockley and Hems 2006, p.184), which most specialists distinguish as a translator. As these creator's call attention to "up close and personal translation is viewed as the best type of breathing life into the guest encounter" and surely influence them to consider that it is time well spent. One imperative perspective should be specified in regard of the activities of the translator. This identifies with their level of fitness and level of ability. As Boyd (2003, p.195) clarifies, "While live translation is esteemed the best type of communication amongst guest and the legacy protest, low quality in live understanding is more awful than nothing." Nonetheless, how much the "translator" breathes life into the legacy experience will rely on the scene and its substance. For instance, they can run from the incorporation of a visit manual for costumed characters who re-authorize the history and culture that the legacy site is advancing. This level of variety and the propriety for the legacy scene will be additionally tended to in the accompanying areas of this investigation. Historical centers and Galleries Various looks into have been led with the aim of finding how much time guests spent in galleries and to what degree the arrangement and show of the displays impacted the length of visit. One such overview, directed for the exploration did by Boyd (2003, pp.77-78) found that there was a state of time at which guests enthusiasm for the displays started to melt away and the tendency to "set out toward the exit" started to command their manners of thinking. This was particularly observed to be genuine where the understanding of the shows depended entirely upon the fundamental procedure of show. For instance, except if the guest has a particular verifiable or scholastic enthusiasm for the particular relics being shown inside the scene, which just identifies with a little section of the populace, sooner or later one display, be that a canvas, vase or another sort of lifeless thing, all started to resemble the other alike to the guest. At that stage the delight and taking in picked up from the experience started to fall apart. There still exists the idealist see that will contend against the presentation of live translation includes no place inside exhibition halls and displays. Their thinking is that the guest ought to be permitted to translate the display free from the impact of what the individuals who hold this sentiment see to be outer impedance. In any case, despite the fact that as expressed past this may be significant for the individuals who have a committed explanation behind going by the gallery or displays it was getting to be obvious to the troughs of these settings this was not agreed with by the lion's share of guests upon whom these historical centers and exhibitions depended. In this way, healing and inventive activity supposedly was required if the decrease in guest numbers was to be turned around. It ended up clear that a portion of the key characteristics that guests anticipated that would understanding from survey a specific display were lucidity, power, engaging quality together with a dynamic introduction (Boyd 2003, p.224). Nonetheless, on account of numerous guests it demonstrated troublesome accomplish the fulfillment of a significant number of these characteristics except if the question or display was fittingly deciphered in any case. This did not imply that the historical centers and displays needed to present moving or exceptionally intuitive understanding procedure for the greater part of their shows. In numerous occasions it was essentially an issue of presenting a visit direct (Dicks 2003, p.171). This would include utilizing a man who had adequate learning and experience about the show to have the capacity to give a proper interpretati>GET ANSWER