Read the attached article: “Benjamin Colonial Museology in Algiers” and answer the following 10 questions in a couple of sentences:
1. What is the main idea of the article?
2. Where was/were the museum(s)?
3. When was it/were they founded, in what context? Who were the main players in shaping the vision of the museums(s)?
4. What was the goal of the museum(s)?
5. Who was the intended audience of the museum(s), and how is this seen within the museums(for example display, collection, exhibitions. ideals, etc)?
6. What other museums were referred to, either as collaborators, examples, or to make a distinction? What kind of relationship was created to the network of museums in the colonizing country?
7. What was in the collection, and how was it formed?
8. What happened to the museum(s) with independence?
9. Overall, what is the relationship between the museum(s) and colonialism?
10. What does the history of this museum/these museums teach us about museums overall?
All through Greek dramatizations there is dependably a fundamental message of contradicting esteems. This message enables the group of onlookers to find out about human instinct, and life exercises. The play Medea, by Euripides, is no exemption to this general example in Greek shows. The play displays the contention between the contradicting esteems selling out and steadfastness through characters and their moving sensitivities. Euripides appears to esteem unwaveringness over double-crossing through his exhibitions of the threats of one who gives their feelings a chance to assume control reason in his catastrophe Medea. He demonstrates this through illustration of optional characters, a distinctive feeling, and clear logos. The play utilizes feeling, or passionate interest, to underline the significance of reliability. Medea, in the start of the play, was enduring, on the grounds that Jason did not have the dedication to remain with her, so the general population felt sensitivity towards her. Her passionate state was caused by how imperative dependability was to her, and now she is totally broken mentally, "Goodness I wish That lightning from paradise would part my head open" (6). That statement reflects how she is really feeling, sad. Inwardly, Medea raises the way that she double-crossed her nation, her dad, and murdered her own sibling to how sincerely associated she is with her faithfulness to Jason, "Gracious, my dad! Goodness, my nation! In what disrespect I cleared out you, slaughtering my own sibling for it" (6). From that statement, Medea does not utilize any expressions of requital, which has given her enough enthusiastic interest that the tune really trusts that she is the casualty of the circumstance. Logos, or intelligent interest, is utilized in the play to demonstrate that Medea's demonstrations of savagery were fixated more on reprisal as opposed to the success of her youngsters. Medea has had various chances to acquire a safe way of life for herself and her youngsters. Medea is looked with a chance to make her and her youngsters' life better from Jason, and she turns him down saying she doesn't need his pity, "I will never acknowledge favorsâ€¦ Nor take a thing from youâ€¦ There is no advantage in the blessings of a terrible man" (20). Jason was making a coherent contention, yet Medea gives her feelings a chance to cloud her judgment and declines Jason's putting forth, "Yet you deny what is useful for youâ€¦ You are certain to languish over it" (20). This is demonstrating that Medea is more centered around deceiving Jason than her youngsters' prosperity, since Jason had offered a sensible contention that would have profited her. On the off chance that she had acknowledged Jason's offer, her youngsters would have had some sort of help when they got into outcast. Moreover, if Jason had possessed the capacity to wed once more, her youngsters would have been thought about eminence and would have had a case for the honored position. Medea's insatiable long for requital in the end conveys her to butcher her youngsters. She slaughters them out of her own advantage not their own, in light of the fact that she is blinded by her own feelings, "I know undoubtedly what malicious I plan to do, But more grounded than every one of my bits of hindsight is my wrath, Fury that brings upon mortals the best disasters" (35). That statement uncovers her actual wants when she is in front of an audience alone. The consistent contention here originates from the theme whose position is that there is no reason adequate for her to butcher her own youngsters. The ensemble inevitably needed to ask the Gods for Medea to stop and have her reexamine intelligently about her choice to kill her kids, "O sublime light, hold her hand, Check her, and drive from out the house The grisly Fury raised by beasts of Hell" (41). That statement demonstrates that Medea has really gone distraught in that she has discarded every last bit of her feeling of thinking, and is centered altogether around getting revenge. Through logos, Euripides moves the groups of onlookers' sensitivities from Medea to the casualties of her designs. This demonstrates Loyalty is being underscored more, on account of Jason's putting forth of assistance, and the chorale's supplication to encourage the kids. Some would contend that Euripides puts forth a solid defense for the perils of selling out, and that there isn't a case for devotion. They may guarantee that Medea murdered her youngsters since she needed to sell out Jason. Another case would be that the ensemble sold out Medea since she would execute her youngsters. However, that contention comes up short when the group of onlookers takes a gander at the enthusiastic and consistent cases introduced by the melody and Jason. In spite of the contentions the Jason displayed were unfeeling and hostile to women's activist, truly they bolster the estimation of reliability. Jason trusts that Medea's agony was caused by her own hand, and that in the event that she had been faithful and less enthusiastic the entire pandemic could have been turned away. A precedent would be Medea's outcast, which was caused by her reviling the regal family, and hunger for retribution and disloyalty, "You called down evil reviles on the King's family" (20). Another precedent would be the demise of the princess, which was legitimized by the chorale whose still faithful to Medea, "Paradise, it appears on this day has secured numerous Evils on Jason, and Jason merited them" (40). Amid the whole play of Medea, Euripides is upholding reliability by showing the perils of wild selling out. Using clarification of optional characters, a distinctive sentiment, and clear logos Euripides shows the outcomes of one who gives their feelings a chance to meddle with their thinking. He can presents that by pursuing dependability, one would never their eyes on the way of requital.>GET ANSWER