1. Explain how the health concern from your community health nursing diagnostic statement is linked to a health inequity or health disparity within the target population.
a. Discuss the primary community resources and primary prevention resources currently in place to address the health concern.
b. Discuss the underlying causes of the health concern.
2. Discuss the evidence-based practice associated with the Field Experience topic.
a. Identify data about the selected Field Experience topic from the local (e.g., county), state, and/or national level.
C. Develop a community health nursing social media campaign strategy that will convey your health message and address the Field Experience topic by doing the following:
1. Describe your social media campaign objective.
2. Recommend two population-focused social marketing interventions and justify how each would improve the health message related to your selected Field Experience topic.
3. Describe a social media platform you would use that is appropriate for communicating with the target population.
a. Discuss the benefits of the selected social media platform in supporting preventative healthcare.
4. Discuss how the target population will benefit from your health message.
D. Describe best practices for implementing social media tools for hearth marketing.
E. Create a social media campaign implementation plan by doing the following:
1. Describe stakeholder roles and responsibilities in implementing the plan
2. Discuss potential public and private partnerships that could be formed to aid in the implementation of your campaign.
3. Create a specific timeline for implementing your campaign.
4. Explain how you will evaluate the effectiveness of the campaign.
5. Discuss the costs of implementing your campaign.
F. Reflect on how social media marketing supports the community health nurse’s efforts to promote healthier populations.
1. Reflect on how your social media campaign could apply to your future nursing practice.
Distributed: Thu, 14 Dec 2017 John Steinbeck's novel, Of Mice and Men, was first distributed in 1937. At the time, America was all the while enduring the inauspicious result of the despondency and the vagrant laborers who shape the premise of the novel were particularly inside the awareness of a country isolated by riches yet determined by the possibility of 'the American dream'. Steinbeck's novel is, be that as it may, basically a story of dejection, of men battling alone against a cool, wanton and nondescript fate. The focal heroes, George and Lennie are, as they are glad to declare, unique in relation to the others since they have one another. They are an odd couple, George the savvy, wiry yet at last minding defender of the amusingly named Lennie Small, who is, indeed, an enormous man who doesn't know his very own quality and is rationally unequipped for settling on the littlest of choices for himself; he depends on George totally yet similarly, George needs Lennie as he gives him motivation to continue onward. Lennie, notwithstanding his absence of mind, detects this since when he knows George feels remorseful for being furious with him, he exploits the minute to control George into rehashing the narrative of their 'fantasy future', particularly the rabbits they plan to keep with which Lennie is fixated. They are not related but rather Lennie's close relative has raised George and he has guaranteed her that he will take care of Lennie, now she has kicked the bucket. The mystery dream they share, of building a coexistence on a farm and 'liv[ing] off the fatta the lan' is focal however the simple title of the book, taken from Robert Burns' ballad 'To a Mouse' portends a definitive thrashing of their fantasy, since it talks about plans turning out badly. The two men are on the way for another in a progression of farm employments, having been come up short on Weed, where they already lived and worked, in light of the fact that Lennie has been wrongly blamed for endeavored assault as a result of his guiltless want to contact the material of a young lady's skirt; again there is anticipating here of the sad closure of the novel. In reality, the entire of the book pursues the round development set up by the setting of the start of the novel and altering portrayals utilized there in the consummation which happens in a similar spot, where Lennie has been cautioned to return on the off chance that anything turns out badly which definitely it does. Upon landing in the farm, Steinbeck accepts the open door to present the peruser, by means of the newcomers, to a panoply of characters, all introverts for some reason: the old, debilitated and disheartened Candy, the dark, disabled and separated Crooks, the feisty and pompous supervisor's child, Curley, who is recently and despondently hitched, his better half being what the others call a 'tramp', and the god-like Slim, to whom all the others turn upward and to whom they all search for a picture to worship. Steinbeck utilizes each of these distinctively to indicate aspects of dejection and disengagement, with just Slim appearing past the possibility that he is a protest of pity. From the main, George is worried about the possibility that that the forceful manager's child, Curley, will cause inconvenience for himself and Lennie in light of the fact that he is a novice boxer who sees Lennie's size as a test and seems to be 'helpful'. Nonetheless, when he is associated with a vicious occurrence with Curley through no blame of his own, Lennie pulverizes his hand and Slim cautions him that on the off chance that anything is said in regards to it, he will make Curley look a trick, the thing he knows Curley fears most. Without a doubt, Steinbeck never-endingly utilizes Slim as his focal point of awareness in the novel, the man in whom George trusts, in a precisely arranged 'confession booth' scene, for instance, where even the lighting mirrors the exceptional interrogative. Thin is likewise the just a single of the men who seems to have any sort of association with Crooks. It is no occurrence, either, that it is Slim who solaces and consoles George toward the finish of the book, letting him know 'You hadda, George. I swear you hadda' and driving him away. Maybe the most disputable part of Steinbeck's novel is without a doubt his depiction of ladies. The main female character to have a genuine nearness in the book is Curley's significant other, who seems to have hitched Curley spontaneously, having been disillusioned in her unbelievable aspiration to wind up a film star, and is as of now plainly watchful for a superior prospect. She plays with the men, is unmistakably pulled in to Slim, and manhandles Crooks, accentuating as she does this the racial strains of the time. Alternate references to ladies are to whores and Lennie's late auntie, rather strangely imparting a name to the neighborhood 'madam' of the whorehouse. Steinbeck here exposes himself to the charge of sexism, particularly since in different works, for example, East of Eden, which he wrote in 1952, ladies are correspondingly depicted as a capture to men, maybe showing a connective with troubles in his own life. Taking everything into account, notwithstanding, it must be said that the persisting interest of Steinbeck's great novel remains naturally the moving acknowledgment of the focal connection among George and Lennie and how their somewhat adventitious meeting up moves toward becoming for both the characterizing feeling of their lives. Unequivocally in light of the fact that there are two of them, that somebody, as George says, 'cares the slightest bit', Steinbeck can feature the dejection of the vagrant wanderers of whom he additionally composes movingly in The Grapes of Wrath (1939). The sharing of their fantasy with the frantic Candy is it might be said the start of the end in light of the fact that as it turns out to be right around a reality it is at the same time broken by the interruption of plausibility symbolized by him. In Of Mice and Men, Steinbeck made an across the country issue human and in doing as such, he made characters who keep on both move and aggravate. Book index: Cynthia Burkhead, Student Companion to John Steinbeck, (Greenwood Press, Westport, CT., 2002). Donald V. Coers, Paul D. Ruffin and Robert J. DeMott, eds., After the Grapes of Wrath: Essays on John Steinbeck in Honor of Tetsumaro Hayashi, (Ohio University Press, Athens, OH, 1995). Robert DeMott, Steinbeck's Typewriter: Essays on His Art, (The Whitston Publishing Company Troy, New York 1997). Tetsumaro Hayashi, John Steinbeck: The Years of Greatness, 1936-1939, (University of Alabama Press, Tuscaloosa, AL, 1993). Arthur Hobson Quinn and Appleton-Century-Crofts, The Literature of the American People: A Historical and Critical Survey, (Appleton-Century-Crofts, New York 1951). Claudia Durst Johnson, Understanding of Mice and Men, the Red Pony, and the Pearl: A Student Casebook to Issues, Sources, and Historical Documents, (Greenwood Press, Westport, CT., 1997). John Steinbeck, Of Mice and Men, (Longman, Harlow, 2000). John Steinbeck IV and Nancy Steinbeck, The Other Side of Eden: Life with John Steinbeck, (Prometheus Books, Amherst, NY, 2001).>GET ANSWER