Analyse in detail how any one type of “text” has been changed by the use of digital technologies. Sources to be used: – Milner, R. (2012). The World Made Meme: discourse and identity in participatory media. PhD dissertation, University of Kansas. https://search.proquest.com/docview/1115317485 – Blank, T. J. (2014). Understanding Folk Culture in the Digital Age: An interview with Folklorist Trevor J. Blank, Interview by Julia Fernandez, Digital Preservation blog, 30 June 2014. https://blogs.loc.gov/digitalpreservation/2014/06/understanding-folk-culture-in-the-digital-age-an-interview-with-folklorist-trevor-j-blank-pt-1/ – Shifman. L. (2011) An anatomy of a YouTube meme, New Media & Society March 2012 vol. 14 no. 2 pp. 187-203. https://journals.sagepub.com/doi/pdf/10.1177/1461444811412160 – Miller, Vincent. 2011. “Producers, Consumers and ‘Produsage'” [Section of chapter in] Understanding digital culture. Sage. pages 85-94. – Shifman. L. (2011) An anatomy of a YouTube meme, New Media & Society March 2012 vol. 14 no. 2 pp. 187-203. https://journals.sagepub.com/doi/pdf/10.1177/1461444811412160 – Garde-Hansen, J., Hoskins, A. and Reading, A. (eds) (2009) ‘Introduction’, in: Save as… digital memories. Basingstoke: Palgrave Macmillan – Garde-Hansen, J. (2009) ‘MyMemories?: Personal Digital Archive Fever and Facebook’, in Garde-Hansen, J., Hoskins, A. and Reading, A. (eds) Save as… digital memories. Basingstoke: Palgrave Macmillan – Storey, John (2012) Cultural Theory and Popular Culture: An Introduction. 6th Edition. Pearson. – Denisova, A. (2016). How the Internet turned the US election into a medieval carnival, The Conversation, 10 November. https://theconversation.com/how-the-internet-turned-the-us-election-into-a-medieval-carnival-68281 – Williams, R. (2011). Culture is ordinary (1958). Cultural theory: An anthology, pp. 53-59. https://search-proquest-com.libproxy.kcl.ac.uk/docview/186889811?rfr_id=info%3Axri%2Fsid%3Aprimo
