1. Instruction: This week, please write thick responses to two questions of the following questions with quotes. Please make sure you engage with the reading by quoting, citing, paraphrasing, then making comments about it specifically. On one page
    • Deborah Kent (1987). Disabled women: Portraits in fiction and drama. In: Images of the Disabled, Disabling Images. Ed. Alan Gartner and Tom Joe. New York: Praeger.
    In this article Kent covers many examples of literary characters who are women with disabilities–two dozen by my count. One issue she keeps coming back to is the relationships that these women have–or more often cannot have–with men. (We discussed this a bit last week in connection with the Yellow Wallpaper literature.) Kent writes:
    Frequently, the man feels he will be diminished in the eyes of others if he can only acquire a substandard partner. If on the other hand the man finds the disabled woman attractive, it is because her disability draws him to her, making her mysterious, heroic, or appealingly vulnerable. In either case, disability looms as an overwhelming issue for the men in most of these works. They may be repelled of attracted to the disabled woman, or struggle with both feelings at once. But the woman’s disability is nearly always seen as her first and most salient attribute. (Kent 1987: 56-57, emphasis added).
  2. Kent uses The Glass Menagerie as one of her many examples (pp. 51-52). To what extent would you say that this text fits in with the hypothesis quoted above? Explain your opinion.
    Kent points out that most literary representations do not reflect the variety of experiences of real-life women with disabilities: “Those who lead satisfying lives, thoroughly integrated into the community, are rarely found in literature. By failing to offer more positive images, these writers help perpetuate the negative stereotypes the present” (p. 62).
  3. Do you find Kent’s assessment of disabled literary women in terms of the negative imagery persuasive and/or compelling? How much does her autobiographical approach to the topic add to the article’s effectiveness?
    2.Instruction: Write two pages for the proposal for: THE ROLE OF PEOPLE WITH DISABILITIES WORKING AS CRITICS OF THE ARTS FROM AFRICA
    It is should be 1-2 pages long
    The Final Project for this course is your opportunity to apply some of the concepts we’ve explored this semester to your original research. Your topic must relate to the humanities (broadly defined), using a disability studies approach. Because it is a significant assignment that represents a significant portion of your final grade, the assignment is segmented over the final weeks of the semester.

Here are some things to include in your final project proposal:
• A working title for your project (descriptive but not neccesarily final);
• A working thesis statement (at least a sentence, no more than a paragraph);
• A fairly detailed description of what form your project will take (a 15-20 page essay, a multimedia presentation, something else entirely); and

Sample Solution

Sample solution

Dante Alighieri played a critical role in the literature world through his poem Divine Comedy that was written in the 14th century. The poem contains Inferno, Purgatorio, and Paradiso. The Inferno is a description of the nine circles of torment that are found on the earth. It depicts the realms of the people that have gone against the spiritual values and who, instead, have chosen bestial appetite, violence, or fraud and malice. The nine circles of hell are limbo, lust, gluttony, greed and wrath. Others are heresy, violence, fraud, and treachery. The purpose of this paper is to examine the Dante’s Inferno in the perspective of its portrayal of God’s image and the justification of hell. 

In this epic poem, God is portrayed as a super being guilty of multiple weaknesses including being egotistic, unjust, and hypocritical. Dante, in this poem, depicts God as being more human than divine by challenging God’s omnipotence. Additionally, the manner in which Dante describes Hell is in full contradiction to the morals of God as written in the Bible. When god arranges Hell to flatter Himself, He commits egotism, a sin that is common among human beings (Cheney, 2016). The weakness is depicted in Limbo and on the Gate of Hell where, for instance, God sends those who do not worship Him to Hell. This implies that failure to worship Him is a sin.

God is also depicted as lacking justice in His actions thus removing the godly image. The injustice is portrayed by the manner in which the sodomites and opportunists are treated. The opportunists are subjected to banner chasing in their lives after death followed by being stung by insects and maggots. They are known to having done neither good nor bad during their lifetimes and, therefore, justice could have demanded that they be granted a neutral punishment having lived a neutral life. The sodomites are also punished unfairly by God when Brunetto Lattini is condemned to hell despite being a good leader (Babor, T. F., McGovern, T., & Robaina, K. (2017). While he commited sodomy, God chooses to ignore all the other good deeds that Brunetto did.

Finally, God is also portrayed as being hypocritical in His actions, a sin that further diminishes His godliness and makes Him more human. A case in point is when God condemns the sin of egotism and goes ahead to commit it repeatedly. Proverbs 29:23 states that “arrogance will bring your downfall, but if you are humble, you will be respected.” When Slattery condemns Dante’s human state as being weak, doubtful, and limited, he is proving God’s hypocrisy because He is also human (Verdicchio, 2015). The actions of God in Hell as portrayed by Dante are inconsistent with the Biblical literature. Both Dante and God are prone to making mistakes, something common among human beings thus making God more human.

To wrap it up, Dante portrays God is more human since He commits the same sins that humans commit: egotism, hypocrisy, and injustice. Hell is justified as being a destination for victims of the mistakes committed by God. The Hell is presented as being a totally different place as compared to what is written about it in the Bible. As a result, reading through the text gives an image of God who is prone to the very mistakes common to humans thus ripping Him off His lofty status of divine and, instead, making Him a mere human. Whether or not Dante did it intentionally is subject to debate but one thing is clear in the poem: the misconstrued notion of God is revealed to future generations.

 

References

Babor, T. F., McGovern, T., & Robaina, K. (2017). Dante’s inferno: Seven deadly sins in scientific publishing and how to avoid them. Addiction Science: A Guide for the Perplexed, 267.

Cheney, L. D. G. (2016). Illustrations for Dante’s Inferno: A Comparative Study of Sandro Botticelli, Giovanni Stradano, and Federico Zuccaro. Cultural and Religious Studies4(8), 487.

Verdicchio, M. (2015). Irony and Desire in Dante’s” Inferno” 27. Italica, 285-297.

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