View the following two free-online films in their entirety:
The two films directed by Luis Buñuel are presented in Spanish language audio
with English subtitles:
The Criminal Life of Archinabaldo de la Cruz – Ensayo de un Crimen (1955)
Spanish with English Subtitles
Directed by
Luis Buñuel
https://ok.ru/video/1619243502190
1 hour 26 minutes
Él – This Strange Passion (1953)
Directed by
Luis Buñuel
https://www.youtube.com/watch?v=ihqLQnuOWDY
1 hour 31 minutes

The behavior of the lead male characters portrays a particularly absurd version of perception. The lead female characters portray a more realistic assessment of their environment and exhibit strength at some point during the storyline of each film.

Although these two films were made in Mexico during the 1950s and the director was a refugee Spaniard, these works influenced a 20th Century generation of filmmakers in the U.S. (including Chicano filmmakers) and the rest of the world.

Both films reflect on changing social norms due to the introduction of technology resulting from the Atomic Age, modernism, and post-modernism but and also dealt with issues that pertains to what is known as “20th Century angst”. Our 21st Century encounter with the COVID-19 pandemic has generated its own version of angst.

These films are considered to be absurdist comedies but also explorations into the human psyche that is confronted with new ideas related to existentialism and provincialism. The conscious and unconscious states of human thought are explored incorporated dreams, illusion, and false beliefs.

After viewing both films, consider how some of the characters are placed into situations that contribute to their demise or success.

Write about your personal observations, analysis, and responses to the notions of surrealism as expressed in both films.

Also include your ideas about how people can be persuaded to believe in false ideas or engage in actions that are not logically connected to what would best serve their purpose.
How does surrealism affect your perception of reality?
Could these ideas pertain to the effects of negative stereotypes and the role it plays affecting public perception of Chicanos?

Sample Solution

Sample solution

Dante Alighieri played a critical role in the literature world through his poem Divine Comedy that was written in the 14th century. The poem contains Inferno, Purgatorio, and Paradiso. The Inferno is a description of the nine circles of torment that are found on the earth. It depicts the realms of the people that have gone against the spiritual values and who, instead, have chosen bestial appetite, violence, or fraud and malice. The nine circles of hell are limbo, lust, gluttony, greed and wrath. Others are heresy, violence, fraud, and treachery. The purpose of this paper is to examine the Dante’s Inferno in the perspective of its portrayal of God’s image and the justification of hell. 

In this epic poem, God is portrayed as a super being guilty of multiple weaknesses including being egotistic, unjust, and hypocritical. Dante, in this poem, depicts God as being more human than divine by challenging God’s omnipotence. Additionally, the manner in which Dante describes Hell is in full contradiction to the morals of God as written in the Bible. When god arranges Hell to flatter Himself, He commits egotism, a sin that is common among human beings (Cheney, 2016). The weakness is depicted in Limbo and on the Gate of Hell where, for instance, God sends those who do not worship Him to Hell. This implies that failure to worship Him is a sin.

God is also depicted as lacking justice in His actions thus removing the godly image. The injustice is portrayed by the manner in which the sodomites and opportunists are treated. The opportunists are subjected to banner chasing in their lives after death followed by being stung by insects and maggots. They are known to having done neither good nor bad during their lifetimes and, therefore, justice could have demanded that they be granted a neutral punishment having lived a neutral life. The sodomites are also punished unfairly by God when Brunetto Lattini is condemned to hell despite being a good leader (Babor, T. F., McGovern, T., & Robaina, K. (2017). While he commited sodomy, God chooses to ignore all the other good deeds that Brunetto did.

Finally, God is also portrayed as being hypocritical in His actions, a sin that further diminishes His godliness and makes Him more human. A case in point is when God condemns the sin of egotism and goes ahead to commit it repeatedly. Proverbs 29:23 states that “arrogance will bring your downfall, but if you are humble, you will be respected.” When Slattery condemns Dante’s human state as being weak, doubtful, and limited, he is proving God’s hypocrisy because He is also human (Verdicchio, 2015). The actions of God in Hell as portrayed by Dante are inconsistent with the Biblical literature. Both Dante and God are prone to making mistakes, something common among human beings thus making God more human.

To wrap it up, Dante portrays God is more human since He commits the same sins that humans commit: egotism, hypocrisy, and injustice. Hell is justified as being a destination for victims of the mistakes committed by God. The Hell is presented as being a totally different place as compared to what is written about it in the Bible. As a result, reading through the text gives an image of God who is prone to the very mistakes common to humans thus ripping Him off His lofty status of divine and, instead, making Him a mere human. Whether or not Dante did it intentionally is subject to debate but one thing is clear in the poem: the misconstrued notion of God is revealed to future generations.

 

References

Babor, T. F., McGovern, T., & Robaina, K. (2017). Dante’s inferno: Seven deadly sins in scientific publishing and how to avoid them. Addiction Science: A Guide for the Perplexed, 267.

Cheney, L. D. G. (2016). Illustrations for Dante’s Inferno: A Comparative Study of Sandro Botticelli, Giovanni Stradano, and Federico Zuccaro. Cultural and Religious Studies4(8), 487.

Verdicchio, M. (2015). Irony and Desire in Dante’s” Inferno” 27. Italica, 285-297.

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