When creating an e-portfolio, what do you feel are the essential components that captured what you’re learned? What previous work(s) do you think would highlight yourself and your top learning achievements at APUS? If you were to review an e-portfolio as an employer, what learning outcomes would be most important?

 

 

micheal

A key aspect of an e-portfolio is connecting learning with professional ambitions. My studies in transportation and logistics management have consistently overlapped with my professional interest in national security, especially from a military perspective. Therefore, the essential components in my e-portfolio are those elements that offer insight into the national security aspects of transportation and logistics management. The products that I will include in my e-portfolio demonstrate learning that is certainly relevant for military application, but may be beneficial as well in civilian positions related to national or private security in the field transportation and logistics.

The works I have included examine global transportation and logistics development projects from the perspective of great power competition, maritime transportation security threats connected with widespread international conflict, and more specifically, potential port improvement opportunities that may assist the Brazilian Port of Santos in gaining market shares as international tensions disrupt traditional trade patterns. Viewing global transportation and logistics concepts through the lens of great power competition highlights my natural interests as well as the unique perspective that I have achieved through integration of these interests into my studies at AMU.

If I were an employer examining the e-portfolio of a potential employee, I would look for two main elements. First, I would want to see a solid understanding of broad concepts related to the business processes carried out by my firm. Specified skillsets, while certainly important, are often easier to provide through focused training and on-the-job experience. A strong contextual understanding, on the other hand, is what I would expect from a graduate, and should provide a foundation for advancement into higher-level management positions. Second, and equally important, I would look for alignment between the individual’s personal interests and the work of the firm. This would indicate a level of commitment that goes beyond the paycheck and may give the individual, as well as the firm, a unique edge over competition.

What types of information might an e-portfolio provide that may not be as evident following an interview?

Sample solution

Dante Alighieri played a critical role in the literature world through his poem Divine Comedy that was written in the 14th century. The poem contains Inferno, Purgatorio, and Paradiso. The Inferno is a description of the nine circles of torment that are found on the earth. It depicts the realms of the people that have gone against the spiritual values and who, instead, have chosen bestial appetite, violence, or fraud and malice. The nine circles of hell are limbo, lust, gluttony, greed and wrath. Others are heresy, violence, fraud, and treachery. The purpose of this paper is to examine the Dante’s Inferno in the perspective of its portrayal of God’s image and the justification of hell. 

In this epic poem, God is portrayed as a super being guilty of multiple weaknesses including being egotistic, unjust, and hypocritical. Dante, in this poem, depicts God as being more human than divine by challenging God’s omnipotence. Additionally, the manner in which Dante describes Hell is in full contradiction to the morals of God as written in the Bible. When god arranges Hell to flatter Himself, He commits egotism, a sin that is common among human beings (Cheney, 2016). The weakness is depicted in Limbo and on the Gate of Hell where, for instance, God sends those who do not worship Him to Hell. This implies that failure to worship Him is a sin.

God is also depicted as lacking justice in His actions thus removing the godly image. The injustice is portrayed by the manner in which the sodomites and opportunists are treated. The opportunists are subjected to banner chasing in their lives after death followed by being stung by insects and maggots. They are known to having done neither good nor bad during their lifetimes and, therefore, justice could have demanded that they be granted a neutral punishment having lived a neutral life. The sodomites are also punished unfairly by God when Brunetto Lattini is condemned to hell despite being a good leader (Babor, T. F., McGovern, T., & Robaina, K. (2017). While he commited sodomy, God chooses to ignore all the other good deeds that Brunetto did.

Finally, God is also portrayed as being hypocritical in His actions, a sin that further diminishes His godliness and makes Him more human. A case in point is when God condemns the sin of egotism and goes ahead to commit it repeatedly. Proverbs 29:23 states that “arrogance will bring your downfall, but if you are humble, you will be respected.” When Slattery condemns Dante’s human state as being weak, doubtful, and limited, he is proving God’s hypocrisy because He is also human (Verdicchio, 2015). The actions of God in Hell as portrayed by Dante are inconsistent with the Biblical literature. Both Dante and God are prone to making mistakes, something common among human beings thus making God more human.

To wrap it up, Dante portrays God is more human since He commits the same sins that humans commit: egotism, hypocrisy, and injustice. Hell is justified as being a destination for victims of the mistakes committed by God. The Hell is presented as being a totally different place as compared to what is written about it in the Bible. As a result, reading through the text gives an image of God who is prone to the very mistakes common to humans thus ripping Him off His lofty status of divine and, instead, making Him a mere human. Whether or not Dante did it intentionally is subject to debate but one thing is clear in the poem: the misconstrued notion of God is revealed to future generations.

 

References

Babor, T. F., McGovern, T., & Robaina, K. (2017). Dante’s inferno: Seven deadly sins in scientific publishing and how to avoid them. Addiction Science: A Guide for the Perplexed, 267.

Cheney, L. D. G. (2016). Illustrations for Dante’s Inferno: A Comparative Study of Sandro Botticelli, Giovanni Stradano, and Federico Zuccaro. Cultural and Religious Studies4(8), 487.

Verdicchio, M. (2015). Irony and Desire in Dante’s” Inferno” 27. Italica, 285-297.

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