Music theory

  1. p. 312 b, d – g. PLEASE WRITE IN YOUR KEY SIGNATURES!
  • Beware of parallel fifths and octaves (double ^1 in the bVI in (b)), and otherwise watch your doublings,
    resolution of chordal sevenths, and accidentals throughout
  1. p. 315 IIA
  • Once again, watch your spelling and resolution of chordal sevenths
  1. Analyze the given passage (Roman numerals/figured bass) from “The Maple Leaf Rag,” including several
    modal mixture chords. Bar 9 ONLY is extra credit.
  2. p. 319A
  • The “8-7” figures mean that the doubled ^5 will move to ^4 in that voice, and then resolve properly as a
    chordal seventh downward (as they do)

Sample Solution

ACED ESSAYS