Using your knowledge of this area in relation to yields and rental values (backed up by evidence) and making relevant assumptions prepare a short report for a potential purchaser as follows:
A market valuation using whatever method you consider appropriate
An investment worth value advising as to a potential purchase offer price
In preparing the report you should consider the likely impact of both the EPC rating and legislative position on value.
Discourses of careful body alteration in this paper will center fundamentally around elective medical procedure embraced for simply restorative purposes, with the goal that it might be investigated and surveyed as a component of the bigger societal pattern towards accomplishment of physical flawlessness at any cost. II. Writing Review Sander Gilman's extensive collection of research is well worth investigating, especially two of his books: Creating Beauty to Cure the Soul: Race and Psychology in the Shaping of Esthetic Surgery, and Making the Body Beautiful: A Cultural History of Esthetic Surgery. His works give an expansive and intensive base for any investigation of body change, however his essential spotlight is on careful upgrades. However while Gilman altogether tends to the subject of tasteful medical procedure, the attention is on the medical procedure itself, and also upon the requirement for it and what that need connotes. Talk of the body itself is restricted in Gilman's work; it is seen just as far as its potential for careful change. What's more, different sorts of body alteration, for example, puncturing, tattoos, weight reduction regimens, work out—are just quickly shrouded in his work. While he hypothesizes on the essentialness of stylish medical procedure insightfully and articulately, his thoughts don't go past careful issues (however, to be reasonable, they don't put on a show to; he is clear about the degree and impediments of his examination). For more extensive takes a gander at the idea of the body and the different methods of change now common in the public arena, we can swing to different specialists. A significant part of the present writing tries to approach the idea of the body from an alternate edge, concentrating on the body itself. Strikingly enough, a large number of these scientists discover centrality in the way that emphasis on the body is by all accounts missing in a great part of the prior writing, or, if not missing, submerged. Bryan Turner starts his book The Body and Society by promptly presenting the duality of the body, opening with what is without a moment's delay an apparently basic yet extremely complex articulation: "There is a conspicuous and unmistakable truth about people: they have bodies and they are bodies (Turner 1996, 37). He goes ahead to bring up that regardless of this exceptionally evident certainty, there is an appearing absence of data about the body in human science; he clarifies that past an abundance of recorded and numerical information, there is extremely no genuine examination of the body all by itself—or, rather, that this data is there, yet profoundly encoded: "in expounding on humanism's disregard of the body, it might be more correct to allude to this carelessness as submergence as opposed to nonattendance, since the body in sociological hypothesis has had a quick, mystery history instead of no history by any stretch of the imagination (Turner 1996, 63). Joanne Entwistle refers to Turner a few times in her own work, however her point of view is unmistakably centered around the centrality of apparel and design. In "The Dressed Body," she addresses, as the title of her exposition proposes, the emblematic importance of apparel. She calls attention to that there is a wealth of direct depiction concerning the particulars of style: hues, hemlines, cut, frill—yet this once in a while goes past points of interest of style. There is almost no writing that takes a gander at the exceptionally inconspicuous and complex connection between the body and garments. Since social standards request that bodies must (nearly) dependably be dressed, she discovers this need telling: "dress is essential to miniaturized scale social request and the introduction of exposed tissue is, possibly in any event, problematic of social request" (Entwistle 2001, 33-34). Actually, Entwistle, in the same way as other of her counterparts, sees the body as a substance all by itself, stating that "we encounter our bodies as isolated from others and progressively we relate to our bodies as holders of our characters and places of individual articulation. (Entwistle 2000, 138). Chris Shilling echoes both Turner and Entwistle about the appearing absence of spotlight on the body itself. Be that as it may, Shilling calls attention to this is currently changing, and that scholastic enthusiasm for the body itself is consistently developing: "the human science of the body has risen as an unmistakable territory of study, and it has even been recommended that the body should fill in as a sorting out standard for humanism (Shilling 1993, 1). With respect to what has realized this new and truly necessary move in context, Shilling and others concur that it appears to be founded on struggle. It is maybe Shilling who best portrays the Catch 22 at the center of this change: "We currently have the way to apply a remarkable level of control over bodies, yet we are likewise living during a time which has tossed into radical uncertainty our insight into what bodies are and how we should control them (Shilling 1993, 3). This oddity is a repeating topic in the writing, both in the works about the body and in addition the endless sections about the different techniques to which it is subjected to in this day and age. There is, in any case, a general agreement that medical procedure is the most sensational type of body alteration—specifically, corrective medical procedure (Gilman reliably alludes to it as "stylish medical procedure," which appears a considerably gentler and significantly more positive term). Restorative medical procedure for the greater part of these specialists incorporates any sort of careful improvement that is performed exclusively for tasteful finishes, in spite of the fact that the meaning of "stylish" can shift broadly. Different kinds of medical procedures are considered also, including those including sexual orientation change. Be that as it may, the greater part of the writing considered for this paper has tended to center around the more standard utilizations of stylish medical procedure. Transsexual tasks, and the numerous issues in that, are recognized by for all intents and purposes all specialists, yet they are not investigated in any profundity in the sources considered for this paper. Considering the numerous procedural and moral issues associated with transgender systems, this isn't amazing. It is a quickly changing careful sub-strength, and one with boundless sociological and mental issues, none of which can be sufficiently managed in a commentary to a more broad bit of research. The Body as Object For sure, the body appears to have turned into a thing separate from the self, a persistent work-in-advance with a developing number of alternatives and "upgrades" to look over. The subject of body-as-protest is reverberated all through the current sociological writing and in different teaches too. Talking about the body as workmanship, Lea Vergine places that The body is being utilized as a workmanship dialect by an ever more prominent number of contemporary painters and sculptors....It dependably includes, for instance lost individual character, a refusal to enable the feeling of reality to attack and control the circle of the feelings, and a sentimental disobedience to reliance upon the two individuals and things (Vergine 2000, 1). Entwistle investigates the connection between the body and societal weights, attesting that there are "two bodies: the physical body and the social body" (2001, 37). To comprehend the part of dress, she additionally notes, "requires receiving an approach which recognizes the body as a social element and dress as the result of both social components and individual activities" (2001, 48). Entwistle clarifies that in contemporary culture, the body has turned into the "site of character": "We encounter our bodies as isolated from others and progressively we relate to our bodies as compartments of our characters and places of individual articulation" (Entwistle 2000, 138). Nonetheless, when we consider that society weights us to accomplish a solitary, predictable perfect of flawlessness, it appears a logical inconsistency to acknowledge the idea of body as a vehicle for individual articulation. What individual articulation is there in similarity? Vergine accommodates this appearing inconsistency by seeing the body as a vehicle for workmanship and dialect: The utilization of the body as a dialect has come back to the scene of our general surroundings in new and diverse structures, and it talks through changed declinations....By method for tattoos, piercings, and references of tribalism. Through controls of its organs. The instrument that talks and conveys without the word, or sounds, or illustrations. The body as a vehicle, by and by, for proclaiming resistance to the predominant culture, yet additionally of frantic traditionalism. (Vergine 2001, 289). Shilling investigates the idea of the body as machine, especially in the realm of games: "The 'body as machine' isn't only a restorative picture, notwithstanding; one of the zones in which the body is most normally seen and treated along these lines is in the circle of game" (Shilling 1993, 37). He clarifies that the vocabulary utilized as a part of the field of games serves to depersonalize the body, to change it into a question whose sole intention is ideal execution: "the body has come to be seen 'as a way to an end...a factor of yield and generation… as a machine with the activity of delivering the most extreme work and vitality' (Shilling 1993, 37). Turner additionally addresses the idea of body mutilation as an endeavor to affirm control in a turbulent world, relating it back to Christianity. He portrays the body as "a real protest of a human science of learning." (Turner 1996, 64). He clarifies that the Western world generally regards the body as "the seat of delirium, enthusiasm and want," and goes ahead to talk about the clash of the substance with the soul: "tissue was the image of good defilement which debilitated the request of the world: the tissue must be curbed by disciplines, particularly by the regimen of eating routine and forbearance" (Turner 1996, 64). Bedlam versus Request The idea of bedlam is another repetitive subject in late talk on body adjustment. Entwistle considers form to be one manner by which people endeavor to affirm control over the consistently expanding disarray of the present world" "If exposure is raucous and troublesome, this would appear to show that dress is an essential angle>GET ANSWER