What is the meaning behind the story illustrated on the Banner of Lady Dai?
-What are the meanings behind “The Hun” and “The Po”?
The essay should address any, if not all, of the following:
-What is the historical context and visual analysis of the selected artwork?
-What is the true meaning and significance of the art work?
-What are the artistic influences?
-Explore the purpose of meaning of the imagery.
-Who was this art work made for?
-Describe your example with specific details. For example, the funerary objects with a Confucian theme from the Han Dynasty period will have a different subtext than a landscape painting from the Yuan period. What are those ideas being communicated through the works of art?
Sample Solution
Regarding crimes of the powerful, those in power have the privilege to escape stigmatization and consequences of illegal actions. Those in power protect their own through deciding what is illegal or not, and deciding the consequences for illegal actions. These crimes occur in private and are often underreported and under prosecuted, allowing the powerful to escape consequences. Critical analysis will address these dichotomies, challenging theoretical assumptions and criminal justice practices to advocate for structural change. Labeling Theory Background Labeling theory discusses the structural inequalities within society that explain criminality. It can be traced back to Mead’s theory of symbolic interactionism in 1934, which discusses the importance of language regarding informing social action through processes of constructing, interpreting, and transmitting meaning (Denver et al., 2017, p. 666). From there, labeling theory was further developed with Lemert’s distinction between primary and secondary deviance in 1951, which explained how deviance of an individual begins and continues (Thompson, 2014). Finally, and perhaps most influentially, we have Becker’s labeling theory of deviance in 1963, which is the version of the theory that will be guiding this discussion in the essay (Paternoster & Bachman, 2017). In Becker’s labeling theory, he describes crime as a social construct:>
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