What are the Id, Ego, and Superego?
How do they impact our actions?
What effect do they have on each other?
What were Freud’s limitations?
Why did the Neo-Freudians disagree with Freud?
Name and describe each of Erikson’s Stages of Development.
Pick any one stage and discuss what happens if problems occur at that stage
How does birth order impact children?
What does Adler say about birth order and personality?
What is the Oedipus complex?
According to Freud, why do boys develop Oedipus complexes?
How is the role of the person versus the situation different?
How does Murray define “press”?
Why do we need to consider both of them in studying personality?
What are the criticisms and defenses of the trait approach?
What is your opinion and why about the trait approach?
Cosmetics has been near and continuing changes since 3100-2907 BC. People in Egypt began with creams to keep their skin delicate and shining. Before long different nations began made their own particular type of cosmetics. Cosmetics has been around for quite a long time is still broadly utilized today. The egyptians utilized dim green hues for eyeshadows and for mascara they would tint eyelashes with kohl. Now and again they would utilize the kohl for eyeliner. This kohl was really produced using residue. In Rome they had similar thoughts on how apply cosmetics however the ways they did it were risky. The Romans trusted that to be rich your skin must be pale. To achive this look they would utilize chalk and even white lead. Since these strategies were so unsafe numerous ladies kicked the bucket because of lead harming it caused a considerable measure of medical issues, for example, hair loss,stomach issues and passing. In the end they began making cosmetics items from normal sustenance fixings. In the victorian period it was trusted that on the off chance that you were wearing cosmetics then you were a whores or performing artists. Any substantial cosmetics or even a slight shading change in hair, they would be looked downward on. At this point cosmetics was developing and individuals became weary of utilizing destructive synthetics all over. Ladies had quit utilizing kohl for their eyelashes and began utilizing hot wax and different oils. Rather than utilizing flour to powder noses Max Factor made a press powder around 1914. In film cosmetics performers would as a rule do their own particular cosmetics which made them simply snatch anything. The greater part of the items they utilized contained lead and mercury. To get the coveted look they would utilize an amazingly substantial oil paint that was pink in shading to re revise the lighting from the film gear. On the off chance that the paint was connected to gently the performing artists would look pale. To attempt to battle that they would likewise utilize dark and red liners to endeavor to dig out their eyes. They would sweat under those stage lights and each blemish all over would appear. Max Factor and George Westmore understood this was an issue so Max made a unique sort of oil paint that was a lighter item. You could develop it to anyway thick you needed to and it scarcely demonstrated any brutal lines. He would set that oil paint with his "flapjack" cosmetics which was extremely his new squeezed powder. Despite everything they utilized the red and dark liners to burrow out their eyes. His flapjack cosmetics was utilized as a part of Vogues of 1938 and Goldwyn's Follies. It was just utilized as a part of motion pictures however soon everybody was wearing it offscreen. Max Factor went ahead to make his excellence domain. He began making establishments, lipsticks, eyeshadows, cheek tints and so forth. George Westmore went from a wig creator to a cosmetics craftsman. George developed a great deal of tips and traps for silver screen cosmetics. Indeed, even the creation of false lashes. George opened a small cosmetics studio in 1917. He had enormous customers like Mary Pickford. He really figured out how to "counterfeit" her twists ordinary. Film cosmetics has not changed. They utilize more secure materials that have really been tried. Additionally, they have likewise gotten more inventive. For instance they have possessed the capacity to make elastic pieces to join onto the skin and how to paint countenances to look more like a character or a creature. Soul gum was additionally acquainted with the cosmetics world alongside latex. The latex works incredible for making little wrinkles. Lon Chaney used to utilize wire and tissue to bend his nose up for one of his parts. It was an extremely risky approach to bend his nose on the grounds that the wire would influence his nose to drain. The first occasion when that ghastliness cosmetics was utilized as a part of a motion picture was Nov. 30th in 1925 with the Phantom of the Opera. So as to get the cosmetics impact, Lon Chaney would put his wig on alongside a prosthetic piece for his temple. He utilized dark shadow for the underneath his eye to influence it to resemble his eye was pulled down with a smidgen of white on his base lash line to influence the eye to seem greater. Likewise, he utilized a fish skin material and stuck it down with soul gum. They attempted to stick his nose down with simply soul gum yet it would dependably fall down. They had wires running from his nose into his wig piece and the wire was anchored with the fish skin. They additionally had little wires for his mouth. His face had minuscule wrinkles everywhere white and dark cosmetics was utilized to influence him to look a bit deadish. At that point the last advance was to give him new teeth to finish the look. In 1935 The Bride of Frankenstein was the following motion picture to utilize embellishments cosmetics. Regularly performing artists would do their own cosmetics however for this motion picture they got a cosmetics craftsman named Jack P. Penetrate. Jack made two scars under her jaw that went into her hair. The scar making process took around 60 minutes. They secured her face with establishment lipstick and false eyelashes. At that point for her hair they simply brushed her hair upwards onto a little enclosure and included dark streaks. The animal of the Black Lagoon in 1954. The outfit was produced using formed elastic wipe. In 1973 The Exorcist utilized a type of temple piece. They concealed her eyebrows. Likewise, they utilized latex to make the cuts all over and a smidgen of wound hues around her face to make her look had with the assistance of contacts. To make the regurgitation they utilized pea soup. In 1977 The Incredible Melting Man turned out. For this cosmetics look they gave the performing artist a curiously large head protector that they painted to look skeletal then with a tissue tone. At that point they would put syrup and paint everywhere throughout the cover. Each take they would need to apply increasingly so it would look new. Next is Alien from 1979. For this film they utilized a delicate displaying material and snake vertebrates. Likewise, they utilized cooling tubes from an auto. In 1984 Nightmare on Elm Street ended up prevalent as a result of Freddy's consumes over his face. To make these consumes the cosmetics craftsman utilized individual pieces to lay on the on-screen character's face. To begin with, he began off by anchoring a bare top on with soul gum then latex. At that point needed to shut out the eyebrows and his whiskers with a paste stick so the prosthetic pieces would not stall out to the hair when he stuck them down. He put the head piece on in the first place, at that point the neck piece, he would anchor the face piece and afterward the button piece. All together there was 11 pieces that were put on. The cosmetics took around three hours to put on and taking it off. At the point when the majority of the edges were mixed and secure he would go over the greater part of the "consumes" with red paint then daintily with a white shading. The face pieces were etched out of silicone so they wouldn't need to begin starting with no outside help every day. In 1990 Edward Scissorhands turned out and they acquired a technician to take a shot at his hands. For his cosmetics he has a pale shade all over, the underneath of his eyes have dim sacks and that should be possible with only a dark eyeshadow that is daintily tidied. For the cuts all over a little layer of latex is all the sfx cosmetics this motion picture required. In 2000 The X-Men was discharged. For Mystique they had a full body cast to shape the 110 pieces. Around 60% of her body was shrouded in prosthetics. They plastered throws of for the most part the majority of the cast individuals. Additionally, they did throws for Wolverine's hands. The cosmetics took around seven hours for just Mystique. 2004 Hellboy was discharged. The cosmetics for Hellboy took four hours. To begin with they utilized all froth pieces. They connected his back piece and put it over his make a beeline for append to his chest. The last pieces that were connected were the facial prosthetic pieces that lone left his lower lip. He was then painted all red.They would append the lower lip part just before they began recording so he could eat or drink. Embellishments cosmetics has become further developed as the time passes by. The craftsman presently have the decision to make prosthetics to make their activity simpler. The assortment of cosmetics decisions are bigger. For instance digitally embellishing in now a probability. Rather than handing paint the majority of the prosthetics, it sets aside less opportunity to enhance with Photoshop than to paint each individual piece. Once you're finished digitally embellishing you can invest more energy concentrating on the more imperative subtle elements.>GET ANSWER