1. Select five legal or ethical concepts that you feel influence nursing practice.
2. Develop the concepts for both the impact on agency viability and quality patient care.
3. Review the concepts and strategically analyze for priorities, challenges, and issues from a legal and ethical perspective
4. Identify instances of actions taken by an agency or provider that would or could violate the ethical duties and responsibilities of the health care providers or the rights of patients
5. Include a policy proposal, measures, and recommendations for prevention of legal and ethical violations
6.How could nursing intervene or advocate to incorporate legal and ethical theories and principles more effectively into practice
Throughout the years, pre and post 9/11, numerous individuals have seen that Hollywood has a tendency to dehumanize Arabs and Muslims. In most western motion pictures, Arab and Muslim characters are subjected to racial and ethnic stereotyping and have kept on being the focal point of criticism for media outlets in the states. The broad communications has delineated Arab and Muslim generalizations in various courses inside the American culture and the west when all is said in done. Through the general public's media, writing, theater, and numerous other inventive outlets, stereotyping of Arabs and Muslims is showed consistently. Such portrayals have been negative generally, regardless of whether they depended on verifiable actualities or on works of fiction. They have additionally had extremely negative repercussions on Arabs and Muslims who live in the west particularly as a response to current occasions and when it came to day by day cooperations. By and large, Arabs and Muslims exist as one-dimensional characters in Hollywood realistic works and show up nearly sub-human. They are regularly dependably a risk or a danger, insensible, fierce, and above all fixated on seizing or executing whatever number Westerners as could reasonably be expected as they probably see them as the adversary. Edward Said prominently instituted the expression "Orientalism" to express the social propensity for changing over those from eastern societies into the "Other". The thought of Orientalism presents intriguing characters that are made from a Western political and social one-sided point of view keeping in mind the end goal to incite a great response against the eastern culture while in the meantime affirming western qualities. Essentially, the legend westerner thrashings the anonymous malevolence reprobate from the east and the western gathering of people thusly likes itself. In Reel Bad Arabs, Shaheen states that "TV's picture of the Arab is inescapable [and] is turning into a piece of American legends." He additionally says that Arabs have "reliably showed up in American pop culture as extremely rich people, aircraft, and tummy artists" which are known as the 3 B's for the part of an ordinary Arab character in a Hollywood motion picture. What most appear to be overlooking however is the way that "Muslim" is not any more synonymous with "Middle Easterner" than "Christian" is with "American". In Hollywood films, Arabs are proportional to Muslims, however Arabs really contain just 12 percent of the Islamic total populace. Islam devotees or supporters live on each mainland and the Muslim dominant part is absent in the Middle East, rather in the Asia-Pacific locale in nations like India, Malaysia, and Indonesia. Actually, the last has the biggest populace of Muslims and is an established republic. It isn't exceptionally astounding, be that as it may, that Hollywood makes Arabs and Muslims synonymous, showing up in such a way as one. Hollywood is basically fortifying the idea of Orientalism with regards to Muslims. Edward Said clarifies how the picture of Muslims according to orientalists was the same from hostile to Semitic perspectives by saying that, "Not accidently, I show that Orientalism and present day against Semitism have regular roots… The transference of a prevalent against Semitic enmity from a Jewish to an Arab target was made easily, since the figure was basically the same." Basically, what Hollywood currently does is utilize a more up to date and more viable system to twist the picture of Islam; how Muslims are depicted in Hollywood is like how the Jews were depicted in Nazi-enlivened motion pictures. It is pivotal in any case, to say that there have really been a few motion pictures after 9/11 that depict Muslims genuinely, for example, The thirteenth Warrior. Tragically however, the pessimistic picture is generally more compelling than the constructive one as it bolsters individuals' feelings of dread. As per a study done by the Pew Forum in 2009, 35 percent of Americans trust that Islam advances brutality more than whatever is left of alternate religions. Additionally, as indicated by a survey done by Time Magazine, 62 percent of Americans don't actually know a Muslim American. This implies most Americans shape their idea of Islam from what the broad communications offers them, and this is to a great degree risky. Hollywood must give out a picture that offers consideration regarding what joins the general population of this world, concentrating on the positives and the all inclusive humanistic characteristics that unite individuals as opposed to separating them. The thirteenth Warrior is one of the specific couple of Hollywood films that depict Arabs and Muslims practically. The Arabs in this motion picture are depicted in a way that they give off an impression of being multi-dimensional similarly as any westerner would be in a Hollywood creation. The Arab here isn't just delineated as a general individual however significantly more so as a genuine legend. Indeed, even Jack Shaheen considers it as outstanding amongst other portrayals of Arabs in film; it has an adjusted and dynamic picture of Arabs. The fundamental character, Ahmad ibn-Fadlan Ibn-Fadlan is an Arab, who is in the meantime the storyteller portraying his adventures with the Vikings. He tells his involvement with them thinking back as an outcast. The life of these Vikings is seen from the point of view of a character who has all the earmarks of being a scholarly individual from a socialized society, filling in as an eyewitness and the watchers' window to an outside culture from remote eyes. Through him, we see and respond to conventions that neither we nor him know about, and this influences the watcher to find more about him and in addition those he is discussing. The way he adjusts to their social ways and even embraces a portion of their social examples also adds more layers to his character, and this supports regard and resistance for different religions and races. Neither the Arabs nor the Vikings appear to be radical or fan and no confidence is censured or put down. In The thirteenth Warrior, from the perspective of the Arab "other", we see characters from two unmistakable societies and foundations gaining from each other and developing from the experience. The fundamental character and hero in this Hollywood motion picture is really an agreeable Arab who practically tells the story of his experience with an unusual culture and convincingly shows his endeavors to interface with this odd and peculiar world that he has ventured into. Thus, the Vikings treat him compassionate and set aside his disparities as opposed to doubting him for them. They even go to a point where they allude to him as "younger sibling". The Arab is depicted as sound and smart versus indiscreet and crude. Ibn-Fadlan unobtrusively took in the Vikings' tongue by inundating himself into their discussions amid their evenings beside the blaze and precisely analyzing their dialect. He figures out how to comprehend it and talk it by simply tuning in to them talk and rehashing the sounds in his brain, an errand that would presumably be unimaginable, all things considered. This enables his character to show up as an informed man who is sufficiently sharp to achieve unbelievable assignments rapidly, which earned the regard of the Vikings. Another demonstration of insight by Ibn-Fadlan is the point at which he disentangles what the prophet had let him know and his kindred warriors when they went to see her. The men needed to get some information about the whereabouts of a few men who had assaulted them before, yet the lady was very frantic and couldn't talk reasonably. At the point when nobody could comprehend what she was indicating at, Ibn-Fadlan could assemble the pieces of information lastly tell the warriors where the men who had once assaulted them lived. Also that the Arab was the special case who could give a token from the adversary for the prophet to get vitality from. "Drawing sounds", which alluded to the written work of letters and words, was something the Vikings knew just the Arab could do among them. A kindred warrior discovered Ibn-Fadlan drawing these sounds into the sand with a stick and wondrously addressed him about it. Ibn-Fadlan disclosed to him how he could likewise talk them back – read them – and demonstrated to him how it should be possible. Despite the fact that the Viking still did not exactly get a handle on this thought, he perceived Ibn-Fadlan's tremendous capacity to fathom such a novel and complex thought and in the long run gained from him, as Ibn-Fadlan did from the Vikings. Despite the fact that Ibn-Fadlan is Arab and Muslim, there is no immediate presumption that since he is Arab he is likewise a Muslim. The accentuation of his personality stays on the way that he is an Arab and that is the place the concentration lies. We find he is Muslim when he attempts to disclose to the Viking that there is just a single God, and that Mohammed is his prophet, which is a real petition in Islam. Additionally, we see him asking on the supplication tangle just once in the whole film, which helps in demonstrating that Muslims are not really imploring and saying "Allahu Akbar" all the time as they do in most other Hollywood creations. We are accustomed to seeing the bigoted and irate Arab who can't acknowledge different societies and religions other than his own. In this film the Arab shockingly indicates resistance to the others' religion and social practices not at all like a cliché Arab, as delineated by Hollywood, who is dependably at war with the West and their ways. At the point when Ibn-Fadlan gets harmed in fight, a Viking lady endeavors to mend his injuries by applying dairy animals pee. When he realizes what she is putting on his cuts he responds disgustingly and approaches her for clean water. Subsequent to clarifying how this is better for the injury to mend legitimately, he goes along and puts his recuperation in her bizarre strategies. You could never envision an Arab experiencing passionate feelings for a Western lady and really having a deferential and neighborly collaboration as Hollywood quite often depicts the Arab man to be damaging and severe to ladies. Ibn-Fadlan experiences passionate feelings for a Viking lady and they share a common appreciation to each other; neither takes a gander at alternate as an "other" but instead as evident equivalents. Not at all like the standard Arab portrayal of them abusing ladies, here the Arab treats the Western lady with absolute gratefulness and af>GET ANSWER