Representation of Disney Princesses in the Media

by | Mar 18, 2023 | ENGLISH

First, you will summarize the article “Representation of Disney Princesses in the Media, Isabelle Gill, p. 759”, identify the author’s point of view (argument/thesis), describe the author’s approach and writing strategies, assess whether the author’s strategy is effective or not, and provide evidence from the essay to support your point of view. For the evaluative section of the essay, it is recommended you write in 3rd person point of view

Sample solution

Dante Alighieri played a critical role in the literature world through his poem Divine Comedy that was written in the 14th century. The poem contains Inferno, Purgatorio, and Paradiso. The Inferno is a description of the nine circles of torment that are found on the earth. It depicts the realms of the people that have gone against the spiritual values and who, instead, have chosen bestial appetite, violence, or fraud and malice. The nine circles of hell are limbo, lust, gluttony, greed and wrath. Others are heresy, violence, fraud, and treachery. The purpose of this paper is to examine the Dante’s Inferno in the perspective of its portrayal of God’s image and the justification of hell. 

In this epic poem, God is portrayed as a super being guilty of multiple weaknesses including being egotistic, unjust, and hypocritical. Dante, in this poem, depicts God as being more human than divine by challenging God’s omnipotence. Additionally, the manner in which Dante describes Hell is in full contradiction to the morals of God as written in the Bible. When god arranges Hell to flatter Himself, He commits egotism, a sin that is common among human beings (Cheney, 2016). The weakness is depicted in Limbo and on the Gate of Hell where, for instance, God sends those who do not worship Him to Hell. This implies that failure to worship Him is a sin.


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God is also depicted as lacking justice in His actions thus removing the godly image. The injustice is portrayed by the manner in which the sodomites and opportunists are treated. The opportunists are subjected to banner chasing in their lives after death followed by being stung by insects and maggots. They are known to having done neither good nor bad during their lifetimes and, therefore, justice could have demanded that they be granted a neutral punishment having lived a neutral life. The sodomites are also punished unfairly by God when Brunetto Lattini is condemned to hell despite being a good leader (Babor, T. F., McGovern, T., & Robaina, K. (2017). While he commited sodomy, God chooses to ignore all the other good deeds that Brunetto did.

Finally, God is also portrayed as being hypocritical in His actions, a sin that further diminishes His godliness and makes Him more human. A case in point is when God condemns the sin of egotism and goes ahead to commit it repeatedly. Proverbs 29:23 states that “arrogance will bring your downfall, but if you are humble, you will be respected.” When Slattery condemns Dante’s human state as being weak, doubtful, and limited, he is proving God’s hypocrisy because He is also human (Verdicchio, 2015). The actions of God in Hell as portrayed by Dante are inconsistent with the Biblical literature. Both Dante and God are prone to making mistakes, something common among human beings thus making God more human.

To wrap it up, Dante portrays God is more human since He commits the same sins that humans commit: egotism, hypocrisy, and injustice. Hell is justified as being a destination for victims of the mistakes committed by God. The Hell is presented as being a totally different place as compared to what is written about it in the Bible. As a result, reading through the text gives an image of God who is prone to the very mistakes common to humans thus ripping Him off His lofty status of divine and, instead, making Him a mere human. Whether or not Dante did it intentionally is subject to debate but one thing is clear in the poem: the misconstrued notion of God is revealed to future generations.

 

References

Babor, T. F., McGovern, T., & Robaina, K. (2017). Dante’s inferno: Seven deadly sins in scientific publishing and how to avoid them. Addiction Science: A Guide for the Perplexed, 267.

Cheney, L. D. G. (2016). Illustrations for Dante’s Inferno: A Comparative Study of Sandro Botticelli, Giovanni Stradano, and Federico Zuccaro. Cultural and Religious Studies, 4(8), 487.

Verdicchio, M. (2015). Irony and Desire in Dante’s” Inferno” 27. Italica, 285-297.

Sample Solution

In her essay “Representation of Disney Princesses in the Media,” Isabelle Gill examines the impact of Disney princess films on young girls and their attitudes towards gender roles. She begins by discussing how these films have traditionally portrayed women as helpless victims in need of a Prince Charming to save them from danger. The author then goes on to explain why this kind of representation is damaging, citing evidence from studies that have found it encourages sexist beliefs among young girls who are exposed to it. To further illustrate her argument, she also compares Disney’s more recent attempts at creating progressive female characters, such as Moana and Rapunzel, with examples from classic stories written centuries ago like The Little Mermaid and Beauty and the Beast.

Sample Solution

In her essay “Representation of Disney Princesses in the Media,” Isabelle Gill examines the impact of Disney princess films on young girls and their attitudes towards gender roles. She begins by discussing how these films have traditionally portrayed women as helpless victims in need of a Prince Charming to save them from danger. The author then goes on to explain why this kind of representation is damaging, citing evidence from studies that have found it encourages sexist beliefs among young girls who are exposed to it. To further illustrate her argument, she also compares Disney’s more recent attempts at creating progressive female characters, such as Moana and Rapunzel, with examples from classic stories written centuries ago like The Little Mermaid and Beauty and the Beast.

Gill’s approach is mainly analytical; she provides an overview of past and present representations while also examining relevant research before drawing conclusions about what effect they might have on children who watch them. Throughout the essay, she employs logical reasoning supported by scientific evidence as well as personal anecdotes which serve to make her point more effectively while connecting her writing with readers. Moreover, her writing style is engaging; for instance, when discussing positive role models she writes that “these characters demonstrate strength without relying solely upon physical prowess or male saviors” (p 759). This serves both to capture readers attention while making clear the author’s stance regarding female empowerment.

Overall, Gill’s approach is effective at conveying her message about how media impacts our views towards gender roles. By carefully analyzing various Disney films throughout time alongside reputable studies showing their effects on viewers she successfully demonstrates why these representations can be harmful without attacking any particular works or individuals directly. While some may disagree with certain aspects if not all parts of her argument due to differing interpretations or points of view it cannot be denied that she puts forth an interesting perspective which challenges traditional notions regarding femininity while raising important questions regarding responsibility within entertainment industry today.

For example after providing numerous examples demonstrating how negative stereotypes persist even in newer films such as Frozen (2013) Gill asks: “How much influence does popular culture really have over societal norms? How do we create change?” (p 759). These queries serve remind us that there still much work left done tackling issues related representation women entertainment thus encouraging us challenge ourselves keep pushing forward progress despite obstacles might arise along way.

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