Alpha helices are often embedded in a protein so that one side faces the surface and the other
side faces the interior. Such helices are often termed amphipathic because the surface side is
hydrophilic and the interior side is hydrophobic. A simple way to decide whether a sequence
of aminoacids might form an amphipathic helix is to arrange the aminoacids around what is
known as “helix-wheel projection”, which is a 2d projection of the aminoacid positions (see
Fig. 1). If the hydrophobic and hydrophilic aminoacids are segregated on opposite sides of
the wheel, the helix is amphipathic. Using the helix-wheel projection, decide which of the
three peptides here might form an amphipathic helix
1. S L I K S V I E M V D E W F R T F L
2. F L I R V L R K V F R V L T R I L S
3. R L F R S R V L K I A V I R F L L I
(underlined aminoacids are hydrophobic one, they can be memorized by the mnemonic
“FAMILY VW”).
1.2 Amphipatic beta sheets
Like alpha helices, beta sheets often have a one side facing the surface of the protein and one
side facing the interior, giving rise to an amphipathic sheet with one hydrophobic surface
and one hydrophilic surface. From the sequences listed below pick the one that could form
a strand in an amphipathic beta sheet.
1. A L S C D V E T Y W L I
2. D K L V T S I A R E F M
3. D S E T K N A V F L I L
4. T L N I S F Q M E L D V
5. V L E F M D I A S V L D
1.3 Buried Aminoacids
Small proteins may have only one or two amino acid side chains that are totally inaccessible
to solvent. Even in large proteins, only about 15% of the amino acids are fully buried. A list
Figure 1: You can use this figure to decide which of the three sequences might form an
amphipatic helix (problem 1.1).
of buried side chains from a study of twelve proteins is shown in the table below. The list is
ordered by the proportion of amino acids of each type that are fully buried. What types of
amino acids are most commonly buried? Least commonly buried? Are there any surprises
on this list?
Aa prop. buried Aa prop. buried
I 0.60 S 0.22
V 0.54 E 0.18
C 0.50 P 0.18
F 0.50 H 0.17
L 0.45 D 0.15
M 0.40 Y 0.15
A 0.38 N 0.12
G 0.36 Q 0.07
W 0.27 K 0.03
T 0.23 R 0.01
2 Ideal Flexible Polymers
2.1 Radius of gyration
For an ideal polymer of length N we have shown that the average end-to-end distance R~ is:
hR~ 2
i = a2
N (1)
where a is the average bond length. We define now the radius of gyration as follows:
Rg =
vuut
1
N + 1
X
N
i=0
(~ri ~rcm)
2 (2)
where ~ri is the position of the monomer i (i = 0, 1,…N) and where the center of mass
position is given by:
~rcm = 1
N + 1
X
N
i=0
~ri (3)
a) Show that
R2
g = 1
2(N + 1)2
X
N
i=0
X
N
j=0
(~ri ~rj )
2 (4)
b) Use the previous formula to calculate the average1 hR2
gi
c) Show that in the limit N ! 1 one has
hR2
gi ⇠ a2N
6 (5)
so that the asymptotic N dependence behavior is similar to that of the end-to-end
distance of Eq. (72).
1You will need to use the following relations
X
N
k=1
k = N(N + 1)
2
X
N
k=1
k2 = N(N + 1)(2N + 1)
6
2.2 The Gaussian Chain
We have shown that in general the end-to-end distance for an ideal polymer at large N is a
gaussian distribution
P(R, N ~ ) = ✓ 3
2⇡N a2
◆3/2
exp
3R~ 2
2N a2
!
(6)
irrespectively of the type of model considered. In the calculation we have expanded the
Fourier transform of g(~u) for small k. This approximation is not necessary for a Gaussian
chain, which is defined by the following bond distribution:
g(~u) = ✓ 3
2⇡a2
◆3/2
e

3~u2
2a2 (7)
Show that for a Gaussian chain the probability distribution function can be computed exactly
for any values of N, not necessarily large, and show that the result of the calculation gives
Eq. (6).
2.3 One dimensional polymer
We consider the following one dimensional model of a lattice polymer
g(u) = 1
2 ((u + a) + (u a))
Let us suppose the first monomer is placed in x = 0. Since this is a lattice polymer, the
monomers can only occupy discrete positions x = na with n an integer. The end point will
be in R = ma. It is then more convenient to write the end distribution as P(m, N).
a) Calculate the distribution P(m, N) for every value of N.
b) Show that in the limit N m and N and m both large P(m, N) reduces to a gaussian
which agrees with the general expression derived in the course.

 

Sample solution

Dante Alighieri played a critical role in the literature world through his poem Divine Comedy that was written in the 14th century. The poem contains Inferno, Purgatorio, and Paradiso. The Inferno is a description of the nine circles of torment that are found on the earth. It depicts the realms of the people that have gone against the spiritual values and who, instead, have chosen bestial appetite, violence, or fraud and malice. The nine circles of hell are limbo, lust, gluttony, greed and wrath. Others are heresy, violence, fraud, and treachery. The purpose of this paper is to examine the Dante’s Inferno in the perspective of its portrayal of God’s image and the justification of hell. 

In this epic poem, God is portrayed as a super being guilty of multiple weaknesses including being egotistic, unjust, and hypocritical. Dante, in this poem, depicts God as being more human than divine by challenging God’s omnipotence. Additionally, the manner in which Dante describes Hell is in full contradiction to the morals of God as written in the Bible. When god arranges Hell to flatter Himself, He commits egotism, a sin that is common among human beings (Cheney, 2016). The weakness is depicted in Limbo and on the Gate of Hell where, for instance, God sends those who do not worship Him to Hell. This implies that failure to worship Him is a sin.

God is also depicted as lacking justice in His actions thus removing the godly image. The injustice is portrayed by the manner in which the sodomites and opportunists are treated. The opportunists are subjected to banner chasing in their lives after death followed by being stung by insects and maggots. They are known to having done neither good nor bad during their lifetimes and, therefore, justice could have demanded that they be granted a neutral punishment having lived a neutral life. The sodomites are also punished unfairly by God when Brunetto Lattini is condemned to hell despite being a good leader (Babor, T. F., McGovern, T., & Robaina, K. (2017). While he commited sodomy, God chooses to ignore all the other good deeds that Brunetto did.

Finally, God is also portrayed as being hypocritical in His actions, a sin that further diminishes His godliness and makes Him more human. A case in point is when God condemns the sin of egotism and goes ahead to commit it repeatedly. Proverbs 29:23 states that “arrogance will bring your downfall, but if you are humble, you will be respected.” When Slattery condemns Dante’s human state as being weak, doubtful, and limited, he is proving God’s hypocrisy because He is also human (Verdicchio, 2015). The actions of God in Hell as portrayed by Dante are inconsistent with the Biblical literature. Both Dante and God are prone to making mistakes, something common among human beings thus making God more human.

To wrap it up, Dante portrays God is more human since He commits the same sins that humans commit: egotism, hypocrisy, and injustice. Hell is justified as being a destination for victims of the mistakes committed by God. The Hell is presented as being a totally different place as compared to what is written about it in the Bible. As a result, reading through the text gives an image of God who is prone to the very mistakes common to humans thus ripping Him off His lofty status of divine and, instead, making Him a mere human. Whether or not Dante did it intentionally is subject to debate but one thing is clear in the poem: the misconstrued notion of God is revealed to future generations.

 

References

Babor, T. F., McGovern, T., & Robaina, K. (2017). Dante’s inferno: Seven deadly sins in scientific publishing and how to avoid them. Addiction Science: A Guide for the Perplexed, 267.

Cheney, L. D. G. (2016). Illustrations for Dante’s Inferno: A Comparative Study of Sandro Botticelli, Giovanni Stradano, and Federico Zuccaro. Cultural and Religious Studies4(8), 487.

Verdicchio, M. (2015). Irony and Desire in Dante’s” Inferno” 27. Italica, 285-297.

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