What are bullshit jobs? How are they related to changes in the economy like the growth of the service sector, the concentration of wealth, and growing inequality?

Industrial revolution (when, where, what)
Impact on work/employment

Alienation, Define and specify types/modes

Industrial labor
Braverman
What is scientific management?
What problems does it solve for management?
What problems does it create?
What is the labor process? (hint: labor capacity as a potential versus the actual labor expended)

Ford
5 dollar day, reasons
Fordism

Lichtenstein. State of the Union
What challenge does industrial work pose to democracy? What is industrial democracy?
Wagner Act
Flint Sit-down strike

Deindustrialization
Causes, Consequences (hint: rise of service)

Chan. The Life of a Chinese Worker
Why did industrial manufacturing move to China and other countries in the global south?
How does work in Foxconn illustrate Taylorism?
What are the features of the workforce in Foxconn, China?

Global Commodity Chain

Hochschild. Love and Gold
Commodity Fetishism
Why is gold an apt metaphor for the migration of nannies from the global south?
How is the immigration of nannies like a global commodity chain?

Leidner, Over the Counter at McDonalds
Why did workers like scripts?

Compare and contrast the use of emotion work and routinization/scripting as worker control strategies.

Bureaucracy, main features

White collar work
Reasons for expansion. Role of bureaucracy.
How did scholars make sense of the structural position of white collar work?
(Hint: Contradictory class location)
Differences in male and female jobs (hint: ladders)
Human Relations School/Elton Mayo/Hawthorne experiment.

Ho, Liquidation
What compensation practices are described by this reading?
How do these compensation practices affect the organization and experience of
work for investment bankers?

In 1986 the average bonus for Wall Street investment bankers was $13,000. By 2006 it was $190,000. Describe the changes in regulations that impacted these compensation practices with special attention to the Glass-Steagall Law. How might work practices in investment banks, described by Ho, be linked to the economic recession of 2008?

Professions – definition, struggles over jurisdiction

Wingfield, “Are Some Emotions Marked ‘Whites Only?”
What are the dominant feeling rules in the professional workplace?
How are these feeling rules radicalized?

Sample Solution

Sample solution

Dante Alighieri played a critical role in the literature world through his poem Divine Comedy that was written in the 14th century. The poem contains Inferno, Purgatorio, and Paradiso. The Inferno is a description of the nine circles of torment that are found on the earth. It depicts the realms of the people that have gone against the spiritual values and who, instead, have chosen bestial appetite, violence, or fraud and malice. The nine circles of hell are limbo, lust, gluttony, greed and wrath. Others are heresy, violence, fraud, and treachery. The purpose of this paper is to examine the Dante’s Inferno in the perspective of its portrayal of God’s image and the justification of hell. 

In this epic poem, God is portrayed as a super being guilty of multiple weaknesses including being egotistic, unjust, and hypocritical. Dante, in this poem, depicts God as being more human than divine by challenging God’s omnipotence. Additionally, the manner in which Dante describes Hell is in full contradiction to the morals of God as written in the Bible. When god arranges Hell to flatter Himself, He commits egotism, a sin that is common among human beings (Cheney, 2016). The weakness is depicted in Limbo and on the Gate of Hell where, for instance, God sends those who do not worship Him to Hell. This implies that failure to worship Him is a sin.

God is also depicted as lacking justice in His actions thus removing the godly image. The injustice is portrayed by the manner in which the sodomites and opportunists are treated. The opportunists are subjected to banner chasing in their lives after death followed by being stung by insects and maggots. They are known to having done neither good nor bad during their lifetimes and, therefore, justice could have demanded that they be granted a neutral punishment having lived a neutral life. The sodomites are also punished unfairly by God when Brunetto Lattini is condemned to hell despite being a good leader (Babor, T. F., McGovern, T., & Robaina, K. (2017). While he commited sodomy, God chooses to ignore all the other good deeds that Brunetto did.

Finally, God is also portrayed as being hypocritical in His actions, a sin that further diminishes His godliness and makes Him more human. A case in point is when God condemns the sin of egotism and goes ahead to commit it repeatedly. Proverbs 29:23 states that “arrogance will bring your downfall, but if you are humble, you will be respected.” When Slattery condemns Dante’s human state as being weak, doubtful, and limited, he is proving God’s hypocrisy because He is also human (Verdicchio, 2015). The actions of God in Hell as portrayed by Dante are inconsistent with the Biblical literature. Both Dante and God are prone to making mistakes, something common among human beings thus making God more human.

To wrap it up, Dante portrays God is more human since He commits the same sins that humans commit: egotism, hypocrisy, and injustice. Hell is justified as being a destination for victims of the mistakes committed by God. The Hell is presented as being a totally different place as compared to what is written about it in the Bible. As a result, reading through the text gives an image of God who is prone to the very mistakes common to humans thus ripping Him off His lofty status of divine and, instead, making Him a mere human. Whether or not Dante did it intentionally is subject to debate but one thing is clear in the poem: the misconstrued notion of God is revealed to future generations.

 

References

Babor, T. F., McGovern, T., & Robaina, K. (2017). Dante’s inferno: Seven deadly sins in scientific publishing and how to avoid them. Addiction Science: A Guide for the Perplexed, 267.

Cheney, L. D. G. (2016). Illustrations for Dante’s Inferno: A Comparative Study of Sandro Botticelli, Giovanni Stradano, and Federico Zuccaro. Cultural and Religious Studies4(8), 487.

Verdicchio, M. (2015). Irony and Desire in Dante’s” Inferno” 27. Italica, 285-297.

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