The Research Process

  1. Choose one of the three poems from this lesson: “Quinceanera” by Judith Cofer, “Harlem” by Langston Hughes, “Do not go gentle into that good night” by Dylan Thomas, or “Metaphors” by Sylvia Plath
  2. Use the library databases to find an article on that poem or on the poet who wrote it. It can be literary criticism (someone’s article about their interpretation of the poem) or biographical (details about the poet’s life and background). Don’t use an article about a different poem, though.
  3. Read the article and highlight passages that you think are interesting, or that make good points. It’s okay if you don’t understand everything in the entire article – literary criticism can be challenging to read! Focus on the points that you do understand. If you feel like the entire article is confusing, choose a different one, though. No one wants you to feel lost and confused.
  4. Write a brief paragraph (three or four sentences is great) about the poem or poet. Incorporate at least one quote from the poem and one quote from the article. Remember that quotes should be integrated into your own sentences. There’s an example below, but if you’d like more guidance on integrating quotations, click here for a link to the University of New Orleans’s article on quotation integration in research papers. If you’re not sure how to format your quote, click this link for the Purdue OWL guide.
  5. Include internal citations for your quotations. Poems should be cited with author’s last name and a line number (line of the poem the quote comes from). Articles should be cited with author’s last name and a page number. There’s an example below, but if you need more help with internal citations, click this link for Purdue OWL’s guide to that.
  6. Include a Works Cited list for your paragraph. It should include the poem and the article. Remember that the database can usually provide the citation in MLA format for you. For more help and examples of Works Cited page, click this link for the Purdue OWL guide to Works Cited pages.
    In Adrienne Rich’s poem “Aunt Jennifer’s Tigers,” the speaker describes her aunt Jennifer as “terrified” (9) and “mastered by” (10) conflicts in her life. The speaker’s description gives readers as much information about her, the niece, as it does about the aunt. As one scholar argues, the speaker is making “judgments” about Aunt Jennifer (Rizza 65). Jennifer is, after all, able to “flutter” (Rich 5) her hands to do needlework, though the speaker views her hands as being under the “massive weight” of a wedding band (Rich 7). Michael Rizza sees this description as “contradictory,” and attributes the symbolic weight of the ring to “the niece’s judgment more than actual description” (65). It is not clear that Aunt Jennifer feels as weighed down as her niece perceives her to be.

Sample Solution

Sample solution

Dante Alighieri played a critical role in the literature world through his poem Divine Comedy that was written in the 14th century. The poem contains Inferno, Purgatorio, and Paradiso. The Inferno is a description of the nine circles of torment that are found on the earth. It depicts the realms of the people that have gone against the spiritual values and who, instead, have chosen bestial appetite, violence, or fraud and malice. The nine circles of hell are limbo, lust, gluttony, greed and wrath. Others are heresy, violence, fraud, and treachery. The purpose of this paper is to examine the Dante’s Inferno in the perspective of its portrayal of God’s image and the justification of hell. 

In this epic poem, God is portrayed as a super being guilty of multiple weaknesses including being egotistic, unjust, and hypocritical. Dante, in this poem, depicts God as being more human than divine by challenging God’s omnipotence. Additionally, the manner in which Dante describes Hell is in full contradiction to the morals of God as written in the Bible. When god arranges Hell to flatter Himself, He commits egotism, a sin that is common among human beings (Cheney, 2016). The weakness is depicted in Limbo and on the Gate of Hell where, for instance, God sends those who do not worship Him to Hell. This implies that failure to worship Him is a sin.

God is also depicted as lacking justice in His actions thus removing the godly image. The injustice is portrayed by the manner in which the sodomites and opportunists are treated. The opportunists are subjected to banner chasing in their lives after death followed by being stung by insects and maggots. They are known to having done neither good nor bad during their lifetimes and, therefore, justice could have demanded that they be granted a neutral punishment having lived a neutral life. The sodomites are also punished unfairly by God when Brunetto Lattini is condemned to hell despite being a good leader (Babor, T. F., McGovern, T., & Robaina, K. (2017). While he commited sodomy, God chooses to ignore all the other good deeds that Brunetto did.

Finally, God is also portrayed as being hypocritical in His actions, a sin that further diminishes His godliness and makes Him more human. A case in point is when God condemns the sin of egotism and goes ahead to commit it repeatedly. Proverbs 29:23 states that “arrogance will bring your downfall, but if you are humble, you will be respected.” When Slattery condemns Dante’s human state as being weak, doubtful, and limited, he is proving God’s hypocrisy because He is also human (Verdicchio, 2015). The actions of God in Hell as portrayed by Dante are inconsistent with the Biblical literature. Both Dante and God are prone to making mistakes, something common among human beings thus making God more human.

To wrap it up, Dante portrays God is more human since He commits the same sins that humans commit: egotism, hypocrisy, and injustice. Hell is justified as being a destination for victims of the mistakes committed by God. The Hell is presented as being a totally different place as compared to what is written about it in the Bible. As a result, reading through the text gives an image of God who is prone to the very mistakes common to humans thus ripping Him off His lofty status of divine and, instead, making Him a mere human. Whether or not Dante did it intentionally is subject to debate but one thing is clear in the poem: the misconstrued notion of God is revealed to future generations.

 

References

Babor, T. F., McGovern, T., & Robaina, K. (2017). Dante’s inferno: Seven deadly sins in scientific publishing and how to avoid them. Addiction Science: A Guide for the Perplexed, 267.

Cheney, L. D. G. (2016). Illustrations for Dante’s Inferno: A Comparative Study of Sandro Botticelli, Giovanni Stradano, and Federico Zuccaro. Cultural and Religious Studies4(8), 487.

Verdicchio, M. (2015). Irony and Desire in Dante’s” Inferno” 27. Italica, 285-297.

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