Use the dataset that you have been using for the previous projects.
Use all of your independent variables, your response variable, and the lm() function to build a multiple linear regression model.
Print the model with the summary() function. The output will be similar to the bottom of page 141.
Use the pairs() function to look at the scatterplots of the interval/ratio variables. Color your points by the value of a nominal/ordinal variable.
A standard regression model with correlated independent variables will almost always perform poorly. For this project, you will remove independent variables until the model is trustworthy.
Use the summary() output, and the scatterplots to decide if a variable should be removed. Remove the variable.
Repeat the process of
• build model
• check summary() and scatterplots
• remove variable
until you believe all variables in the model should stay in the model.
Use par(mfrow = c(2,2)) and the plot() function to look at diagnostic plots of the reduced model (similar to the plots on page 129).
Grading criteria:
• full model
• summary()
• pairs()
• remove independent variables, print reduced model each time (60% of grade)
• plot() final model
Create a simple linear regression model with one of your numeric independent variable and your response variable.
Build the scatterplot of the response variable by the independent variable, and the scatterplot of the residuals by the independent variable (similar to figure 3.3, page 50). Include the line of best fit on the first scatterplot. Also, plot the residuals by the response variable. Do you the scatterplots indicate that there are any problems with the model?
Use hist() to plot a histogram of the residuals. Do the residuals appear to be normally distributed?
Use qqnorm() and qqline() to plot a QQ-normal plot with the QQ-line of the residuals. Do the residuals appear to be normally distributed?
Use par(mfrow = c(2,2)) and plot(‘linear model’) to build a plot similar to figure 3.14 on page 70.
Record which data points are labeled in the subplots, then print those observations. Investigate each of these points and decide which ones are legitimate data points and which ones are erroneous and polluting your dataset.
Use car::powerTransform() to find power transformations for
• y – min(y) + 1, and
• x – min(x) + 1.
Transform the data and call the new data y_new and x_new. Build four scatterplots.
• y ~ x
• y_new ~ x
• y ~ x_new
• y_new ~ x_new
Which of these models appears to be the be fit? Build the corresponding linear model.
Grading Criteria:
• Simple linear regression model (no transformations)
• Scatterplot y ~ x
• Scatterplot residuals ~ x
• Scatterplot residuals ~ y
• hist(residuals)
• QQ-norm plot
• Linear model four plots
• Leverage data
• Four post-transformation scatterplots
• New linear model

Sample Solution

Sample solution

Dante Alighieri played a critical role in the literature world through his poem Divine Comedy that was written in the 14th century. The poem contains Inferno, Purgatorio, and Paradiso. The Inferno is a description of the nine circles of torment that are found on the earth. It depicts the realms of the people that have gone against the spiritual values and who, instead, have chosen bestial appetite, violence, or fraud and malice. The nine circles of hell are limbo, lust, gluttony, greed and wrath. Others are heresy, violence, fraud, and treachery. The purpose of this paper is to examine the Dante’s Inferno in the perspective of its portrayal of God’s image and the justification of hell. 

In this epic poem, God is portrayed as a super being guilty of multiple weaknesses including being egotistic, unjust, and hypocritical. Dante, in this poem, depicts God as being more human than divine by challenging God’s omnipotence. Additionally, the manner in which Dante describes Hell is in full contradiction to the morals of God as written in the Bible. When god arranges Hell to flatter Himself, He commits egotism, a sin that is common among human beings (Cheney, 2016). The weakness is depicted in Limbo and on the Gate of Hell where, for instance, God sends those who do not worship Him to Hell. This implies that failure to worship Him is a sin.

God is also depicted as lacking justice in His actions thus removing the godly image. The injustice is portrayed by the manner in which the sodomites and opportunists are treated. The opportunists are subjected to banner chasing in their lives after death followed by being stung by insects and maggots. They are known to having done neither good nor bad during their lifetimes and, therefore, justice could have demanded that they be granted a neutral punishment having lived a neutral life. The sodomites are also punished unfairly by God when Brunetto Lattini is condemned to hell despite being a good leader (Babor, T. F., McGovern, T., & Robaina, K. (2017). While he commited sodomy, God chooses to ignore all the other good deeds that Brunetto did.

Finally, God is also portrayed as being hypocritical in His actions, a sin that further diminishes His godliness and makes Him more human. A case in point is when God condemns the sin of egotism and goes ahead to commit it repeatedly. Proverbs 29:23 states that “arrogance will bring your downfall, but if you are humble, you will be respected.” When Slattery condemns Dante’s human state as being weak, doubtful, and limited, he is proving God’s hypocrisy because He is also human (Verdicchio, 2015). The actions of God in Hell as portrayed by Dante are inconsistent with the Biblical literature. Both Dante and God are prone to making mistakes, something common among human beings thus making God more human.

To wrap it up, Dante portrays God is more human since He commits the same sins that humans commit: egotism, hypocrisy, and injustice. Hell is justified as being a destination for victims of the mistakes committed by God. The Hell is presented as being a totally different place as compared to what is written about it in the Bible. As a result, reading through the text gives an image of God who is prone to the very mistakes common to humans thus ripping Him off His lofty status of divine and, instead, making Him a mere human. Whether or not Dante did it intentionally is subject to debate but one thing is clear in the poem: the misconstrued notion of God is revealed to future generations.

 

References

Babor, T. F., McGovern, T., & Robaina, K. (2017). Dante’s inferno: Seven deadly sins in scientific publishing and how to avoid them. Addiction Science: A Guide for the Perplexed, 267.

Cheney, L. D. G. (2016). Illustrations for Dante’s Inferno: A Comparative Study of Sandro Botticelli, Giovanni Stradano, and Federico Zuccaro. Cultural and Religious Studies4(8), 487.

Verdicchio, M. (2015). Irony and Desire in Dante’s” Inferno” 27. Italica, 285-297.

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