From the READING: Ludmila Jordanova, History in Practice London (pp.87-104):

  1. We have seen that in order to do historical research, it is necessary to investigate primary sources. In what ways can such documents be deceiving?

From the READING: Ludmila Jordanova, History in Practice London (pp.87-104):

  1. In the “Judging Writing” section of the chapter, what are some of the ways “persuasiveness” can be achieved in the writing history?

On p.121, the authors state that “nationalist histories do more than simply legitimize claims to nation status; they can also have a therapeutic and ideological function in that they help to develop a shared national identity and, in doing so, encourage people to take pride in their nation and to develop a collective sense of self-esteem and dignity.” They mention James W. Loewen, who argued that “American history textbooks (…) present mythologized and ideologically distorted depictions of American history.”

Read statements below, and explain how they differ from the narrative of American history to which you were accustomed in high school or which you received from textbooks:

a. Had the United States not come into being in 1776 and proclaimed the freedom of settlers to establish property rights over lands previously ceded to Indians by the Royal Proclamation of 1763, the western limit, the frontier, would not have reached the Mississippi River, where the Spanish Empire still stood in its way.
b. Prior to its demise after the Anglo-North American and French Revolutions, Spain had firmly established itself as the sovereign power from California to the Mississippi Valley and the Gulf Coast. Before the nineteenth century, however, there was tremendous political flux on the continent. Patterns of migration within and across sovereignties, the palimpsest of customs, traditions and cultural systems and quarreling imperial regimes that intersected with mercantile trade systems and forms of usufruct and property of the land, rendered “national” belonging of little attraction in the repertoire of sources of “identity” available to people inhabiting these contested spaces, freely or otherwise
c. The 1803 Louisiana Purchase extended the new nation to the Gulf Coast and the Rocky Mountains and opened the floodgates of the western frontier, a notion that entered into usage as the state-sanctioned policy of Indian removal relentlessly advanced. The extension of United States territorial sovereignty also involved an ongoing struggle over African slavery as well as resistance to it, as New Orleans grew into the largest slave market in North America.

  1. Give one example of how history as taught in schools and universities today, and as manifested in academic histories, plays a crucial socio-political role. What is the boas or the assumption behind it?
  2. After having read pages 118-119 and 138-140, imagine you are a 13th or 14th century European. The Silk Road has just recently established contact and trade with a distant land; a land so far away and so difficult to reach that it exists only in the imagination of the average European. Almost from the moment of first contact, the West established a unique and specific relationship with the East — one that still impacts and influences our conceptions of these regions today. In this relationship (as defined by Edward Said), the West is the “Occident”: the norm, the standard, the center, the fixed point around which the rest of the world orbits. The East is, by contrast, the “Orient”: the abnormal, the exotic, the foreign, the other defined specifically by its deviancy from the Occidental, Western norm. Importantly, this relationship — what Said terms “Orientalism” — draws upon exaggerations of both Occidental and Oriental traits in order to create an Orientalist that is a fictional recapitulation of both East and West. Western men are reimagined as universally Godly, good, moral, virile, and powerful — but ultimately innately human. By contrast, those traits that best serve as a counter-point to the Occidental West are emphasized in the West’s imagined construct of the East: strange religions and martial arts, bright colors and barbaric practices, unusual foods and incomprehensible languages, mysticism and magic, ninjas and kung fu. Asia becomes innately unusual, alien, and beastly. In Orientalism, Asia is not defined by what Asia is; rather, Asia becomes an “Otherized” fiction of everything the West is not, and one that primarily serves to reinforce the West’s own moral conception of itself.

Said is a prominent exponent of “post-colonial” history. Based on the images and thoughts that come to your mind when you think of “Asia”, is your perspective “Orientalist”? Explain.

  1. Explain Eric Hobsbawm’s comment: “HIstory is the raw material for nationalist or ethnic or fundamentalist ideologies […]. The past is an essential element, perhaps the essential element, in these ideologies. If there is no suitable past, it can always be invented.” Give an example from the contemporary period.
  2. Read p.128, and the following 2019 article, which claims that that the changes made to the history curriculum by the Texas Board of Education were “in good faith”: https://www.historians.org/publications-and-directories/perspectives-on-history/january-2019/texas-revises-history-education-again-how-a-good-faith-process-became-political

a. Summarize the arguments of Donnelly & Norton and Kritika Agarwald.

a. Having considered them, what is your opinion on the matter?

  1. What is “denialist” history (p.131)?
  2. “History for its own sake” (p.134) – its objectivity and neutrality – is questioned by post-colonialism (see pp.139-142). Define what this means.
  3. After having read pp.145-147, explain how feminist history and gender history differ.

Sample Solution

Sample solution

Dante Alighieri played a critical role in the literature world through his poem Divine Comedy that was written in the 14th century. The poem contains Inferno, Purgatorio, and Paradiso. The Inferno is a description of the nine circles of torment that are found on the earth. It depicts the realms of the people that have gone against the spiritual values and who, instead, have chosen bestial appetite, violence, or fraud and malice. The nine circles of hell are limbo, lust, gluttony, greed and wrath. Others are heresy, violence, fraud, and treachery. The purpose of this paper is to examine the Dante’s Inferno in the perspective of its portrayal of God’s image and the justification of hell. 

In this epic poem, God is portrayed as a super being guilty of multiple weaknesses including being egotistic, unjust, and hypocritical. Dante, in this poem, depicts God as being more human than divine by challenging God’s omnipotence. Additionally, the manner in which Dante describes Hell is in full contradiction to the morals of God as written in the Bible. When god arranges Hell to flatter Himself, He commits egotism, a sin that is common among human beings (Cheney, 2016). The weakness is depicted in Limbo and on the Gate of Hell where, for instance, God sends those who do not worship Him to Hell. This implies that failure to worship Him is a sin.

God is also depicted as lacking justice in His actions thus removing the godly image. The injustice is portrayed by the manner in which the sodomites and opportunists are treated. The opportunists are subjected to banner chasing in their lives after death followed by being stung by insects and maggots. They are known to having done neither good nor bad during their lifetimes and, therefore, justice could have demanded that they be granted a neutral punishment having lived a neutral life. The sodomites are also punished unfairly by God when Brunetto Lattini is condemned to hell despite being a good leader (Babor, T. F., McGovern, T., & Robaina, K. (2017). While he commited sodomy, God chooses to ignore all the other good deeds that Brunetto did.

Finally, God is also portrayed as being hypocritical in His actions, a sin that further diminishes His godliness and makes Him more human. A case in point is when God condemns the sin of egotism and goes ahead to commit it repeatedly. Proverbs 29:23 states that “arrogance will bring your downfall, but if you are humble, you will be respected.” When Slattery condemns Dante’s human state as being weak, doubtful, and limited, he is proving God’s hypocrisy because He is also human (Verdicchio, 2015). The actions of God in Hell as portrayed by Dante are inconsistent with the Biblical literature. Both Dante and God are prone to making mistakes, something common among human beings thus making God more human.

To wrap it up, Dante portrays God is more human since He commits the same sins that humans commit: egotism, hypocrisy, and injustice. Hell is justified as being a destination for victims of the mistakes committed by God. The Hell is presented as being a totally different place as compared to what is written about it in the Bible. As a result, reading through the text gives an image of God who is prone to the very mistakes common to humans thus ripping Him off His lofty status of divine and, instead, making Him a mere human. Whether or not Dante did it intentionally is subject to debate but one thing is clear in the poem: the misconstrued notion of God is revealed to future generations.

 

References

Babor, T. F., McGovern, T., & Robaina, K. (2017). Dante’s inferno: Seven deadly sins in scientific publishing and how to avoid them. Addiction Science: A Guide for the Perplexed, 267.

Cheney, L. D. G. (2016). Illustrations for Dante’s Inferno: A Comparative Study of Sandro Botticelli, Giovanni Stradano, and Federico Zuccaro. Cultural and Religious Studies4(8), 487.

Verdicchio, M. (2015). Irony and Desire in Dante’s” Inferno” 27. Italica, 285-297.

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