The protagonists in Jane Eyre are products of a class-conscious, race-conscious society in which financial security shapes personal freedom. Many critics
feel that the novel argues for the irrelevance of riches, yet Jane and Mr. Rochester are both constrained by their social position, while Bertha Mason is
constrained by her ethnic/racial heritage.
In an essay of at least 750 words, chose two of the characters (Jane, Rochester, Bertha) and explain how these two characters are constrained by their
respective social class, or gender, or race, and argue whether or not the fact that Jane ends up with the wealthy, landed Rochester, not to mention an
inheritance of her own while Bertha dies in the fire, undermines the novel’s argument for the irrelevance of riches.
Your thesis statement will assert how and why the two characters you’ve selected are constrained by their respective social class, or gender, or race, and
argue whether or not the fact that Jane ends up with the wealthy, landed Rochester, not to mention an inheritance of her own while Bertha dies in the fire,
undermines the novel’s argument for the irrelevance of riches, and assert whether or not the resolution of the novel (Jane and Rochester end up together)
undermine the novel’s message that wealth is irrelevant.
Supporting evidence in body paragraphs must come from the primary text (Jane Eyre) and from a secondary critical source or sources (Susan Fraiman’s
essay “Jane Eyre’s Fall From Grace,” Sandra Gilbert’s critical essay “Plain Jane’s Progress”, “Reading Jane Eyre While Black,” by Tyrese L. Coleman, and/or
“Bertha Mason is Sacred….” by Vanessa Zoltan to support your points.
You will need to use the novel and one or more of the assigned critical articles (Gilbert, Fraimain, Coleman, Zoltan, Atherton, and/or Ara) to support and
develop your thesis statement.
Directions for Writing:
Please organize your essay into three distinct sections:
An introduction that captures your readers’ attention, establishes a context for the discussion, and includes a thesis statement. The thesis statement should
specifically assert an opinion about how/why the two characters you’ve selected are constrained by their respective social class, or gender, or race, and
argue whether or not the fact that Jane ends up with the wealthy, landed Rochester, not to mention an inheritance of her own while Bertha dies in the fire,
undermines the novel’s argument for the irrelevance of riches, that can be supported by textual evidence from the novel, and from one or more of the
assigned critical articles.
A multiple paragraph body which provides evidence in support of the thesis. Each paragraph should begin with a topic sentence that establishes a relevant
connection to the thesis. Each topic sentence will be supported and developed by providing concrete, specific evidence from the novel and from one or both
of the assigned critical articles in the form of summaries, paraphrases, and brief quotes documented according to MLA format. Source material will be
analyzed and evaluated to show how and why it supports a topic sentence, and by extension, the thesis.
A conclusion, which begins with a restatement of the thesis, and continues to bring the essay to a graceful close.
All borrowed material must be correctly documented according to MLA format. Give your essay a title. Double space throughout. Refer to your English 100
handbook for examples of integrating and documenting quotes, summaries, and paraphrases. All borrowed information (summaries, paraphrases, quotes)
must be introduced by a signal phrase and followed by a parenthetical citation. Your essay must include a list of works cited. Be sure to carefully proofread
and edit your final draft. You may not use first person pronouns (I, me, my, mine, myself), or second person pronouns (you, your, yourself, yourselves) unless
part of a direct quotation.

 

Sample solution

Dante Alighieri played a critical role in the literature world through his poem Divine Comedy that was written in the 14th century. The poem contains Inferno, Purgatorio, and Paradiso. The Inferno is a description of the nine circles of torment that are found on the earth. It depicts the realms of the people that have gone against the spiritual values and who, instead, have chosen bestial appetite, violence, or fraud and malice. The nine circles of hell are limbo, lust, gluttony, greed and wrath. Others are heresy, violence, fraud, and treachery. The purpose of this paper is to examine the Dante’s Inferno in the perspective of its portrayal of God’s image and the justification of hell. 

In this epic poem, God is portrayed as a super being guilty of multiple weaknesses including being egotistic, unjust, and hypocritical. Dante, in this poem, depicts God as being more human than divine by challenging God’s omnipotence. Additionally, the manner in which Dante describes Hell is in full contradiction to the morals of God as written in the Bible. When god arranges Hell to flatter Himself, He commits egotism, a sin that is common among human beings (Cheney, 2016). The weakness is depicted in Limbo and on the Gate of Hell where, for instance, God sends those who do not worship Him to Hell. This implies that failure to worship Him is a sin.

God is also depicted as lacking justice in His actions thus removing the godly image. The injustice is portrayed by the manner in which the sodomites and opportunists are treated. The opportunists are subjected to banner chasing in their lives after death followed by being stung by insects and maggots. They are known to having done neither good nor bad during their lifetimes and, therefore, justice could have demanded that they be granted a neutral punishment having lived a neutral life. The sodomites are also punished unfairly by God when Brunetto Lattini is condemned to hell despite being a good leader (Babor, T. F., McGovern, T., & Robaina, K. (2017). While he commited sodomy, God chooses to ignore all the other good deeds that Brunetto did.

Finally, God is also portrayed as being hypocritical in His actions, a sin that further diminishes His godliness and makes Him more human. A case in point is when God condemns the sin of egotism and goes ahead to commit it repeatedly. Proverbs 29:23 states that “arrogance will bring your downfall, but if you are humble, you will be respected.” When Slattery condemns Dante’s human state as being weak, doubtful, and limited, he is proving God’s hypocrisy because He is also human (Verdicchio, 2015). The actions of God in Hell as portrayed by Dante are inconsistent with the Biblical literature. Both Dante and God are prone to making mistakes, something common among human beings thus making God more human.

To wrap it up, Dante portrays God is more human since He commits the same sins that humans commit: egotism, hypocrisy, and injustice. Hell is justified as being a destination for victims of the mistakes committed by God. The Hell is presented as being a totally different place as compared to what is written about it in the Bible. As a result, reading through the text gives an image of God who is prone to the very mistakes common to humans thus ripping Him off His lofty status of divine and, instead, making Him a mere human. Whether or not Dante did it intentionally is subject to debate but one thing is clear in the poem: the misconstrued notion of God is revealed to future generations.

 

References

Babor, T. F., McGovern, T., & Robaina, K. (2017). Dante’s inferno: Seven deadly sins in scientific publishing and how to avoid them. Addiction Science: A Guide for the Perplexed, 267.

Cheney, L. D. G. (2016). Illustrations for Dante’s Inferno: A Comparative Study of Sandro Botticelli, Giovanni Stradano, and Federico Zuccaro. Cultural and Religious Studies4(8), 487.

Verdicchio, M. (2015). Irony and Desire in Dante’s” Inferno” 27. Italica, 285-297.

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